{"id":1285,"date":"1991-10-11T22:41:39","date_gmt":"1991-10-11T21:41:39","guid":{"rendered":"http:\/\/www.lilec.it\/francofonia\/?p=1285"},"modified":"2017-03-29T12:48:20","modified_gmt":"2017-03-29T10:48:20","slug":"21-1991","status":"publish","type":"post","link":"http:\/\/www.lilec.it\/francofonia\/21-1991\/","title":{"rendered":"21 Automne \/ Autunno 1991"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><h2 style=\"text-align: center;\" data-fontsize=\"34\" data-lineheight=\"47\"><strong><div class=\"fusion-counters-circle counters-circle\" data-animationOffset=\"top-into-view\"><div class=\"counter-circle-wrapper\" style=\"--awb-font-size:34.090909090909px;--awb-size:150px;\" data-originalsize=\"150\"><div class=\"fusion-counter-circle counter-circle counter-circle-content\" data-percent=\"100\" data-countdown=\"\" data-filledcolor=\"rgba(0,165,55,1)\" data-unfilledcolor=\"rgba(246,246,246,1)\" data-scale=\"\" data-size=\"150\" data-speed=\"1500\" data-strokesize=\"7.5\"><div class=\"fusion-counter-circle-content-inner\">21<\/div><\/div><\/div><\/div>Automne \/ Autunno 1991<\/strong><\/h2>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.jstor.org\/stable\/i40116668\" target=\"_blank\"><img decoding=\"async\" class=\"alignleft wp-image-321\" src=\"http:\/\/www.lilec.it\/francofonia\/wp\/wp-content\/uploads\/2017\/03\/JSTOR_Logo_RGB_60x76-1.gif\" alt=\"\" width=\"46\" height=\"59\" \/><\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.jstor.org\/stable\/i40116668\" target=\"_blank\">Lire ce num\u00e9ro sur JSTOR<\/a><br \/>\n<a href=\"http:\/\/www.jstor.org\/stable\/i40116668\" target=\"_blank\">Leggere questo numero su JSTOR<\/a><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-color:#ff3300;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:30px;--awb-padding-bottom:35px;--awb-background-color:rgba(224,224,224,0.95);--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-2\"><h2 style=\"text-align: center;\"><span style=\"color: #000000;\">Sommaire \/ Indice<\/span><\/h2>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-right:20px;--awb-padding-left:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-section-separator section-separator triangle fusion-section-separator-1\" style=\"--awb-border-bottom:1px solid rgba(224,224,224,0.95);--awb-spacer-height:1px;--awb-svg-margin-left:0;--awb-svg-margin-right:0;--awb-icon-color:#ffffff;\"><div class=\"fusion-section-separator-svg\"><div class=\"divider-candy-arrow bottom\" style=\"top:0px;border-top-color: rgba(224,224,224,0.95);\"><\/div><div class=\"divider-candy bottom\" style=\"bottom:-21px;border-bottom:1px solid rgba(224,224,224,0.95);border-left:1px solid rgba(224,224,224,0.95);\"><\/div><\/div><div class=\"fusion-section-separator-spacer\"><div class=\"fusion-section-separator-spacer-height\"><\/div><\/div><\/div><div class=\"fusion-text fusion-text-3\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-tabs fusion-tabs-1 classic nav-is-justified horizontal-tabs icon-position-left mobile-mode-accordion\" style=\"--awb-title-border-radius-top-left:0px;--awb-title-border-radius-top-right:0px;--awb-title-border-radius-bottom-right:0px;--awb-title-border-radius-bottom-left:0px;--awb-inactive-color:#ebeaea;--awb-background-color:#ffffff;--awb-border-color:#ebeaea;--awb-active-border-color:#278157;\"><div class=\"nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li class=\"active\" role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-5097a6561e1f9beb260\" aria-selected=\"true\" id=\"fusion-tab-articles\" href=\"#tab-5097a6561e1f9beb260\"><h4 class=\"fusion-tab-heading\">Articles<\/h4><\/a><\/li><li role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-55f0ec176ad5e064d40\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-r\u00e9sum\u00e9s\" href=\"#tab-55f0ec176ad5e064d40\"><h4 class=\"fusion-tab-heading\">R\u00e9sum\u00e9s<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-content\"><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li class=\"active\" role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-5097a6561e1f9beb260\" aria-selected=\"true\" id=\"mobile-fusion-tab-articles\" href=\"#tab-5097a6561e1f9beb260\"><h4 class=\"fusion-tab-heading\">Articles<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix in active\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-articles\" id=\"tab-5097a6561e1f9beb260\">\n<p><strong>Jean D\u00e9jeux<\/strong>, Une lycanthropie arabo-finnoise: <em>Le sommeil d\u2019\u00c8ve<\/em> de Mohammed Dib<\/p>\n<p><strong>Glenn W. Fetzer<\/strong>, Desire and the problem of framing in the poetry of Jacques Dupin<\/p>\n<p><strong>Giuliana Cuoghi<\/strong>, <em>Dix-neuf po\u00e8mes \u00e9lastiques<\/em> : quale modernit\u00e0?<\/p>\n<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-55f0ec176ad5e064d40\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-r\u00e9sum\u00e9s\" href=\"#tab-55f0ec176ad5e064d40\"><h4 class=\"fusion-tab-heading\">R\u00e9sum\u00e9s<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-r\u00e9sum\u00e9s\" id=\"tab-55f0ec176ad5e064d40\">\n<p><strong>Jean D\u00e9jeux<\/strong>, Une lycanthropie arabo-finnoise:\u00a0<em>Le sommeil d\u2019\u00c8ve<\/em>\u00a0de Mohammed Dib<br \/>\n<em>Le Sommeil d&#8217;Eve<\/em> (1989) est le second volet de la trilogie romanesque, dite nordique, de Mohammed Dib. Difficile d&#8217;acc\u00e8s, ce roman n&#8217;a pas donn\u00e9 lieu \u00e0 une abondante r\u00e9ception critique dans les p\u00e9riodiques. Dib est parti d&#8217;une l\u00e9gende de lycanthropie d&#8217;Aino Kallas (1878-1956): par amour du loup (<em>dhib<\/em>), Solh dans le roman, Fa\u00efna devient louve. Mais la conjonction totale entre amants est impossible. L&#8217;androgyne n&#8217;est qu&#8217;un mythe. L&#8217;\u00e9criture des limites montre aussi les limites de la qu\u00eate impossible. La d\u00e9mesure ne peut \u00eatre que \u00abdamnation\u00bb, \u00abporte toujours ouverte sur l&#8217;ab\u00eeme\u00bb.<\/p>\n<p><strong>Glenn W. Fetzer<\/strong>, Desire and the problem of framing in the poetry of Jacques Dupin<br \/>\nLa po\u00e9sie de Jacques Dupin, tend de par son essence m\u00eame \u00e0 r\u00e9aliser dans l&#8217;acte d&#8217;\u00e9crire ce que le d\u00e9sir m\u00eame de cet acte voudrait \u00e9prouver. Po\u00e9sie rar\u00e9fi\u00e9e et rigoureuse, attir\u00e9e par la limite du vide et de la dissolution de la forme \u00ab\u00e0 la surface et dans la profondeur de l&#8217;air\u00bb, comme l&#8217;a bien vu le critique J. M. Reynard.<\/p>\n<p><strong>Giuliana Cuoghi<\/strong>,\u00a0<em>Dix-neuf po\u00e8mes \u00e9lastiques<\/em>\u00a0: quale modernit\u00e0?<br \/>\nLes <em>Dix-neuf po\u00e8mes \u00e9lastiques<\/em> de Blaise Cendrars, m\u00e9connus, sinon ridiculis\u00e9s, \u00e0 leur \u00e9poque, ignor\u00e9s par le public, red\u00e9couverts aujourd&#8217;hui apr\u00e8s un assez long oubli, lus par la critique comme des po\u00e8mes se situant \u00ab \u00e0 la source du lyrisme moderne \u00bb, devraient plut\u00f4t \u00eatre consid\u00e9r\u00e9s comme une traduction, en paroles et formules liturgiques, des peurs et des obsessions s\u00e9culaires, que l&#8217;homme, m\u00eame l&#8217;homme moderne, s&#8217;efforce d&#8217;exorciser.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-text fusion-text-4\"><h2>Notes et commentaires\/Note e rassegne<\/h2>\n<p><strong>Marianne Bury<\/strong>, <em>R\u00e9alisme et pr\u00e9ciosit\u00e9 chez les Goncourt<\/em><\/p>\n<p><strong>Elisabeth Launay<\/strong>, <em>Les Goncourt collectionneurs: des vertus de la \u00abcuriosit\u00e9\u00bb ou la dette du litt\u00e9rateur envers l\u2019amateur<\/em><\/p>\n<p><strong>S\u00e9gol\u00e8ne Le Men<\/strong>, <em>Les Goncourt et Gavarni <\/em><\/p>\n<p><strong>Gabrielle Houbre<\/strong>, <em>Le mauvais proc\u00e8s de <\/em>La Fille \u00c9lisa<\/p>\n<p><strong>Michel Crouzet<\/strong>, <em>Rh\u00e9torique du r\u00e9el dans <\/em>Manette Salomon<\/p>\n<h2>Comptes rendus\/Recensioni<\/h2>\n<p><strong>M. Quaghebeur<\/strong>, <em>Lettres belges entre absence et magie<\/em> (Jean Robaey)<\/p>\n<p><strong>G. Fiori<\/strong>, <em>Simone Weil. Une femme absolue<\/em> (Maria Luisa Di Biasi)<\/p>\n<p><strong>F. Lestringant<\/strong>, <em>Le huguenot et le sauvage<\/em> (Valeria Pompejano Natoli)<\/p>\n<p><strong>P. Oppici<\/strong>, <em>L\u2019idea di \u00abbienfaisance\u00bb nel Settecento francese o il laccio di Aglaia<\/em> (Elena Pessini)<\/p>\n<p><strong>P. Vecchi<\/strong>, <em>Salute, morte e compensazione nel Settecento francese<\/em> (Carmelina Imbroscio)<\/p>\n<h2>Notes de lecture\/Pubblicazioni ricevute e schede<\/h2>\n<h2>Actualit\u00e9s\/Notiziario<\/h2>\n<p>Pubblicato con contributi del Ministero dell\u2019Universit\u00e0 e della Ricerca Scientifica e Tecnologica, e dell&#8217; Universit\u00e0 di Bologna. Lavori eseguiti con un contributo del C.N.R.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<h3 style=\"text-align: center;\" data-fontsize=\"34\" data-lineheight=\"47\"><em><strong>Num\u00e9ro libre<\/strong><\/em><em><strong><sup><\/sup><\/strong><\/em><\/h3>\n","protected":false},"author":2,"featured_media":1348,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rivista"],"_links":{"self":[{"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/comments?post=1285"}],"version-history":[{"count":10,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1285\/revisions"}],"predecessor-version":[{"id":1400,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1285\/revisions\/1400"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/media\/1348"}],"wp:attachment":[{"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/media?parent=1285"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/categories?post=1285"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/tags?post=1285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}