{"id":890,"date":"1999-12-08T15:39:51","date_gmt":"1999-12-08T14:39:51","guid":{"rendered":"http:\/\/www.lilec.it\/francofonia\/?p=890"},"modified":"2017-03-29T12:36:20","modified_gmt":"2017-03-29T10:36:20","slug":"37-1999","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/francofonia\/37-1999\/","title":{"rendered":"37 Automne \/ Autunno 1999"},"content":{"rendered":"

37<\/div><\/div><\/div><\/div>Automne \/ Autunno 1999<\/strong><\/h2>\n

Le Qu\u00e9bec et la modernit\u00e9<\/strong><\/em><\/h1>\n

\"\"<\/a><\/p>\n

Lire ce num\u00e9ro sur JSTOR<\/a>
\nLeggere questo numero su JSTOR<\/a><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div>

Sommaire \/ Indice<\/span><\/h2>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div><\/div>
<\/div><\/div><\/div>
<\/div>
<\/div><\/div><\/div><\/div><\/div>

Gilles Dupuis<\/strong>, Carla Fratta<\/strong>, Pr\u00e9sentation<\/p>\n<\/div>

    <\/ul><\/div>
    <\/div><\/div>

    Interviews et in\u00e9dits\/Interviste e inediti<\/h2>\n

    Esther Tr\u00e9panier<\/strong>,\u00a0La modernit\u00e9 artistique au Qu\u00e9bec avant les ruptures \u00ab\u00a0avant-gardistes\u00a0\u00bb<\/p>\n

    Anna Paola Mossetto<\/strong>,\u00a0Il Qu\u00e9bec necessariamente moderno?<\/p>\n

    Robert Melan\u00e7on<\/strong>,\u00a0Y eut-il une po\u00e9sie automatiste?<\/p>\n

    Johanne Lamoureux<\/strong>,\u00a0Les effets de l\u2019art contemporain: relecture interdisciplinaire de la modernit\u00e9 plastique au Qu\u00e9bec<\/p>\n

    Renato Barilli<\/strong>,\u00a0Qu\u00e9bec, Canada, Pianeta<\/p>\n

    Paul-Andr\u00e9 Linteau<\/strong>,\u00a0Un d\u00e9bat historiographique: l\u2019entr\u00e9e du Qu\u00e9bec dans la modernit\u00e9 et la signification de la R\u00e9volution tranquille<\/p>\n

    Lise Bissonnette<\/strong>,\u00a0La r\u00e9vision d\u2019une R\u00e9volution: essai de synth\u00e8se du colloque<\/p>\n

    Gilles Dupuis<\/strong>,\u00a0Entretien avec Fernand Leduc<\/p>\n

    Gilles Dupuis<\/strong>,\u00a0Entretien avec Th\u00e9r\u00e8se Renaud<\/p>\n

    Notes et commentaires\/Note e rassegne<\/h2>\n

    Silvie Bernier<\/strong>, Ying Chen: s’exil de soi<\/p>\n

    Comptes rendus\/Recensioni<\/h2>\n

    Le diable. <\/em>Textes r\u00e9unis par A. Niderst<\/strong>\u00a0<\/em>(Nadia Minerva)<\/p>\n

    Suite\/S\u00e9rie\/S\u00e9quence. <\/em>Textes r\u00e9unis et pr\u00e9sent\u00e9s par D. Moncond\u2019huy<\/strong> et F. Noudelmann<\/strong>\u00a0(Maria Chiara Gnocchi)<\/p>\n

    Belgique francophone: quelques fa\u00e7ons de dire les mixit\u00e9s<\/em>\u00a0(Jean Robaey)<\/p>\n

    J. Paulhan<\/strong>,\u00a0Il segreto delle parole. <\/em>A cura di Paolo Bagni, postfazione di Adriano Marchetti(Monica Fiorini)<\/p>\n

    Notes de lecture\/Schede<\/h2>\n

    Pubblicato con contributi dell\u2019Universit\u00e0 di Bologna e della Fondazione Cassa di Risparmio in Bologna. Lavori eseguiti con i contributi del Minist\u00e8re des Relations internationales du Gouvernement du Qu\u00e9bec e dell\u2019Agenzia culturale del Qu\u00e9bec in Italia.<\/p>\n<\/div>

    <\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"

    Le Qu\u00e9bec et la modernit\u00e9 <\/strong><\/em><\/sup><\/strong><\/em><\/h3>\n

    sous la direction de Gilles Dupuis et Carla Fratta <\/p>\n","protected":false},"author":2,"featured_media":1032,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rivista"],"_links":{"self":[{"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/comments?post=890"}],"version-history":[{"count":12,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/890\/revisions"}],"predecessor-version":[{"id":1866,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/posts\/890\/revisions\/1866"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/media\/1032"}],"wp:attachment":[{"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/media?parent=890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/categories?post=890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lilec.it\/francofonia\/wp-json\/wp\/v2\/tags?post=890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}