{"id":1198,"date":"1989-03-11T13:53:42","date_gmt":"1989-03-11T12:53:42","guid":{"rendered":"http:\/\/www.lilec.it\/francofonia\/?p=1198"},"modified":"2017-03-29T12:53:22","modified_gmt":"2017-03-29T10:53:22","slug":"16-1989","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/francofonia\/16-1989\/","title":{"rendered":"16 Printemps \/ Primavera 1989"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><h2 style=\"text-align: center;\" data-fontsize=\"34\" data-lineheight=\"47\"><strong><div class=\"fusion-counters-circle counters-circle\" data-animationOffset=\"top-into-view\"><div class=\"counter-circle-wrapper\" style=\"--awb-font-size:34.090909090909px;--awb-size:150px;\" data-originalsize=\"150\"><div class=\"fusion-counter-circle counter-circle counter-circle-content\" data-percent=\"100\" data-countdown=\"\" data-filledcolor=\"rgba(0,165,55,1)\" data-unfilledcolor=\"rgba(246,246,246,1)\" data-scale=\"\" data-size=\"150\" data-speed=\"1500\" data-strokesize=\"7.5\"><div class=\"fusion-counter-circle-content-inner\">16<\/div><\/div><\/div><\/div>Printemps \/ Primavera\u00a01989<\/strong><\/h2>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.jstor.org\/stable\/i40116663\" target=\"_blank\"><img decoding=\"async\" class=\"alignleft wp-image-321\" src=\"http:\/\/www.lilec.it\/francofonia\/wp\/wp-content\/uploads\/2017\/03\/JSTOR_Logo_RGB_60x76-1.gif\" alt=\"\" width=\"46\" height=\"59\" \/><\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.jstor.org\/stable\/i40116663\" target=\"_blank\">Lire ce num\u00e9ro sur JSTOR<\/a><br \/>\n<a href=\"http:\/\/www.jstor.org\/stable\/i40116663\" target=\"_blank\">Leggere questo numero su JSTOR<\/a><\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-color:#ff3300;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:30px;--awb-padding-bottom:35px;--awb-background-color:rgba(224,224,224,0.95);--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-2\"><h2 style=\"text-align: center;\"><span style=\"color: #000000;\">Sommaire \/ Indice<\/span><\/h2>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 hundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-right:20px;--awb-padding-left:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-section-separator section-separator triangle fusion-section-separator-1\" style=\"--awb-border-bottom:1px solid rgba(224,224,224,0.95);--awb-spacer-height:1px;--awb-svg-margin-left:0;--awb-svg-margin-right:0;--awb-icon-color:#ffffff;\"><div class=\"fusion-section-separator-svg\"><div class=\"divider-candy-arrow bottom\" style=\"top:0px;border-top-color: rgba(224,224,224,0.95);\"><\/div><div class=\"divider-candy bottom\" style=\"bottom:-21px;border-bottom:1px solid rgba(224,224,224,0.95);border-left:1px solid rgba(224,224,224,0.95);\"><\/div><\/div><div class=\"fusion-section-separator-spacer\"><div class=\"fusion-section-separator-spacer-height\"><\/div><\/div><\/div><div class=\"fusion-text fusion-text-3\"><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-tabs fusion-tabs-1 classic nav-is-justified horizontal-tabs icon-position-left mobile-mode-accordion\" style=\"--awb-title-border-radius-top-left:0px;--awb-title-border-radius-top-right:0px;--awb-title-border-radius-bottom-right:0px;--awb-title-border-radius-bottom-left:0px;--awb-inactive-color:#ebeaea;--awb-background-color:#ffffff;--awb-border-color:#ebeaea;--awb-active-border-color:#278157;\"><div class=\"nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li class=\"active\" role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-156a7917d1487fe971d\" aria-selected=\"true\" id=\"fusion-tab-articles\" href=\"#tab-156a7917d1487fe971d\"><h4 class=\"fusion-tab-heading\">Articles<\/h4><\/a><\/li><li role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-6cbdc149afe978a8e8e\" aria-selected=\"false\" tabindex=\"-1\" id=\"fusion-tab-r\u00e9sum\u00e9s\" href=\"#tab-6cbdc149afe978a8e8e\"><h4 class=\"fusion-tab-heading\">R\u00e9sum\u00e9s<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-content\"><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li class=\"active\" role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-156a7917d1487fe971d\" aria-selected=\"true\" id=\"mobile-fusion-tab-articles\" href=\"#tab-156a7917d1487fe971d\"><h4 class=\"fusion-tab-heading\">Articles<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix in active\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-articles\" id=\"tab-156a7917d1487fe971d\">\n<p><strong>R\u00e9al Ouellet<\/strong>,\u00a0Un perp\u00e9tuel fr\u00f4lement du d\u00e9sastre:<em> L\u2019hiver de Mira Christophe <\/em>par Pierre Nepveu<em>\u00a0\u00a0\u00a0<\/em><\/p>\n<p><strong>Lois Grant<\/strong>,\u00a0Une analyse textuelle de<em> L\u2019homme \u00e0 la cervelle d\u2019or <\/em>d\u2019Alphonse Daudet<\/p>\n<p><strong>Fernand Roy<\/strong>,\u00a0L\u2019\u00a0inscription du litt\u00e9raire dans les textes de fiction: l\u2019\u00e9crit dans<em>\u00a0La terre\u00a0<\/em>d\u2019Emile Zola<\/p>\n<p><strong>Paolo Budini<\/strong>,\u00a0Le rondel d\u2019Albert Giraud<\/p>\n<\/div><div class=\"nav fusion-mobile-tab-nav\"><ul class=\"nav-tabs nav-justified\" role=\"tablist\"><li role=\"presentation\"><a class=\"tab-link\" data-toggle=\"tab\" role=\"tab\" aria-controls=\"tab-6cbdc149afe978a8e8e\" aria-selected=\"false\" tabindex=\"-1\" id=\"mobile-fusion-tab-r\u00e9sum\u00e9s\" href=\"#tab-6cbdc149afe978a8e8e\"><h4 class=\"fusion-tab-heading\">R\u00e9sum\u00e9s<\/h4><\/a><\/li><\/ul><\/div><div class=\"tab-pane fade fusion-clearfix\" role=\"tabpanel\" tabindex=\"0\" aria-labelledby=\"fusion-tab-r\u00e9sum\u00e9s\" id=\"tab-6cbdc149afe978a8e8e\">\n<p><strong>R\u00e9al Ouellet<\/strong>,\u00a0Un perp\u00e9tuel fr\u00f4lement du d\u00e9sastre:<em> L\u2019hiver de Mira Christophe <\/em>par Pierre Nepveu<br \/>\n<em>L&#8217;hiver de Mira\u00a0Christophe<\/em>\u00a0de Pierre Nepveu, v\u00e9ritable po\u00e8me de g\u00e9ographie urbaine, reparcourt par \u00ab\u00a0coul\u00e9es associatives \u00bb les lieux du souvenir entre Montr\u00e9al et Vancouver. Replac\u00e9e dans une production romanesque r\u00e9cente, l&#8217;angoisse du personnage masculin devant la paternit\u00e9 peut se lire comme m\u00e9taphore d&#8217;une hantise collective de perte de la culture maternelle.<\/p>\n<p><strong>Lois Grant<\/strong>,\u00a0Une analyse textuelle de<em> L\u2019homme \u00e0 la cervelle d\u2019or <\/em>d\u2019Alphonse Daudet<br \/>\nL&#8217;int\u00e9r\u00eat particulier du conte d&#8217;Alphonse Daudet,\u00a0<em>La l\u00e9gende de l&#8217;homme \u00e0 la cervelle d&#8217;or<\/em>\u00a0est d&#8217;int\u00e9grer deux textes types: la forme \u00e9pistolaire et la l\u00e9gende ou le conte merveilleux. Le but de l&#8217;analyse est de d\u00e9gager les liens narratifs qui les unissent \u00e0 divers niveaux. La structure syntaxique est mise en relief par une exploitation du mod\u00e8le quinaire de P. Larivaille et la structure s\u00e9mantique en fonction du carr\u00e9 s\u00e9miotique de A. J. Greimas.<\/p>\n<p><strong>Fernand Roy<\/strong>,\u00a0L\u2019\u00a0inscription du litt\u00e9raire dans les textes de fiction: l\u2019\u00e9crit dans<em>\u00a0La terre\u00a0<\/em>d\u2019Emile Zola<br \/>\nCette proposition de lecture de\u00a0<em>La Terre<\/em>\u00a0d&#8217;Emile Zola se situe dans un projet qui vise \u00e0 une \u00e9tude syst\u00e9matique de \u00ab l&#8217;inscription in\u00e9vitable du litt\u00e9raire \u00bb dans le roman du XIX<sup>e<\/sup>\u00a0si\u00e8cle. Le sch\u00e9ma narratif de\u00a0<em>La Terre<\/em>\u00a0est pr\u00e9sent\u00e9 \u00e0 travers une mise en lumi\u00e8re du fonctionnement de quatre inscriptions: il ne s&#8217;agit pas de simples citations, mais de r\u00e9f\u00e9rences \u00e0 des \u00e9crits qui, tout en \u00e9tant ext\u00e9rieurs \u00e0 l&#8217;\u0153uvre, engendrent, \u00e0 l&#8217;int\u00e9rieur de celle-ci, un processus significatif de lecture\/interpr\u00e9tation. Dans l&#8217;optique choisie, c&#8217;est \u00e0 la notion m\u00eame d&#8217;histoire que renverrait, dans le texte romanesque, l&#8217;inscription litt\u00e9raire ainsi con\u00e7ue.<\/p>\n<p><strong>Paolo Budini<\/strong>,\u00a0Le rondel d\u2019Albert Giraud<br \/>\n<em>Le rondel<\/em>\u00a0d&#8217;Albert Giraud, sugg\u00e9r\u00e9 par le mod\u00e8le de Ban\u00adville, qui reprenait l&#8217;ancienne forme m\u00e9trique ch\u00e8re \u00e0 Charles d&#8217;Orl\u00e9ans, fonde son originalit\u00e9 sur des structures prosodiques, articul\u00e9es et rigoureuses, et sur une th\u00e9matique proche du d\u00e9cadentisme, qui semble parfois annoncer l&#8217;expressionnisme.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-text fusion-text-4\"><h2>Notes et commentaires\/Note e rassegne<\/h2>\n<p><strong>Reginald Mcginnis<\/strong>,\u00a0\u00c0 propos d\u2019Albertine<em>\u00a0<\/em><\/p>\n<p><strong>Marguerite Rivoire Zappal\u00e0<\/strong>,\u00a0Les \u00e9rotismes dans<em> La nuit sacr\u00e9e<\/em> de Tahar Ben Jelloun<\/p>\n<p><strong>Anna Zoppellari<\/strong>,\u00a0Il nome e l\u2019immagine. Onomastica e strutturazione ne<em>\u00a0L\u2019Immortelle<\/em> di Alain Robbe-Grillet<\/p>\n<h2>Comptes rendus\/Recensioni<\/h2>\n<p><strong>Cl. Simon<\/strong>,\u00a0<em>Discours de Stockholm\u00a0<\/em>(Paolo Budini)<\/p>\n<p><strong>J. Starobinski<\/strong>, <strong>G. Raillard<\/strong>, <strong>L. D\u00e4llenbach<\/strong>, <strong>R. Dragonetti<\/strong>,\u00a0<em>Sur\u00a0Claude Simon\u00a0<\/em>(Guido Neri)<\/p>\n<p><strong>J. Ethier-Blais<\/strong>,\u00a0<em>Voyage d\u2019hiver\u00a0<\/em>(Anne de Vaucher Gravili)<\/p>\n<p><strong>J. Ethier-Blais<\/strong>,\u00a0<em>Le d\u00e9sert blanc\u00a0<\/em>(Anne de Vaucher Gravili)<\/p>\n<p><strong>Richard De Fournival<\/strong>,\u00a0<em>Il Bestiario d\u2019amore e la Risposta al Bestiario, a\u00a0<\/em>cura di F. Zambon (Giovanna Barbara Rosiello)<\/p>\n<p><strong>P. Carile<\/strong>,\u00a0<em>Lo sguardo impedito. Studi sulle relazioni di viaggio in\u00a0<\/em>Nouvelle France<em> e sulla letteratura popolare\u00a0<\/em>(Adriano Marchetti)<\/p>\n<p><em>Viaggi e viaggiatori del Settecento in Emilia e in Romagna, a\u00a0<\/em>cura\u00a0di G. Cusatelli (Carmelina Imbroscio)<\/p>\n<h2>Notes de lecture\/Pubblicazioni ricevute e schede<\/h2>\n<h2>Actualit\u00e9s\/Notiziario<\/h2>\n<p>Pubblicato con contributi dell&#8217;Universit\u00e0 di Bologna.<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<h3 style=\"text-align: center;\" data-fontsize=\"34\" data-lineheight=\"47\"><em><strong>Num\u00e9ro libre<\/strong><\/em><em><strong><sup><\/sup><\/strong><\/em><\/h3>\n","protected":false},"author":2,"featured_media":1343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rivista"],"_links":{"self":[{"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/comments?post=1198"}],"version-history":[{"count":9,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1198\/revisions"}],"predecessor-version":[{"id":1888,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/1198\/revisions\/1888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/media\/1343"}],"wp:attachment":[{"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/media?parent=1198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/categories?post=1198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/tags?post=1198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}