{"id":1212,"date":"1987-10-11T14:15:13","date_gmt":"1987-10-11T13:15:13","guid":{"rendered":"http:\/\/www.lilec.it\/francofonia\/?p=1212"},"modified":"2017-03-29T12:55:25","modified_gmt":"2017-03-29T10:55:25","slug":"13-1987","status":"publish","type":"post","link":"http:\/\/www.lilec.it\/francofonia\/13-1987\/","title":{"rendered":"13 Automne \/ Autunno 1987"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><h2 style=\"text-align: center;\" data-fontsize=\"34\" data-lineheight=\"47\"><strong><div class=\"fusion-counters-circle counters-circle\" data-animationOffset=\"top-into-view\"><div class=\"counter-circle-wrapper\" style=\"--awb-font-size:34.090909090909px;--awb-size:150px;\" data-originalsize=\"150\"><div class=\"fusion-counter-circle counter-circle counter-circle-content\" data-percent=\"100\" data-countdown=\"\" data-filledcolor=\"rgba(0,165,55,1)\" data-unfilledcolor=\"rgba(246,246,246,1)\" data-scale=\"\" data-size=\"150\" data-speed=\"1500\" data-strokesize=\"7.5\"><div class=\"fusion-counter-circle-content-inner\">13<\/div><\/div><\/div><\/div>Automne \/ Autunno\u00a01987<\/strong><\/h2>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.jstor.org\/stable\/i40116660\" target=\"_blank\"><img decoding=\"async\" class=\"alignleft wp-image-321\" src=\"http:\/\/www.lilec.it\/francofonia\/wp\/wp-content\/uploads\/2017\/03\/JSTOR_Logo_RGB_60x76-1.gif\" alt=\"\" width=\"46\" height=\"59\" \/><\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.jstor.org\/stable\/i40116660\" target=\"_blank\">Lire ce num\u00e9ro sur JSTOR<\/a><br \/>\n<a href=\"http:\/\/www.jstor.org\/stable\/i40116660\" target=\"_blank\">Leggere questo numero su JSTOR<\/a><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-color:#ff3300;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:30px;--awb-padding-bottom:35px;--awb-background-color:rgba(224,224,224,0.95);--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-2\"><h2 style=\"text-align: center;\"><span style=\"color: #000000;\">Sommaire \/ Indice<\/span><\/h2>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-right:20px;--awb-padding-left:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-section-separator section-separator triangle fusion-section-separator-1\" style=\"--awb-border-bottom:1px solid rgba(224,224,224,0.95);--awb-spacer-height:1px;--awb-svg-margin-left:0;--awb-svg-margin-right:0;--awb-icon-color:#ffffff;\"><div class=\"fusion-section-separator-svg\"><div class=\"divider-candy-arrow bottom\" style=\"top:0px;border-top-color: rgba(224,224,224,0.95);\"><\/div><div class=\"divider-candy bottom\" style=\"bottom:-21px;border-bottom:1px solid rgba(224,224,224,0.95);border-left:1px solid rgba(224,224,224,0.95);\"><\/div><\/div><div class=\"fusion-section-separator-spacer\"><div class=\"fusion-section-separator-spacer-height\"><\/div><\/div><\/div><div class=\"fusion-text fusion-text-3\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-tabs fusion-tabs-1 classic nav-is-justified horizontal-tabs icon-position-left mobile-mode-accordion\" style=\"--awb-title-border-radius-top-left:0px;--awb-title-border-radius-top-right:0px;--awb-title-border-radius-bottom-right:0px;--awb-title-border-radius-bottom-left:0px;--awb-inactive-color:#ebeaea;--awb-background-color:#ffffff;--awb-border-color:#ebeaea;--awb-active-border-color:#278157;\"><div class=\"nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li class=\"active\" role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-872249de527b8943a0b\" aria-selected=\"true\" id=\"fusion-tab-articles\" href=\"#tab-872249de527b8943a0b\"><h4 class=\"fusion-tab-heading\">Articles<\/h4><\/a><\/li><li role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-e791f6d81a30d695525\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-r\u00e9sum\u00e9s\" href=\"#tab-e791f6d81a30d695525\"><h4 class=\"fusion-tab-heading\">R\u00e9sum\u00e9s<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-content\"><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li class=\"active\" role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-872249de527b8943a0b\" aria-selected=\"true\" id=\"mobile-fusion-tab-articles\" href=\"#tab-872249de527b8943a0b\"><h4 class=\"fusion-tab-heading\">Articles<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix in active\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-articles\" id=\"tab-872249de527b8943a0b\">\n<p><strong>Jean Milly<\/strong>,\u00a0Autobiographie et litt\u00e9rature chez Proust<\/p>\n<p><strong>Marie-Louise Lentengre<\/strong>, Aux sources de la m\u00e9tamorphose de\u00a0<em>Sic<\/em>.\u00a0La rencontre de Gino Severini et Pierre Albert-Birot<\/p>\n<p><strong>Paolo Budini<\/strong>,\u00a0La metrica delle canzoni di Charles d\u2019Orl\u00e9ans<\/p>\n<p><strong>Lina Zecchi<\/strong>,\u00a0Grande marionetta di paura<\/p>\n<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-e791f6d81a30d695525\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-r\u00e9sum\u00e9s\" href=\"#tab-e791f6d81a30d695525\"><h4 class=\"fusion-tab-heading\">R\u00e9sum\u00e9s<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-r\u00e9sum\u00e9s\" id=\"tab-e791f6d81a30d695525\">\n<p><strong>Jean Milly<\/strong>,\u00a0Autobiographie et litt\u00e9rature chez Proust<br \/>\nL&#8217;attraction du roman proustien dans le champ de l&#8217;autobiographie s&#8217;est fortement att\u00e9nu\u00e9e depuis que la critique a entrepris de s&#8217;interroger sur le fonctionnement interne de l&#8217;\u0153uvre. Comment Proust parvient-il \u00e0 articuler ces deux tendances: nourrir sa fiction de sa propre exp\u00e9rience et s\u00e9parer nettement l&#8217;homme de l&#8217;\u0153uvre? La recherche o\u00f9, en tout, la culture l&#8217;emporte sur la nature, est un immense travail de construction narrative que les r\u00e9centes \u00e9tudes de gen\u00e8se \u00e9clairent d&#8217;une lumi\u00e8re nouvelle.<\/p>\n<p><strong>Marie-Louise Lentengre<\/strong>, Aux sources de la m\u00e9tamorphose de\u00a0<em>Sic<\/em>.\u00a0La rencontre de Gino Severini et Pierre Albert-Birot<br \/>\nPierre Albert-Birot, fondateur de la revue \u00ab Sic \u00bb qui fut, de 1916 \u00e0 1919, le carrefour du futurisme, du cubisme, du dada\u00efsme et de l&#8217;esprit nouveau, avait v\u00e9cu les quarante premi\u00e8res ann\u00e9es de sa vie dans un monde ferm\u00e9 \u00e0 toutes les id\u00e9es nouvelles. Peintre et sculpteur, il \u00e9tait en qu\u00eate d&#8217;une parole po\u00e9tique qui semblait lui \u00e9chapper obstin\u00e9ment. En lui ouvrant les portes de l&#8217;univers moderniste, le peintre italien Gino Severini l&#8217;aida \u00e0 cette d\u00e9couverte dont t\u00e9moigne la naissance de \u00ab Sic\u00bb, en janvier 1916, apr\u00e8s bien des projets de revues avort\u00e9s.<\/p>\n<p><strong>Paolo Budini<\/strong>,\u00a0La metrica delle canzoni di Charles d\u2019Orl\u00e9ans<br \/>\nDans les chansons de Charles d&#8217;Orl\u00e9ans, par-del\u00e0 la th\u00e9matique conventionnelle de l&#8217;amour courtois, ce sont surtout les structures prosodiques qui fondent l&#8217;originalit\u00e9 du texte et qui renvoient au r\u00e9f\u00e9rent d&#8217;une mondanit\u00e9 de cour, agissant dans un milieu clos et immuable.<\/p>\n<p><strong>Lina Zecchi<\/strong>,\u00a0Grande marionetta di paura<br \/>\nDans\u00a0la France\u00a0fin-de-si\u00e8cle, le th\u00e9\u00e2tre du Grand-Gui\u00adgnol est envisag\u00e9 comme une sorte de mise en sc\u00e8ne de la peur \u00ab abjecte \u00bb et des hantises bourgeoises. A travers l&#8217;analyse de trois pi\u00e8ces \u00e0 succ\u00e8s de ce th\u00e9\u00e2tre noir, cet essai vise \u00e0 d\u00e9montrer que le Grand-Guignol, situ\u00e9 \u00e0 mi-chemin entre la \u00ab sublime \u00bb cruaut\u00e9 artaudienne et la \u00ab banale \u00bb visualisation des futurs media, est un seuil de passage in\u00e9liminable de la ritualit\u00e9 collective \u00e0 la peur technologique.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-text fusion-text-4\"><h2>Notes et commentaires\/Note e rassegne<\/h2>\n<p><strong>Francis Claudon<\/strong>,\u00a0Victor Hugo et l\u2019\u00e9tranger<em>\u00a0<\/em><\/p>\n<p><strong>Wilfried Floeck<\/strong>,\u00a0Victor Hugo et l\u2019Espagne<em>\u00a0<\/em><\/p>\n<p><strong>Albert Mechthild<\/strong>,\u00a0Victor Hugo et les po\u00e9sies orientales du R..P.\u00a0 Arolas<\/p>\n<p><strong>Dieter Janik<\/strong>, <em>Momotombo<\/em>,\u00a0ou la dimension mythique de Victor Hugo dans la po\u00e9sie hispano-am\u00e9ricaine au XIX<sup>e<\/sup> si\u00e8cle<\/p>\n<p><strong>Liano Petroni<\/strong>,\u00a0Les Etats-Unis d\u2019Europe dans une lettre peu connue de Victor Hugo \u00e0 un arch\u00e9ologue sarde<\/p>\n<h2>Comptes rendus\/Recensioni<\/h2>\n<p><strong>J. Chevrier<\/strong>,\u00a0<em>L\u2019arbre \u00e0 palabres. Essai sur les contes et r\u00e9cits traditionnels d\u2019Afrique noire\u00a0<\/em>(Elisabetta Gandolfi)<\/p>\n<p><strong>AA.VV<\/strong>.,\u00a0<em>Fran\u00e7ois Mauriac, Colloque de Poitiers, mars 1985\u00a0<\/em>(Paolo Budini)<\/p>\n<p><strong>J. Tardieu<\/strong>,\u00a0<em>Margeries, po\u00e8mes in\u00e9dits 1910-1985\u00a0<\/em>(Paola Olivi)<\/p>\n<p><strong>A. Limentani<\/strong>, <strong>M. Infurna<\/strong>,\u00a0<em>L\u2019epica\u00a0<\/em>(Giovanna Barbara Rosiello)<\/p>\n<p>\u00ab Revue d\u2019Etudes vall\u00e9siennes \u00bb, 1 e 2 (Federico Montanari)<\/p>\n<h2>Notes de lecture\/Pubblicazioni ricevute e schede<\/h2>\n<h2>Actualit\u00e9s\/Notiziario<\/h2>\n<p>Pubblicato con contributi\u00a0dell\u2019Universit\u00e0 di Bologna.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<h3 style=\"text-align: center;\" data-fontsize=\"34\" data-lineheight=\"47\"><em><strong>Num\u00e9ro libre<\/strong><\/em><em><strong><sup><\/sup><\/strong><\/em><\/h3>\n","protected":false},"author":2,"featured_media":1340,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rivista"],"_links":{"self":[{"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/comments?post=1212"}],"version-history":[{"count":8,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1212\/revisions"}],"predecessor-version":[{"id":1891,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1212\/revisions\/1891"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/media\/1340"}],"wp:attachment":[{"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/media?parent=1212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/categories?post=1212"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/tags?post=1212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}