Centro Interuniversitario per lo Studio del Romanticismo

"The Romantic Stage: A Many-Sided Mirror", a cura di Lilla Maria Crisafulli e Fabio Liberto
2015-01-01 08:00 - 17:00 (Europe/Rome) | Emilia Romagna
The Romantic Stage: A Many-Sided Mirror examines late eighteenth- and early nineteenth-century British theatre and drama with the conviction that they made an essential contribution to the aesthetic and ideological complexity of the British culture of the day. The essays collected in this volume seek to capture the richness and diversity of British Romantic theatre and drama and situate them at the centre of the multiple, and often radical, literary and social transformations that the Age brought about. The volume is divided into four main sections: “Contextualizing Romantic Theatre and Drama”, “Drama across the Arts”, “Staging the Gothic (Fear on Stage)” and “Texts, Theories and Contexts”. Each section is dedicated to a particular aspect of English Romantic drama examined through interdisciplinary, international and inter- generic perspectives.
The Romantic Stage Flyer

PhD Studentships in Romanticism
2014-11-28 08:00 - 17:00 | Emilia Romagna
AHRC funding for UK/EU arts and humanities doctoral research students
The Midlands3Cities Doctoral Training Partnership (DTP) welcomes applications from potential PhD students interested in conducting research into British literature and culture of the Romantic period.
The DTP, a collaboration between the universities of Birmingham, Birmingham City, De Montfort, Leicester, Nottingham and Nottingham Trent, provides research candidates with the potential for cross-institutional mentoring, expert supervision including cross-institutional supervision where appropriate to the project, subject-specific and generic training, and professional support in preparing for and developing a career. For full details, see their website: www.midlands3cities.ac.uk
Supervisory teams across the DTP can offer expert supervision on canonical and non-canonical Romantic writers, as well as a range of specialist topics. A comprehensive list of research areas, supervisory teams and contact details is available here: M3C Romanticists.docx. Students interested in developing a research proposal are warmly invited to contact any member of the DTP.
The deadline for AHRC funding applications is 14 January 2015, at which time students must have applied for a place to study at the home institute of the proposed lead supervisor and have provided details of two references. The funding application should normally be submitted at the same time as the application for a place to study. For full details of eligibility, funding and research supervision areas, please visit www.midlands3cities.ac.uk or contact enquiries@midlands3cities.ac.uk .

Being Human – Festival of the Humanities
2014-11-15 - 2014-11-23 | Emilia Romagna
Link to the website
Being Human is the UK’s first national festival of the humanities. Between 15 and 23 November 2014, the festival will engage people across the UK with innovative research.
Led by the School of Advanced Study, University of London, in partnership with the Arts and Humanities Research Council and the British Academy, the festival will draw together a programme of activities to inform, extend, and ignite our contemporary thinking and imagination.
Participating universities and partner organisations >
The festival will highlight the ways in which humanities research can:

inspire and enrich our everyday lives
help us to understand ourselves, our relationships with others, and the challenges we face in a changing world
provide world class knowledge that is vibrant, vital, and accessible to all

Over 35 research institutions from across the UK are set to participate in the 2014 festival, and that number is growing daily. From Truro to Orkney, Swansea to Belfast, Norwich to Liverpool, we will be celebrating the breadth and diversity of the humanities in a series of events across the country. Activities are being held in museums, galleries and cultural and community centres … even caves!

Edward Rushton and Romantic Liverpool: A Bicentennial Conference
2014-11-14 - 2014-11-15 | The School of the Arts, University of Liverpool, 19-23 Abercromby Square, Liverpool, L69 7ZG, United Kingdom
2014 marks the bicentenary of the death of poet Edward Rushton (1756-1814), Liverpool’s most radical voice in the Age of Revolution. Rushton was an uncompromising abolitionist and antislavery fighter, as well as a champion of human rights at large. In a varied career, he also kept a tavern, became a bookseller, edited a newspaper, campaigned against the use of the press gang and, as a blind person himself, he initiated local efforts to support the visually impaired. Liverpool is planning to celebrate his life, writing, and legacy through exhibitions at National Museums Liverpool and the Victoria Gallery & Museum, a theatrical production of a specially-commissioned biographical play at the Everyman/Playhouse, new publications from Liverpool University Press, public lectures, and other events. To coincide with these activities, University of Liverpool, in association with Università degli Studi di Bari “Aldo Moro” (Italy), is hosting a two-day academic conference (14-15 November 2014) which aims to evaluate critically Rushton’s life and works, and foster a new sense of the Romantic and radical writing that emerged within his home town during the eighteenth and early nineteenth centuries.
The conference is centred upon Rushton but seeks to encourage more generally the study of Liverpool during the period of his life, when the town emerged as a place of importance in an international network of trade in objects, ideas and cultures. The conference will seek to expand our understanding of the relationship between cultures of writing, reading, publishing, bookselling, journalism and education in Rushton’s Liverpool, and explore the role of imaginative writing in the formation of local, global and civic identities.
Conference Programme.
More information available here.

Carl H. Pforzheimer, Jr., Research Grants. Application Deadline: November 1.
2014-11-01 | Emilia Romagna
The Pforzheimer Grants are awarded each year to defray travel expenses incurred in pursuing archival and/or special-collections research related to British Romanticism and literary culture, 1789-1832. Preference is given to projects involving authors featured in the bibliography of the Keats-Shelley Journal, the Association’s annual publication. Advanced graduate students, untenured faculty, and independent scholars working outside the academy are eligible. No country of origin (or destination) restrictions apply. Please note that the grants do not underwrite time off for writing or travel to conferences.
The awards honor Carl H. Pforzheimer, Jr. (1907-1996), past president, vigorous advocate, and most generous benefactor of our Association. An investment banker and philanthropist, he also served as head of The Carl and Lily Pforzheimer Foundation, established by his parents. The Foundation has long been distinguished for funding scholarship in early nineteenth-century English literature.
The Keats-Shelley Association awarded the first Pforzheimer Grants for tenure in 2000. Our roster of winners, who have ventured as far as Ghana and Jamaica in pursuit of their subjects, continues to grow and flourish.
Application Deadline: November 1.
Eligibility: Advanced graduate students, independent scholars, and untenured faculty.
Purpose: To provide funding for expenses related to research in the field of British Romanticism and literary culture between 1789 and 1832, especially projects involving authors featured in the Keats-Shelley Journal bibliography.
Application Procedures
A complete application must include:

Application form.
Curriculum vitae.
Description of the project, not to exceed three pages. This brief narrative should clearly describe your project, its contribution to the field, and your plan for use of the money.
A one-page bibliography of publications that treat the topic.
Two letters of reference from people who know your work well and can judge its value. These letters should be sent directly by your referees to the Chair of the Grants Committee and be postmarked before the application deadline.

Please include four copies of your application form, CV, project description, and bibliography and return them to: Chair, Grants Committee, Keats-Shelley Association of America, Inc., Room 226, The New York Public Library, 476 Fifth Avenue, New York, NY 10018- 2788.
If you are unable to print the application form from this Website or have further questions about the awards, please contact Doucet Fischer, the Administrator of the Grants, at the address listed above (phone: 212-764-0655) or send an e-mail to: doucetfischer@nypl.org.
Report to the Association: The Keats-Shelley Association expects awardees to file project reports by the following December describing how the grants furthered their research.
Link to the website

Michael Gamer (University of Pennsylvania), “Jane Austen and Social Media”
2014-10-22 12:00 | Sala Giunta – Dipartimento di Lingue e Letterature Straniere Moderne, Via Cartoleria, 5, Bologna, 40124, Italy
Colleghi e studenti sono cordialmente invitati
Mercoledì 22 ottobre 2014, ore 12,00 presso la Sala Giunta del Dipartimento di Lingue, Letterature e Culture Moderne (Via Cartoleria 5, Bologna).
Locandina

Franca Dellarosa, "Talking Revolution. Edward Rushton’s Rebellious Poetics, 1782–1814"
2014-10-13 08:00 - 17:00 | Emilia Romagna
This book is the first academic study entirely devoted to Liverpool labouring-class poet and activist Edward Rushton (1756-1814), whose name was for a long time only associated with the foundation of the Royal School for the Blind in 1791. A former sailor, tavern keeper and editor of a paper, as of the turbulent 1790s Rushton owned a bookshop that was a hub of intense networking with many radical writers and intellectuals. His long-lasting, consistent commitment to the most pressing debates enflaming the Age of Revolution led him to question naval impressment and British repression in Ireland, the Napoleonic wars lacerating Europe and, most prominently, both the transatlantic traffic in human beings and the institution of slavery as such. A dedicated and unrelenting campaigner at the time of the dawning human rights discourse, Rushton was both a perceptive scrutinizer of the mechanisms of power and repression, and a remarkably complex poetic voice, fully consequent to his politics. In this book his work is the object of new and long-due critical enquiry, especially appropriate in the year that marks the bicentennial anniversary of his death. The opening up of eighteenth-century and Romantic studies to cross-disciplinary interchange allows for a more nuanced historical and critical investigation of previously erased or neglected individual and collective experiences. This expanding critical space, which highlights the systemic discursive interaction of culture, politics and society, constitutes the conceptual and methodological frame for what is intended as a comprehensive critical re-evaluation of the writer.
Link

Terror and Wonder: The Gothic Imagination
2014-10-09 | The British Library, 96 Euston Road, Kings Cross, London, NW1 2DB, United Kingdom
@ The British Library
3 October 2014 – 20 January 2015 Two hundred rare objects trace 250 years of the Gothic tradition, exploring our enduring fascination with the mysterious, the terrifying and the macabre. From Mary Shelley and Bram Stoker to Stanley Kubrick and Alexander McQueen, via posters, books, film and even a vampire-slaying kit, experience the dark shadow the Gothic imagination has cast across film, art, music, fashion, architecture and our daily lives. Beginning with Horace Walpole’s The Castle of Otranto, Gothic literature challenged the moral certainties of the 18th century. By exploring the dark romance of the medieval past with its castles and abbeys, its wild landscapes and fascination with the supernatural, Gothic writers placed imagination firmly at the heart of their work – and our culture. Iconic works, such as handwritten drafts of Mary Shelley’s Frankenstein, Bram Stoker’s Dracula, the modern horrors of Clive Barker’s Hellraiser and the popular Twilight series, highlight how contemporary fears have been addressed by generation after generation. Terror and Wonder presents an intriguing glimpse of a fascinating and mysterious world. Experience 250 years of Gothic’s dark shadow.

Helena Sanson e Katharine Mitchell, “Nuove prospettive su donne e genere nell’Italia del secondo Ottocento” @ Sala Giunta
2014-05-26 14:30 - 16:00 | Sala Giunta – Dipartimento di Lingue e Letterature Straniere Moderne, Via Cartoleria, 5, Bologna, 40124, Italy
26 maggio 2014 ore 16.30
Sala Giunta
Dipartimento di Lingue, Letterature e Culture Moderne (Via Cartoleria 5, Bologna)
Locandina

CFP: John Keats’s Early Poems, 1814-1817
2014-05-20 | Keats-Shelley House, Rome, Italy
An Academic Seminar organized by the Keats-Shelley Memorial Association and the Keats Foundation, and supported by the British School at Rome

31 October 2014 at the KEATS-SHELLEY HOUSE, Rome
In order to mark the bicentenary of the composition of ‘Imitation of Spenser’ (1814), John Keats’s earliest known poem, the Keats-Shelley Memorial Association and the Keats Foundation are jointly hosting a day academic seminar on 31 October, Keats’s birthday, at the Keats-Shelley House in Rome.
Proposals for papers are invited on any subject focusing on, or relating to, Keats’s early poems, from ‘Imitation of Spenser’ itself up to the publication of his first full-length volume, Poems (1817).
Papers discussing poems by Keats published later than 1817 may, of course, be accepted, but only by means of comparison with earlier poems. Papers may be given in English or in Italian, and abstracts accepted in either language.
Deadline for submission of abstracts (c. 200 words): 30 June 2014. Registration fee €25.
For further information on registration, and to send your abstract, please contact in the first instance:
Dr Giuseppe Albano, Curator, Keats-Shelley House, Rome
giuseppe.albano@keats-shelley-house.org
Professor Nicholas Roe, School of English, University of St. Andrews
nhr@st-andrews.ac.uk
To print the document, please click here.
http://www.keats-shelley-house.org/

Igor Vishnevetskiy, "A Russian Romantic Poet and Theorist in Italy. The Forgotten Case of Stepan Shevyryov"
2014-05-19 16:00 - 19:00 | Emilia Romagna
Colleghi e studenti sono cordialmente invitati
alla conferenza del Professor

Igor Vishnevetskiy
Russian State University for the Humanities

dal titolo:
A Russian Romantic Poet and Theorist in Italy.
The Forgotten Case of Stepan Shevyryov

che si terrà il giorno lunedì
19 maggio 2014 alle ore 16.00 (Aula Forti)
Dipartimento di Filologia Classica e Italianistica
(Via Zamboni 32)
The presentation will discuss a brief yet important episode in the long and mutually rewarding history of Russian-Italian cultural exchange — the two and a half years, which young Russian Romantic poet, translator, literary scholar, and critic Stepan Shevyryov (1806—1864) spent in Italy between 1829 and 1832. Shevyryov’s keen interest in Italy’s medieval past and modern present resulted in his own, highly idiosyncratic project for Russian culture. Based on what he had learned in Italy, Shevyryov came forward with a set of ideas which combined awareness of one’s own cultural heritage, longing for a new national epic, keen interest in “Old Europe”’s Christian art, strong anti-capitalist sentiment, support of national revolution, and rather paradoxical monarchism. Elements of this project will be traced through the uncensored versions of Shevyryov’s poems, which he composed in Italy (some of them still await publication), his verse translations from Dante and Tasso, the “Letters from Italy,” which he published in various Russian periodicals, and the lectures, which Shevyryov delivered upon his return at the Moscow Imperial University. Special attention will be paid to Shevyryov’s unusually detailed and perceptive essay on Bologna’s Pinacoteca, which, he believed, could serve as a model for a future public art museum in Moscow.

CFP “Byron and Italy”
2014-05-09 | The Byron Centre, University of Manchester, Manchester, United Kingdom
The Byron Centre, University of Manchester: Thursday 4 – Friday 5 December
CFP Deadline 15 September 2014
Call for paper

Anne Mellor, "Border Boundaries. British Romanticism, Gender and Sexuality"
2014-04-16 13:45 - 17:00 | Emilia Romagna
Mercoledi 16 aprile 2014 ore 13.45
Aula VI
Dipartimento di Lingue, Letterature e Culture Moderne (Via Cartoleria 5, Bologna)
Locandina

“Border Boundaries. British Romanticism, Gender and Sexuality”
2014-04-16 11:45 - 23:45 | Aula VI – Dipartimento di Lingue e Letterature Straniere Moderne, Bologna , Emilia Romagna, Italy
16 aprile 2014, ore 11.45
Conferenza presentata da Anne K. Mellor
(Distinguished Research Professor of English, University of California Los Angeles)
Aula VI, Dipartimento di Lingue, Letterature e Culture Moderne di Bologna

Serena Baiesi, Diego Saglia, "L’immagine-testo: tensioni dell’Ekphrasis romantica"
2014-03-20 15:00 - 17:00 | Emilia Romagna
Giovedì 20 marzo 2014, ore 15:00
Aula Mulas, Dipartimento L.A.S.S.
Palazzo della Pilotta, Parma
Locandina

“Aphra Behn: una vita ad alta voce”
2014-02-27 11:00 | Aula VI – Dipartimento di Lingue e Letterature Straniere Moderne, Bologna , Emilia Romagna, Italy
giovedì 27 febbraio 2014, ore 12:00
Aula VI
Dipartimento di Lingue, Letterature e Culture Moderne (Via Cartoleria 5, Bologna)
Locandina

Richard C. Sha, “Elizabeth Hamilton, the Discipline of the Imagination and the Science of Attention” @ Sala Convegni, Dipartimento di Lingue, Letterature e Culture Moderne
2013-10-25 09:30 - 11:30 | Sala Convegni – Dipartimento di Lingue e Letterature Straniere Moderne, Via Cartoleria, 5, Bologna, Emilia Romagna, 40124, Italy
venerdì 25 ottobre 2013, ore 11.30
Sala Convegni
Locandina

Richard C. Sha “Romantic Science and the Romantic Imagination"
2013-10-24 13:30 - 15:30 | Aula V – Dipartimento di Lingue e Letterature Straniere Moderne, Via Zamboni, 38, Bologna , Emilia Romagna, 40126, Italy
Giovedì 24 ottobre 2013, ore 15.30
Aula V
Locandina

CFP: “Romantic Connections”
2013-06-26 13:00 - 22:00 | Emilia Romagna
NASSR supernumerary conference, University of Tokyo, June 13–15, 2014
(Deadline November 30, 2013)
Call for Papers
www.romanticconnections2014.org

The first international conference on Jawdat Haydar’s Poetic Legacy
2013-04-23 - 2013-04-24 | Department of Humanities – Lebanese American University, Department of Humanities – Lebanese American University, Beirut, Lebanon
24 Aprile 2013
Department of Humanities – Lebanese American University
Beirut, Lebanon
Call for papers

Michael Gamer, “Copyright, Repertory, and Theatrical Innovation”
2013-04-22 12:00 - 17:00 | Emilia Romagna
Colleghi e studenti sono cordialmente invitati
alla conferenza del Professor
Michael Gamer
(University of Pennsylvania)
dal titolo
“Copyright, Repertory, and Theatrical Innovation”

Dipartimento di Lingue, Letterature e Culture Moderne
( Via Cartoleria 5, 40124, Bologna )
Sala Convegni
lunedì 22 aprile 2013
alle ore 12
Locandina

British Society for Literature and Science Conference 2013 - Call for Papers
2013-04-11 08:00 - 2013-04-13 17:00 | Emilia Romagna
Cardiff University and the University of Glamorga

The British Society for Literature and Science invites proposals for papers and panels to be delivered at its eighth annual conference to be held in Cardiff, 11-13 April 2013.
The BSLS Conference does not have a theme (as it its usual practise) but especially welcomes proposals on the state of the field of literature and science as well as its relation to other fields. This year we would be particularly interested to receive proposals that reflect upon the interdisciplinary study of literature and science in the context of the debate about the present position of the humanities in academia. However, the Society remains committed to supporting proposals on all aspects of literature and science across all periods.
Proposals for papers of 15-20 minutes should be sent in the body of the email text (no attachments, please), to bsls2013@yahoo.co.uk with the subject line ‘BSLS 2013 abstract’. Submissions should include the title of the paper, an abstract of no more than 300 words, a maximum of 3 keywords (placed at the end of the abstract), and the name and contact details of the speaker.
Closing date for submissions: 7 December 2012.
(Decisions will be made in January 2013)
Contributors interested in organising a panel or other special session, or who have suggestions for alternative forms of conference presentation, are warmly encouraged to contact the conference organisers. The organisers would welcome, for example, workshops on teaching literature and science, or on specific themes in literature and science that cross period boundaries, or on specific published works with considerable influence in the field. Please email the organisers on bsls2013@yahoo.co.uk, using ‘BSLS 2013 Panel’ as the subject line in email correspondence.
Funding: a bursary of £150 will be awarded to a graduate student on the basis on the paper proposals. The student must be registered for a masters or doctoral degree on 9 January 2013. The conference fee will be waived for two further graduate students in exchange for written reports on the conference, to be published in the subsequent issue of the BSLS Newsletter. If you are interested in being selected for one of these places, please mention this when sending in your proposal.
Accommodation: please note that those attending will need to make their own arrangements for accommodation. Information on selected hotels will be available shortly on the conference website. As in previous years, we anticipate that the conference will begin at about 1pm on the first day and conclude at about 2pm on the last.
Membership: in order to attend the conference, you must be a paid-up member of the BSLS for 2013. We anticipate that it will be possible to pay the £10 annual membership fee when paying the conference fee online.
FURTHER INFORMATION
Visit the conference website at: http://literatureandscience.research.glam.ac.uk/bsls2013/

CISR Conference: Trans-Himalayan Wisdom in a European Context
2013-03-13 15:00 - 19:30 | Dipartimento di Antichistica, Lingue, Educazione, Filosofia (A.L.E.F.) – Università di Parma, Viale San Michele, 9, Parma, Emilia Romagna, 43121, Italy
13 marzo 2013, ore 15.00
Speakers: Mark Lussier (Arizona State University) and Elena Spandri
Dipartimento di Antichistica, Lingue, Educazione, Filosofia (A.L.E.F.) – Università di Parma
Conference Programme

Adapting Jane Austen: ‘translations’ then and now
2012-11-29 16:00 - 18:00 | Aula VII – Dipartimento di Anglistica (Villa Mirafiori)
Gillian Dow (University of Southampton)
Giovedì 29 Novembre 2012, ore 17:00
Aula VII – Dipartimento di Lingue e Letterature Straniere Moderne
Università di Bologna
Locandina

Oxford Romanticism Conference - The Romantic Medium: Language and Lexicon CFP
2012-11-28 08:00 - 17:00 | Emilia Romagna
University of Oxford

Call for Papers
“The lovely shapes and sounds intelligible / Of that eternal language, which thy God / Utters”
(Coleridge, Frost at Midnight, 59-61)
“the reason why I dislike it is that it does not describe the feelings of a rhyming peasant strongly or
locally enough…” (John Clare, manuscript marginalia 1821, quoted in Alan Vardy, John Clare Politics
and Poetry, Basingstoke: Palgrave Macmillan, 2003: 31)
“Through sad incompetence of human speech” (Wordsworth, The Prelude (1850) 593)
KEYNOTE SPEAKERS:
Stephen Gill (Lincoln College, Oxford)
Michael O’Neill (University of Durham)
The Oxford Romanticism Conference will seek to bring together academics and postgraduate students in a one-day event for discussion of the current study of ‘The Romantic Medium: Language and Lexicon’.The conference takes its lead from the Romantic Realignments Seminars held weekly in Oxford and will seek to reflect advances in the past decade of Romantic scholarship. Language is to be considered in a broad sense, incorporating topics on genre to metaphor, translation to soundscape, through an awareness of the plurality of languages at play.
The Conference will be structured around three main branches of criticism—a historical approach to vocabulary and the nature of material text; theoretical approaches dealing with questions about the kind of medium language is and how it functions; and finally close readings exploring what Romantic writers were doing with language. The goal of the Conference is to unite what have historically been three separate critical approaches to the study of language in the period. We hope that in hosting this conference, these approaches can be viewed side by side and we can begin to assess Romanticism from a broader and more unified perspective.
Particularly welcome will be those papers considering the relationship between language and political and historical context, the failure of language as a medium, and how the tussle between primitive or vulgar and civilised or cultured language has characterised the new study of Romantic language.
Topics may include but are not limited to:
· Bibliography and/or Romantic vocabulary
· Language as a medium
· Metaphor, allegory and rhetoric
· Inadequacy of language an inarticulacy; need for language borrowed from other spheres
· Post-Romantic (Victorian, Modern, Post-Modern) appreciation and usage of Romantic language, including responses against Romanticism
· ‘English Grammar’
· High/low, poetic/rustic, primitive/cultured language and what these constitute
· Classical and foreign influences on Romantic language
· Purity/chastity of language
· Musicality of language
· Linguistic authority
We welcome also other interpretations of the Conference theme.
Oxford University invites submission of 200 word abstracts to be sent, with name, address and affiliation,
to oxfordromanticismconference@gmail.com. The deadline for submission is 15th December 2012.

Criss-crossing the channel: Translation, Women’s Writing and the pan-European rise of the Novel
2012-11-13 17:30 - 19:00 | Aula Enriques – Residenza di Studi Superiori
13 Novembre 2012, ore 18.30
Gillian Elizabeth Dow (University of Southampton)
Aula Enriques – Residenza di Studi Superiori
Università di Bologna
Locandina

Convegno conclusivo: British Risorgimento, rappresentazioni e interazioni britanniche nel processo di unificazione nazionale italiana
2012-11-07 - 2012-11-10 | Palazzo Ateneo – Salone degli Affreschi
dall’ 8 al 10 Novembre 2012
Palazzo Ateneo – Salone degli Affreschi
Università degli Studi di Bari “Aldo Moro”
Programma

Romanticism and Evolution
2012-05-12 - 2012-05-14 | Emilia Romagna
Dal 12 al 14 Maggio 2011
The Romanticism Research Group, University of Western Ontario
Call for Paper

Incontri seminariali: British Risorgimento, rappresentazioni e interazioni britanniche nel processo di unificazione nazionale italiana
2012-02-15 | Sala Convegni – Dipartimento di Lingue e Letterature Straniere Moderne, Via Cartoleria, 5, Bologna, Emilia Romagna, 40124, Italy
Dal 15 Febbraio al 15 Maggio 2012
Sala Convegni – Dipartimento di Lingue e Letterature Straniere
Università di Bologna
Programma

Convegno: British Risorgimento, rappresentazioni e interazioni britanniche nel processo di unificazione nazionale italiana
2011-06-22 - 2011-06-24 | Aula Absidale – Complesso di Santa Lucia, Bologna, Emilia Romagna, Italy
Dal 22 al 24 Giugno 2011
Aula Absidale – Complesso di Santa Lucia
Università di Bologna
Programma
