{"id":2041,"date":"2012-06-19T10:36:10","date_gmt":"2012-06-19T10:36:10","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=2041"},"modified":"2016-11-09T18:26:25","modified_gmt":"2016-11-09T17:26:25","slug":"questione-romantica-n-17","status":"publish","type":"page","link":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-17\/","title":{"rendered":"La Questione Romantica: Viaggio e Paesaggio"},"content":{"rendered":"<p><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/06\/40062.jpg\"><img decoding=\"async\" class=\"alignleft size-medium wp-image-2194\" title=\"4006\" src=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/06\/40062-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/a><strong>Numero 15-16<\/strong> (Primavera 2004) <a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=2246\">EDITORIALE<\/a><\/p>\n<h3><strong><strong><strong><strong>SAGGI<\/strong><\/strong><\/strong><\/strong><\/h3>\n<ul id=\"indice_scheda\">\n<li>\n<div><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?p=2951\">Maurizio Ascari, <em>Landscape and Imagination: the Italian Mountains in Romantic Travel Writing.<\/em><\/a><\/div>\n<\/li>\n<li>\n<div>Francesca Lui, T<em>ransiti. Note sul pittoresco in Francia tra Sette e Ottocento.<\/em><\/div>\n<\/li>\n<li>\n<div>Beatrice Battaglia, <em>The Politics of Narrative Picturesque: Gilpin\u00b4s Rules of Composition in Ann Radcliffe\u00b4s and Jane Austen\u00b4s Fiction.<\/em><\/div>\n<\/li>\n<li>\n<div>Anna Rosa Scrittori, <em>The Language of Landscape in Ann Radcliffe\u00b4s Novels<\/em>.<\/div>\n<\/li>\n<li>\n<div>Silvia Bordoni, <em>Experiencing the Alps: Women and the Language of the Sublime<\/em>.<\/div>\n<\/li>\n<li>\n<div>Maria Schoina: <em>Sites, Signs, and Citations: Italy\u00b4s Topographies in P.B. Shelley\u00b4s Poetry.<\/em><\/div>\n<\/li>\n<li>\n<div>Lorella Bosco, <em>Heinrich von Kleist e Wilhelmine von Zenge: viaggio, scrittura e topografie del femminile<\/em>.<\/div>\n<\/li>\n<li>\n<div>Lia Guerra, <em>Wandering Women: Female Travel Writing as Dynamic Space: the Evolution of a Genre.<\/em><\/div>\n<\/li>\n<li>\n<div>Donatella Abbate Badin, <em>The Language of Travel Writing in Lady Morgan\u00b4s Italy.<\/em><\/div>\n<\/li>\n<li>\n<div>Emma Sdegno, <em>\u00abAccostumed to Nature\u00bb: Ruskin\u00b4s Rhetoric of Landscape Painting in &#8220;Modern Painters I&#8221;.<\/em><\/div>\n<\/li>\n<\/ul>\n<h3><strong><strong>MARGINALIA (Materiali e Documenti)<\/strong><\/strong><\/h3>\n<ul>\n<li>Giuliana Ferreccio, <em>Shapes of Wilful Fancy: Allegory in Wordsworth&#8217;s City.<\/em><\/li>\n<li>Giuseppe Galigani, <em>Manfred and the Painters.<\/em><\/li>\n<li>Beatriz Gonzales Moreno<em>, Italy and the Aesthetics of Power in Gothic Writing.<\/em><\/li>\n<\/ul>\n<h3><strong><strong>POET&#8217;S CORNER<\/strong><\/strong><\/h3>\n<ul>\n<li>\n<div>Riccardo Duranti<em><em> Rosario. Another dream.<\/em><\/em><\/div>\n<\/li>\n<li>\n<div>John O. Thompson<em> <em>January 6, 1992. Woodcut, Night.<\/em><\/em><\/div>\n<\/li>\n<\/ul>\n<h3><strong><strong>RECENSIONI<\/strong><\/strong><\/h3>\n<ul>\n<li>Annamaria Preti Susana Bonaldi &amp; Patrizia Garelli, (a cura di),<em><em> L\u00b4educazione della donna in et\u00e0 romantica<\/em><\/em>.<\/li>\n<li>Gilberta Golinelli <em><em>Luoghi e spazi dell\u00b4altrove: l\u00b4Italia e la sensibilit\u00e0 romantica inglese.<\/em><\/em> Lilla Maria Crisafulli (a cura di)<em><em>,<\/em><em>Immaginando l\u00b4Italia. Itinerari letterari del Romanticismo inglese<\/em><\/em>. Mauro Pala (a cura di), Marble Wilderness. Motivi e relazioni di viaggio di Inglesi in Italia.<\/li>\n<li>Maria Schoina, <em>Alison Chapman and Jane Stabler\u00a0(eds), <\/em>Unfolding the South: Nineteenth-century British Women Writers and Artists in Italy.<\/li>\n<li>Silvia Bordoni, <em>Nora Crook\u00a0<\/em>(ed.)<em>, <\/em>Mary Shelley\u00b4s\u00a0Literary Lives and Other Writings.<\/li>\n<li>Serena Baiesi, <em>Franca Zanelli<\/em> Quarantini (a cura di), Lettere dall\u00b4Europa. Un secolo di corrispondenza al femminile.<\/li>\n<li>Beatrice Battaglia, <em>Gioia Angeletti<\/em>, Teorie<em> target-oriented <\/em>della traduzione poetica<em>.<\/em><\/li>\n<li>Carlotta Farese, <em>Claudia Buffagni e Renata Gambino <\/em>(a cura di), Poetesse tedesche del tempo romantico.<\/li>\n<li>Beattrice Battaglia, <em>&#8220;La vita di Jane Austen&#8221;: realizzazioni, adattamenti e repliche di un copione inesauribile (1997-2003).<\/em><\/li>\n<li>Elena Di Giovanni, <em>Jane Austen<\/em>,\u00a0Orgoglio e Pregiudizio<em>,<\/em>\u00a0<em>traduzione di Barbara Placido.<\/em><\/li>\n<\/ul>\n<h3><strong>NOTIZIE<\/strong><\/h3>\n<ul>\n<li>\n<div><em>British Women Playwrights, 1780-1830<\/em><\/div>\n<\/li>\n<li>\n<div><em>The 31st Annual International Byron Conference<\/em><\/div>\n<\/li>\n<li>\n<div><em>England and Italy: Literary and Cultural Relations<\/em><\/div>\n<\/li>\n<li>\n<div><em>Teatro romantico europeo e identit\u00e0 nazionale<\/em><\/div>\n<\/li>\n<li>\n<div><em>Marcella Malfatti, Misteri quotidiani<\/em><\/div>\n<\/li>\n<li>\n<div><em>Memorie, diari, confessioni<\/em><\/div>\n<\/li>\n<li>\n<div><em>Sconfinamenti. Confini, passaggi, soglie nella scrittura delle donne<\/em><\/div>\n<\/li>\n<li>\n<div><em>Jane Austen in Context<\/em><\/div>\n<\/li>\n<li>\n<div><em>Romantic Spectacle<\/em><\/div>\n<\/li>\n<li>\n<div><em>\u00abWild Irish Girls\u00bb: A Bicentenary Conference<\/em><\/div>\n<\/li>\n<li>\n<div><em>Scottish Romanticism and World Literatures<\/em><\/div>\n<\/li>\n<li>\n<div><em>Emancipation, Liberation, Freedom.<\/em><\/div>\n<\/li>\n<li>\n<div><em>The 2007 BARS\/NASSR Conference<\/em><\/div>\n<\/li>\n<\/ul>\n<p align=\"center\"><span style=\"font-size: small;\"><span style=\"color: #000080;\"><strong><span style=\"color: #333333;\">DIRETTORE<\/span>\u00a0<\/strong><\/span> Lilla Maria Crisafulli.<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: small;\"><span style=\"color: #000080;\"><strong><span style=\"color: #333333;\">CONDIRETTORI<\/span>\u00a0<\/strong><\/span>Annalisa Goldoni, Romolo Runcini.<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: small;\"><strong><span style=\"color: #333333;\">DIRETTORE RESPONSABILE<\/span>\u00a0<\/strong>Gigliola Nocera.<\/span><\/p>\n<p><!-- [fusion_builder_container hundred_percent=\"yes\" overflow=\"visible\"][fusion_builder_row][fusion_builder_column type=\"1_1\" background_position=\"left top\" background_color=\"\" border_size=\"\" border_color=\"\" border_style=\"solid\" spacing=\"yes\" background_image=\"\" background_repeat=\"no-repeat\" padding=\"\" margin_top=\"0px\" margin_bottom=\"0px\" class=\"\" id=\"\" animation_type=\"\" animation_speed=\"0.3\" animation_direction=\"left\" hide_on_mobile=\"no\" center_content=\"no\" min_height=\"none\"][if gte mso 9]><xml>\n<w:WordDocument>\n<w:View>Normal<\/w:View>\n<w:Zoom>0<\/w:Zoom>\n<w:HyphenationZone>14<\/w:HyphenationZone>\n<w:PunctuationKerning\/>\n<w:ValidateAgainstSchemas\/>\n<w:SaveIfXMLInvalid>false<\/w:SaveIfXMLInvalid>\n<w:IgnoreMixedContent>false<\/w:IgnoreMixedContent>\n<w:AlwaysShowPlaceholderText>false<\/w:AlwaysShowPlaceholderText>\n<w:Compatibility>\n<w:BreakWrappedTables\/>\n<w:SnapToGridInCell\/>\n<w:WrapTextWithPunct\/>\n<w:UseAsianBreakRules\/>\n<w:DontGrowAutofit\/>\n<\/w:Compatibility>\n<w:BrowserLevel>MicrosoftInternetExplorer4<\/w:BrowserLevel>\n<\/w:WordDocument>\n<\/xml><![endif]--><\/p>\n<p style=\"text-align: center;\" align=\"center\">\u00a0<strong>RESPONSABILE SEGRETERIA DI REDAZIONE\u00a0 <\/strong>Gabriella Imposti<\/p>\n<p style=\"text-align: center;\" align=\"center\">\u00a0<strong>SEGRETERIA DI REDAZIONE\u00a0 <\/strong>Gioia Angeletti, Serena Baiesi, Andrea Birk, Silvia Bordoni, Massimiliano Demata, Carlotta Farese, Federica Ferri, Fabio Liberto, Anna Mandich, Adriana Sfragaro<\/p>\n<p style=\"text-align: center;\" align=\"center\">\u00a0<strong>COMITATO DI REDAZIONE\u00a0 <\/strong>Gian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Gianluca Corrado, Cristina Fiallega, Patrick Leech, Piero Menarini, Cecilia Pietropoli, Maggie Rose, Annamaria Sportelli, Graziella Todisco, Virginia Verrienti, Margherita Versari, Maria Luisa Wandruszka<\/p>\n<p style=\"text-align: center;\" align=\"center\">\u00a0<strong>COMITATO SCIENTIFICO <\/strong>Andrea Battistini, Drummond Bone, Marilyn Butler, Jeffrey Cox, Stuart Curran, Alfredo De Paz, B\u00e9atrice Didier, Keir Elam, Giovanna Franci, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Franco Marenco, St\u00e9phane Michaud, Annarosa Poli, David Punter, Jeffrey C. Robinson, Viola Sachs, Jean Starobinski, Raymond Trousson, Peter Vassallo, Timothy Webb<\/p>\n<p>[\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Numero 15-16 (Primavera 2004) EDITORIALE SAGGI Maurizio Ascari, Landscape and Imagination: the Italian Mountains in Romantic Travel Writing. Francesca Lui, Transiti. Note sul pittoresco in Francia tra Sette e Ottocento. Beatrice Battaglia, The Politics of Narrative Picturesque: Gilpin\u00b4s Rules of Composition in Ann Radcliffe\u00b4s and Jane Austen\u00b4s Fiction. Anna Rosa Scrittori, The Language of Landscape [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":49,"menu_order":25,"comment_status":"open","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La Questione Romantica: Viaggio e Paesaggio - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-17\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Questione Romantica: Viaggio e Paesaggio - Centro Interuniversitario per lo Studio del Romanticismo\" \/>\n<meta property=\"og:description\" content=\"Numero 15-16 (Primavera 2004) EDITORIALE SAGGI Maurizio Ascari, Landscape and Imagination: the Italian Mountains in Romantic Travel Writing. 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Francesca Lui, Transiti. Note sul pittoresco in Francia tra Sette e Ottocento. Beatrice Battaglia, The Politics of Narrative Picturesque: Gilpin\u00b4s Rules of Composition in Ann Radcliffe\u00b4s and Jane Austen\u00b4s Fiction. Anna Rosa Scrittori, The Language of Landscape [&hellip;]","og_url":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-17\/","og_site_name":"Centro Interuniversitario per lo Studio del Romanticismo","article_modified_time":"2016-11-09T17:26:25+00:00","og_image":[{"url":"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/06\/40062-213x300.jpg"}],"twitter_card":"summary_large_image","twitter_misc":{"Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-17\/","url":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-17\/","name":"La Questione Romantica: Viaggio e Paesaggio - Centro Interuniversitario per lo Studio del Romanticismo","isPartOf":{"@id":"https:\/\/www.lilec.it\/romanticismo\/#website"},"datePublished":"2012-06-19T10:36:10+00:00","dateModified":"2016-11-09T17:26:25+00:00","breadcrumb":{"@id":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-17\/#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-17\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-17\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.lilec.it\/romanticismo\/"},{"@type":"ListItem","position":2,"name":"Attivit\u00e0 editoriale","item":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/"},{"@type":"ListItem","position":3,"name":"La Questione Romantica","item":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/"},{"@type":"ListItem","position":4,"name":"La Questione Romantica","item":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/"},{"@type":"ListItem","position":5,"name":"La Questione Romantica: Viaggio e Paesaggio"}]},{"@type":"WebSite","@id":"https:\/\/www.lilec.it\/romanticismo\/#website","url":"https:\/\/www.lilec.it\/romanticismo\/","name":"Centro Interuniversitario per lo Studio del Romanticismo","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.lilec.it\/romanticismo\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"it-IT"}]}},"_links":{"self":[{"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/pages\/2041"}],"collection":[{"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/comments?post=2041"}],"version-history":[{"count":1,"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/pages\/2041\/revisions"}],"predecessor-version":[{"id":5856,"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/pages\/2041\/revisions\/5856"}],"up":[{"embeddable":true,"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/pages\/49"}],"wp:attachment":[{"href":"https:\/\/www.lilec.it\/romanticismo\/wp-json\/wp\/v2\/media?parent=2041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}