{"version":"1.0","provider_name":"Centro Interuniversitario per lo Studio del Romanticismo","provider_url":"https:\/\/www.lilec.it\/romanticismo","author_name":"Redazione06","author_url":"https:\/\/www.lilec.it\/romanticismo\/author\/redazione06\/","title":"La Questione Romantica: Crime and the Sublime (editoriale) - Centro Interuniversitario per lo Studio del Romanticismo","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"zrZdR6cS9Z\"><a href=\"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-crime-and-the-sublime-editoriale\/\">La Questione Romantica: Crime and the Sublime (editoriale)<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-crime-and-the-sublime-editoriale\/embed\/#?secret=zrZdR6cS9Z\" width=\"600\" height=\"338\" title=\"&#8220;La Questione Romantica: Crime and the Sublime (editoriale)&#8221; &#8212; Centro Interuniversitario per lo Studio del Romanticismo\" data-secret=\"zrZdR6cS9Z\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","description":"Investigating crime fiction makes us highly attentive to nuance and inference: Poirot\u2019s grey cells will imprison somebody; Holmes is a dream of domestic security. Both detectives and their procedures are forms of closure, ways of sublimating the sublime element of crime fiction under the generic constraint of detective fiction. But not all is lost: early [&hellip;]"}