﻿{"id":2176,"date":"2012-07-19T20:22:09","date_gmt":"2012-07-19T20:22:09","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=2176"},"modified":"2016-11-09T18:26:23","modified_gmt":"2016-11-09T17:26:23","slug":"english-mary-shelley-special-issue-in-memory-of-betty-t-bennett","status":"publish","type":"page","link":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/english-mary-shelley-special-issue-in-memory-of-betty-t-bennett\/","title":{"rendered":"La Questione Romantica: Mary Shelley \u2013 Special Issue in memory of Betty T. Bennett"},"content":{"rendered":"<p><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/07\/4829.jpg\"><img decoding=\"async\" class=\"alignleft size-medium wp-image-2224\" title=\"4829\" src=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/07\/4829-213x300.jpg\" alt=\"\" width=\"213\" height=\"300\" \/><\/a><strong>Volume I &#8211; Numero 1 <\/strong>(Giugno 2009)\u00a0\u00a0 <a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=2258\">EDITORIALE<\/a> <strong><strong><strong><strong>SAGGI<\/strong><\/strong><\/strong><\/strong><\/p>\n<ul>\n<li>\n<div>Stuart Curran, <em>The Presence of Godwin and Wollstonecraft in the Shelleys\u2019 &#8220;History of a Six Weeks\u2019 Tour&#8221;.<\/em><\/div>\n<\/li>\n<li>\n<div>Charles E. Robinson,<em>\u00a0Collaboration and Ventriloquism in Mary Shelley\u2019s &#8220;Frankenstein&#8221;.<\/em><\/div>\n<\/li>\n<li>\n<div>Joel Faflak, <em>Mary Shelley\u2019s <\/em><em>&#8220;Matilda&#8221;: <\/em><em>Beyond Sympathy.<\/em><\/div>\n<\/li>\n<li>\n<div>Reiko Suzuki<em>, \u00abA Romantic Truth of History\u00bb: Gender in Mary Shelley\u2019s\u00a0<\/em>Valperga<em>\u00a0and Robert Browning\u2019s\u00a0Sordello.<\/em><\/div>\n<\/li>\n<li>Graham Allen, <em>Mary Shelley&#8217;s letter to Maria Gisborne.<\/em><\/li>\n<li>\n<div>Lisa Vargo, <em>(Re)placing a Site of Friendship: Frances Wright and Mary Wollstonecraft Shelley.<\/em><\/div>\n<\/li>\n<li>\n<div>Pamela Clemit:, <em>\u00abA Society of Their Own\u00bb: Four Letters from Laura Tighe Galloni D\u2019Istria to Mary Wollstonecraft Shelley.<\/em><\/div>\n<\/li>\n<\/ul>\n<h3><strong><strong>MARGINALIA (Materiali e Documenti)<\/strong><\/strong><\/h3>\n<ul>\n<li>\n<div>Michael Rossington,<em>Mary Shelley\u2019s Short Stories Notebook in the Bodleian Library.<\/em><\/div>\n<\/li>\n<li>\n<div>Nora Crook<em>, \u00abMy own Alexy\u00bb: A Recently Discovered Review of Thomas Jefferson Hogg\u2019s\u00a0<\/em>Prince Alexy Haimatoff <em>in <\/em>The New Review<em>.<\/em><\/div>\n<\/li>\n<\/ul>\n<h3><strong><strong>POET&#8217;S CORNER<\/strong><\/strong><\/h3>\n<ul>\n<li>Michael O&#8217;Neill <em>Precious Little. Infinite (<\/em>after Leopardi<em>). Hope.<\/em><\/li>\n<li>Graham Allen, <em>The Choice.<\/em><\/li>\n<\/ul>\n<h3><strong><strong>RECENSIONI<\/strong><\/strong><\/h3>\n<ul>\n<li>\n<div>Beatrice Battaglia, Austeniana<em>:\u00a0decostruire e ricostruire Jane Austen. Kathryn Sutherland,\u00a0<\/em>Jane Austen\u2019s Textual Lives<em>: <\/em>From Aeschylus to Bollywood;\u00a0<em>Anthony<\/em> <em>Mandal<\/em>,<em>\u00a0<\/em>Jane Austen and the Popular Novel: The Determined Author<em>.<\/em><\/div>\n<\/li>\n<li>Lorella Bosco, <em>Carlotta Farese<\/em>, Creature dell\u2019illusione. Figure di lettrici nella letteratura europea dell\u2019Ottocento.<\/li>\n<li>Elena Spandri, <em>Michael J. Franklin<\/em>, ed.<em>, <\/em>Romantic Representations of British India.<\/li>\n<li>\n<div>Nora Crook , <em>Felicia Gordon and Gina Luria Walker, eds.,<\/em>Rational Passions: Women and Scholarship in Britain, 1702-1870.<\/div>\n<\/li>\n<li>\n<div>John Gilroy, <em>Richard Holmes<\/em>,<em>\u00a0<\/em>The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science.<\/div>\n<\/li>\n<li>\n<div>Alan Weinberg, <em>Towards a Dark Ecology: Timothy Morton<\/em>,<em><strong>\u00a0<\/strong><\/em>Ecology Without Nature: Rethinking Environmental Aesthetics.<\/div>\n<\/li>\n<\/ul>\n<h3><strong><strong>NOTIZIE<\/strong><\/strong><\/h3>\n<ul id=\"indice_scheda\">\n<li>\n<div><em>Un italiano a Londra: Attori, autori e personaggi italiani sulla scena inglese dal primo Rinascimento al tardo Romanticismo<\/em>.<\/div>\n<\/li>\n<li>\n<div><em>Unmasking Jane Austen \/ Jane Austen senza maschere<\/em><\/div>\n<\/li>\n<li>\n<div><em>Challenges for the 21st Century: Dilemmas, Ambiguities, Direction. 24\u00b0 Convegno nazionale dell\u2019Associazione Italiana di Anglistica<\/em><\/div>\n<\/li>\n<li>\n<div><em>Thomas de Quincey, Manchester and Medicine, 1785-1859<\/em><\/div>\n<\/li>\n<li>\n<div><em>The Romantics in Italy: Dante, Italian Culture, and Romantic Literature<\/em><\/div>\n<\/li>\n<li>\n<div><em>The Godwin Diary: Reconstructing London\u2019s Culture 1788-1836<\/em><\/div>\n<\/li>\n<li>\n<div><em>The Journal of Browning Studies<\/em><\/div>\n<\/li>\n<li>\n<div><em>The Keats-Shelley Review<\/em><\/div>\n<\/li>\n<li>\n<div><em>Ravenna<\/em><\/div>\n<\/li>\n<li>\n<div><em>Friends of Coleridge Website<\/em><\/div>\n<\/li>\n<li>\n<div><em>Robert Southey\u2019s Collected Letters<\/em><\/div>\n<\/li>\n<li>\n<div><em>The Poems of William Wordsworth<\/em><\/div>\n<\/li>\n<li>\n<div><em>Joseph Severn, a Life<\/em><\/div>\n<\/li>\n<\/ul>\n<p align=\"center\"><span style=\"font-size: small;\"><span style=\"color: #333333;\"><strong>DIRETTORE SCIENTIFICO<\/strong><\/span> Lilla Maria Crisafulli.<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: small;\"><span style=\"color: #333333;\"><strong>CONDIRETTORI <\/strong><\/span>Annalisa Goldoni, Romolo Runcini.<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: small;\"><span style=\"color: #333333;\"><strong>DIRETTORE RESPONSABILE <\/strong><\/span>Gigliola Nocera.<\/span><\/p>\n<p><!-- [fusion_builder_container hundred_percent=\"yes\" overflow=\"visible\"][fusion_builder_row][fusion_builder_column type=\"1_1\" background_position=\"left top\" background_color=\"\" border_size=\"\" border_color=\"\" border_style=\"solid\" spacing=\"yes\" background_image=\"\" background_repeat=\"no-repeat\" padding=\"\" margin_top=\"0px\" margin_bottom=\"0px\" class=\"\" id=\"\" animation_type=\"\" animation_speed=\"0.3\" animation_direction=\"left\" hide_on_mobile=\"no\" center_content=\"no\" min_height=\"none\"][if gte mso 9]><xml>\n<w:WordDocument>\n<w:View>Normal<\/w:View>\n<w:Zoom>0<\/w:Zoom>\n<w:HyphenationZone>14<\/w:HyphenationZone>\n<w:PunctuationKerning\/>\n<w:ValidateAgainstSchemas\/>\n<w:SaveIfXMLInvalid>false<\/w:SaveIfXMLInvalid>\n<w:IgnoreMixedContent>false<\/w:IgnoreMixedContent>\n<w:AlwaysShowPlaceholderText>false<\/w:AlwaysShowPlaceholderText>\n<w:Compatibility>\n<w:BreakWrappedTables\/>\n<w:SnapToGridInCell\/>\n<w:WrapTextWithPunct\/>\n<w:UseAsianBreakRules\/>\n<w:DontGrowAutofit\/>\n<\/w:Compatibility>\n<w:BrowserLevel>MicrosoftInternetExplorer4<\/w:BrowserLevel>\n<\/w:WordDocument>\n<\/xml><![endif]--><\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>RESPONSABILE SEGRETERIA DI REDAZIONE\u00a0 <\/strong>Gabriella Imposti<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>SEGRETERIA DI REDAZIONE\u00a0 <\/strong>Gioia Angeletti, Serena Baiesi, Andrea Birk, Carlotta Farese, Fabio Liberto, Anna Mandich, Adriana Sfragaro<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>COMITATO DI REDAZIONE\u00a0 <\/strong>Gian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Cristina Fiallega, Patrick Leech, Piero Menarini, Cecilia Pietropoli, Maggie Rose, Annamaria Sportelli, Graziella Todisco, Virginia Verrienti, Margherita Versari, Maria Luisa Wandruszka<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>COMITATO SCIENTIFICO <\/strong>Andrea Battistini, Drummond Bone, Marilyn Butler, Stuart Curran, Alfredo De Paz, B\u00e9atrice Didier, Keir Elam, Giovanna Franci, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Franco Marenco, St\u00e9phane Michaud, Annarosa Poli, David Punter, Jeffrey C. Robinson, Viola Sachs, Jean Starobinski, Raymond Trousson, Peter Vassallo, Timothy Webb<\/p>\n<p>[\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Volume I &#8211; Numero 1 (Giugno 2009)\u00a0\u00a0 EDITORIALE SAGGI Stuart Curran, The Presence of Godwin and Wollstonecraft in the Shelleys\u2019 &#8220;History of a Six Weeks\u2019 Tour&#8221;. Charles E. Robinson,\u00a0Collaboration and Ventriloquism in Mary Shelley\u2019s &#8220;Frankenstein&#8221;. Joel Faflak, Mary Shelley\u2019s &#8220;Matilda&#8221;: Beyond Sympathy. Reiko Suzuki, \u00abA Romantic Truth of History\u00bb: Gender in Mary Shelley\u2019s\u00a0Valperga\u00a0and Robert Browning\u2019s\u00a0Sordello. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":49,"menu_order":29,"comment_status":"open","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La Questione Romantica: Mary Shelley \u2013 Special Issue in memory of Betty T. Bennett - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/la-questione-romantica\/la-questione-romantica\/english-mary-shelley-special-issue-in-memory-of-betty-t-bennett\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Questione Romantica: Mary Shelley \u2013 Special Issue in memory of Betty T. Bennett - Centro Interuniversitario per lo Studio del Romanticismo\" \/>\n<meta property=\"og:description\" content=\"Volume I &#8211; Numero 1 (Giugno 2009)\u00a0\u00a0 EDITORIALE SAGGI Stuart Curran, The Presence of Godwin and Wollstonecraft in the Shelleys\u2019 &#8220;History of a Six Weeks\u2019 Tour&#8221;. Charles E. 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