{"id":2045,"date":"2012-06-19T10:37:35","date_gmt":"2012-06-19T10:37:35","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=2045"},"modified":"2016-11-09T18:26:25","modified_gmt":"2016-11-09T17:26:25","slug":"questione-romantica-n-18-19","status":"publish","type":"page","link":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-18-19\/","title":{"rendered":"La Questione Romantica: Imperialismo\/Colonialismo"},"content":{"rendered":"<p><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/06\/4326.jpg\"><img decoding=\"async\" class=\"alignleft size-medium wp-image-2219\" title=\"4326\" src=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/06\/4326-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/a><strong>Numero 18-19<\/strong> ( Primavera \/ Autunno 2005)<span style=\"text-decoration: underline; color: #000000;\"> <a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=2047\">EDITORIALE<\/a> <\/span><\/p>\n<h3><strong>SAGGI<\/strong><\/h3>\n<ul>\n<li><span style=\"font-family: Verdana;\">Franca Dellarosa,\u00a0<\/span><em><span style=\"font-family: Verdana;\">Questioning &#8220;the Enterprising spirit of the People&#8221;: Abolitionist Poetry in Liverpool, 1784-1788.<\/span><\/em><\/li>\n<li><span style=\"font-family: Verdana;\">Serena Baiesi,\u00a0<\/span><em><span style=\"font-family: Verdana;\">Romantic Women Writers and the Abolitionist Movement: The Economics of Freedom.<\/span><\/em><\/li>\n<li><span style=\"font-family: Verdana;\">Timothy Webb,<em>\u00a0<\/em><\/span><em><span style=\"font-family: Verdana;\">The Ironical Fate of Jemmy O\u2019Brien.<\/span><\/em><\/li>\n<li><span style=\"font-family: Verdana;\">Carminella Biondi,\u00a0<\/span><em><span style=\"font-family: Verdana;\">L\u2019emarginazione razziale nella narrativa femminile francese del primo Ottocento: attenzione per il diverso e\/o rispecchiamento di s\u00e9?<\/span><\/em><\/li>\n<li><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?p=2859\"><span style=\"font-family: Verdana;\">William Keach,<em>\u00a0<\/em><\/span><em><span style=\"font-family: Verdana;\">&#8220;Trade and Poesy&#8221; in Moore\u2019s Lalla Rookh: An Oriental Romance.<\/span><\/em><\/a><\/li>\n<li><span style=\"font-family: Verdana;\">Roberto Vecchi,\u00a0<\/span><span style=\"font-family: Verdana;\">I sepolcri vuoti della narrazione. Garrett e i fantasmi dell\u2019Impero portoghese.<\/span><\/li>\n<li><span style=\"font-family: Verdana; font-size: 14px; font-style: normal; line-height: 32px; color: #000000;\">Livio Dobrez,\u00a0<\/span><em><span style=\"color: #333333; font-family: Verdana; font-size: 14px; line-height: 32px;\">Empire, Romanticism and the South Pacific.<\/span><\/em><\/li>\n<li><span style=\"font-family: Verdana; font-size: 14px; font-style: normal; line-height: 32px; color: #000000;\">Maria Chiara Gnocchi,\u00a0<\/span><em><span style=\"color: #333333; font-size: 14px; line-height: 32px; text-decoration: underline;\">(<\/span><span style=\"color: #333333; font-family: Verdana; font-size: 14px; line-height: 32px;\">Ri)Nascere altrove. Strategie discorsive al servizio della conquista belga dell\u2019Africa Centrale<\/span><\/em><\/li>\n<\/ul>\n<div>\n<h3><strong>MARGINALIA<\/strong><\/h3>\n<ul>\n<li>Simon Haines,\u00a0<em>Romanticism&#8217;s Imperial Self-Fashioning.<\/em><\/li>\n<li>Beatrice Battaglia, <em>&#8220;A fling at the slave-trade&#8221;: viaggi eroici, sacrifici agli d\u00e8i e vendita di carne umana nei romanzi di Jane Austen.<\/em><\/li>\n<li>Carla Comellini,\u00a0<em>I <\/em>Natal Papers <em>di John Ross.<\/em><\/li>\n<li>Laura Rizz\u00e0,\u00a0<em>Colonial Discourses: Reading &#8220;The Overland Mail&#8221; by Joseph Rudyard Kipling.<\/em><\/li>\n<\/ul>\n<div>\n<h3><strong>POET&#8217;S CORNER<\/strong><\/h3>\n<ul>\n<li><span style=\"font-family: Verdana; color: #000000;\">Francesco Benozzo, <\/span><em><span style=\"font-family: Verdana; color: #000000;\">Fondazioni, <\/span><span style=\"font-family: Verdana; color: #000000;\">Lasse dell\u2019alluvione Vegetale.<\/span><\/em><\/li>\n<li><span style=\"color: #000000; font-family: Verdana;\">Roberto Baronti Marchi\u00f2 <\/span><em><span style=\"color: #000000;\"><span style=\"font-family: Verdana;\">Casa. <\/span><\/span><\/em><em><span style=\"color: #000000;\"><span style=\"font-family: Verdana;\">Dieta. <\/span><\/span><\/em><em><span style=\"color: #000000;\"><span style=\"font-family: Verdana;\">Parole. <\/span><\/span><\/em><em><span style=\"color: #000000;\"><span style=\"font-family: Verdana;\">Orientali. <\/span><\/span><\/em><em><span style=\"color: #000000;\"><span style=\"font-family: Verdana;\">Trame. <\/span><\/span><\/em><em><span style=\"color: #000000;\"><span style=\"font-family: Verdana;\">Per un poeta che muore. <\/span><\/span><\/em><em><span style=\"color: #000000;\"><span style=\"font-family: Verdana;\">Statistica.\u00a0<\/span><\/span><\/em><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<h3><strong>RECENSIONI<\/strong><\/h3>\n<ul>\n<li><span style=\"font-family: Verdana; color: #000000;\">Nicola Bonazzi, <\/span><span style=\"font-family: Verdana; color: #000000;\"><em>Mariella Basile<\/em> <em>Bonsante<\/em> (a cura di),\u00a0Londra tra realt\u00e0 e invenzione.<\/span><\/li>\n<li><span style=\"font-family: Verdana; color: #000000;\">Patrick Leech, <\/span><span style=\"font-family: Verdana; color: #000000;\"><em>Seamus Deane<\/em>, Foreign Affections.\u00a0<\/span><span style=\"color: #000000; font-family: Verdana; font-size: 14px; line-height: 32px;\">Essays on Edmund Burke<\/span><em><span style=\"color: #000000; font-family: Verdana; font-size: 14px; line-height: 32px;\">.<\/span><\/em><\/li>\n<li><span style=\"font-family: Verdana; color: #000000;\">Andrea Bedeschi, <\/span><span style=\"font-family: Verdana; color: #000000;\"><em>Maurice de Gu\u00e9rin<\/em>, Quaderno verde<em>,\u00a0Testo originale a fronte, a cura di Adriano Marchetti.<\/em><\/span><\/li>\n<li><span style=\"font-family: Verdana; color: #000000;\">Beatrice Battaglia, <\/span><span style=\"font-family: Verdana; color: #000000;\"><em>Richard Hurd<\/em>,<\/span> Lettere sulla cavalleria e il<em style=\"color: #000000;\"> romance<\/em><span style=\"font-family: Verdana; color: #000000;\">, <em>introduzione, traduzione e note di Laura Bandiera.<\/em><\/span><\/li>\n<li><span style=\"font-family: Verdana; color: #000000;\">Carlotta Farese, <\/span><span style=\"font-family: Verdana; color: #000000;\"><em>Gotthold Ephraim Lessing<\/em>, Minna von Barnhelm<em>, <\/em>oder das Soldatengluck, <em>a cura di Marie Lise Wandruszka.<\/em><\/span><\/li>\n<li><span style=\"font-family: Verdana; color: #000000;\">Serena Baiesi, <\/span><span style=\"font-family: Verdana; color: #000000;\"><em>Philippa Levine<\/em>, The British Empire:\u00a0<\/span><span style=\"font-family: Verdana; color: #000000;\">Sunrise to Sunset<\/span><em><span style=\"font-family: Verdana; color: #000000;\">.<\/span><\/em><\/li>\n<li><span style=\"font-family: Verdana; color: #000000;\">Beatrice Battaglia, <\/span><span style=\"font-family: Verdana; color: #000000;\"><em>Mattew Gregory Lewis<\/em>,<\/span> Il fantasma del castello<span style=\"font-family: Verdana; color: #000000;\">, <em>a cura di Giovanna Silvani.<\/em><\/span><\/li>\n<li><span style=\"font-family: Verdana; color: #000000;\">Diego Saglia, <\/span><span style=\"font-family: Verdana; color: #000000;\">The Oxford History of Literary Translation into English<em>,<\/em> <em>gen. Ed. Peter France and Stuart Gillespie, vol. 3, 1660-1790. ed. Stuart Gillespie, vol.3. 1660-1790, ed. Stuart Gillespie and David Hopkins;<\/em> The Oxford History of Literary Translation into English, <em>gen. ed. Peter France and Stuart Gillespie, vol.4, 1790-1900. ed. Peter France and Kenneth Hayes.<\/em><\/span><\/li>\n<\/ul>\n<div>\n<h3><strong>NOTIZIE<\/strong><\/h3>\n<ul>\n<li><em><span style=\"color: #000000;\">&#8220;Imagining Transatlantic Slavery&#8221;: a conference to mark the abolition of the Slave trade in Britain and the United States.<\/span><\/em><\/li>\n<li><span style=\"color: #000000;\">\u00a0<\/span><em><span style=\"color: #000000;\">The 36th Wordsworth Summer Conference.<\/span><\/em><\/li>\n<li><em><span style=\"color: #000000;\">\u00a0<\/span><span style=\"color: #000000;\">Neo-Victorianism: The Politics and Aesthetics of Appropriation.<\/span><\/em><\/li>\n<li><em><span style=\"color: #000000;\">\u00a0<\/span><span style=\"color: #000000;\">Romantic Objects.<\/span><\/em><\/li>\n<li><span style=\"color: #000000;\">\u00a0<\/span><em><span style=\"color: #000000;\">Convegno in ricordo di Gabriella Micks: &#8220;Scritture Femminili: da Mary Wollstonecraft a Virginia Woolf&#8221;.<\/span><\/em><\/li>\n<li><em><span style=\"color: #000000;\">(Trans)National Identitites. Reimagining Communities.<\/span><span style=\"color: #000000;\">\u00a0<\/span><\/em><\/li>\n<li><em><span style=\"color: #000000;\">Novel and its Borders.<\/span><\/em><\/li>\n<li><em><span style=\"color: #000000;\">\u00a0<\/span><span style=\"color: #000000;\">Evidence of Reading, Reading the Evidence.<\/span><\/em><\/li>\n<\/ul>\n<div style=\"text-align: center;\"><\/div>\n<div style=\"text-align: center;\">\n<p style=\"text-align: center;\"><span style=\"font-size: small;\"><span style=\"color: #333333;\"><strong>DIRETTORE\u00a0<\/strong><\/span> Lilla Maria Crisafulli <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: small;\"><span style=\"color: #333333;\"><strong>CONDIRETTORI<\/strong> <\/span>Annalisa Goldoni, Romolo Runcini <\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: small;\"><span style=\"color: #333333;\"><strong>DIRETTORE RESPONSABILE<\/strong><\/span> Gigliola Nocera <\/span><\/p>\n<p><!-- [fusion_builder_container hundred_percent=\"yes\" overflow=\"visible\"][fusion_builder_row][fusion_builder_column type=\"1_1\" background_position=\"left top\" background_color=\"\" border_size=\"\" border_color=\"\" border_style=\"solid\" spacing=\"yes\" background_image=\"\" background_repeat=\"no-repeat\" padding=\"\" margin_top=\"0px\" margin_bottom=\"0px\" class=\"\" id=\"\" animation_type=\"\" animation_speed=\"0.3\" animation_direction=\"left\" hide_on_mobile=\"no\" center_content=\"no\" min_height=\"none\"][if gte mso 9]><xml>\n<w:WordDocument>\n<w:View>Normal<\/w:View>\n<w:Zoom>0<\/w:Zoom>\n<w:HyphenationZone>14<\/w:HyphenationZone>\n<w:PunctuationKerning\/>\n<w:ValidateAgainstSchemas\/>\n<w:SaveIfXMLInvalid>false<\/w:SaveIfXMLInvalid>\n<w:IgnoreMixedContent>false<\/w:IgnoreMixedContent>\n<w:AlwaysShowPlaceholderText>false<\/w:AlwaysShowPlaceholderText>\n<w:Compatibility>\n<w:BreakWrappedTables\/>\n<w:SnapToGridInCell\/>\n<w:WrapTextWithPunct\/>\n<w:UseAsianBreakRules\/>\n<w:DontGrowAutofit\/>\n<\/w:Compatibility>\n<w:BrowserLevel>MicrosoftInternetExplorer4<\/w:BrowserLevel>\n<\/w:WordDocument>\n<\/xml><![endif]--><\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>RESPONSABILE SEGRETERIA DI REDAZIONE\u00a0 <\/strong>Gabriella Imposti<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>SEGRETERIA DI REDAZIONE\u00a0 <\/strong>Gioia Angeletti, Serena Baiesi, Andrea Birk, Carlotta Farese, Fabio Liberto, Anna Mandich, Adriana Sfragaro<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>COMITATO DI REDAZIONE\u00a0 <\/strong>Gian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Cristina Fiallega, Patrick Leech, Piero Menarini, Cecilia Pietropoli, Maggie Rose, Diego Saglia, Annamaria Sportelli, Graziella Todisco, Virginia Verrienti, Margherita Versari, Maria Luisa Wandruszka<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>COMITATO SCIENTIFICO <\/strong>Andrea Battistini, Drummond Bone, Marilyn Butler, Stuart Curran, Alfredo De Paz, B\u00e9atrice Didier, Keir Elam, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Franco Marenco, St\u00e9phane Michaud, Annarosa Poli, David Punter, Jeffrey C. Robinson, Viola Sachs, Jean Starobinski, Raymond Trousson, Peter Vassallo, Timothy Webb<\/p>\n<\/div>\n<\/div>\n<p>[\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Numero 18-19 ( Primavera \/ Autunno 2005) EDITORIALE SAGGI Franca Dellarosa,\u00a0Questioning &#8220;the Enterprising spirit of the People&#8221;: Abolitionist Poetry in Liverpool, 1784-1788. Serena Baiesi,\u00a0Romantic Women Writers and the Abolitionist Movement: The Economics of Freedom. Timothy Webb,\u00a0The Ironical Fate of Jemmy O\u2019Brien. Carminella Biondi,\u00a0L\u2019emarginazione razziale nella narrativa femminile francese del primo Ottocento: attenzione per il diverso [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":49,"menu_order":27,"comment_status":"open","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La Questione Romantica: Imperialismo\/Colonialismo - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/questione-romantica-n-18-19\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Questione Romantica: Imperialismo\/Colonialismo - Centro Interuniversitario per lo Studio del Romanticismo\" \/>\n<meta property=\"og:description\" content=\"Numero 18-19 ( Primavera \/ Autunno 2005) EDITORIALE SAGGI Franca Dellarosa,\u00a0Questioning &#8220;the Enterprising spirit of the People&#8221;: Abolitionist Poetry in Liverpool, 1784-1788. Serena Baiesi,\u00a0Romantic Women Writers and the Abolitionist Movement: The Economics of Freedom. Timothy Webb,\u00a0The Ironical Fate of Jemmy O\u2019Brien. 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Serena Baiesi,\u00a0Romantic Women Writers and the Abolitionist Movement: The Economics of Freedom. Timothy Webb,\u00a0The Ironical Fate of Jemmy O\u2019Brien. 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