{"id":3384,"date":"2014-02-10T12:13:40","date_gmt":"2014-02-10T11:13:40","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=3384"},"modified":"2016-11-09T18:26:23","modified_gmt":"2016-11-09T17:26:23","slug":"la-questione-romantica-crime-and-the-sublime","status":"publish","type":"page","link":"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-crime-and-the-sublime\/","title":{"rendered":"La Questione Romantica: Crime and the Sublime"},"content":{"rendered":"
\"\"Numero 2 <\/strong>(Ottobre 2010)\u00a0 EDITORIALE<\/a><\/div>\n
<\/div>\n
SAGGI<\/strong><\/strong><\/strong><\/strong><\/p>\n
    \n
  • Maurice Hindle, Theatres of Calamity: Godwin, Burke and the Language of Gothic<\/li>\n<\/ul>\n
      \n
    • \u00a0Maurizio Ascari, In Pursuit of the Sublime: De Quincey and the Romantics’ Metaphysical Conception of Crime<\/li>\n<\/ul>\n
        \n
      • \u00a0Struan Sinclair, \u00ab<\/span>An Apartment So Bedizzened\u00bb<\/span>: Edgar Allan Poe’s Superperceivers<\/li>\n<\/ul>\n
          \n
        • Giacomo Mannironi, Criminal Ambitions: the Young Balzac and the Influence of British Romanticism<\/li>\n<\/ul>\n
            \n
          • Yvonne Leffler, Early Crime Fiction in Scandinavian Literature<\/li>\n<\/ul>\n
              \n
            • Heather Worthington, Repression and Transgression in Samuel Warren’s \u00ab<\/span>The Bracelets\u00bb<\/span> and Passages from the Diary of a Late Physician<\/li>\n<\/ul>\n
                \n
              • Stephen Knight, The Mysteries of the Cities and the Myth of Urban Gothic<\/li>\n<\/ul>\n

                MARGINALIA<\/strong><\/div>\n

                <\/div>\n
                \n
                  \n
                • Gabriella Imposti, \u00ab<\/span>A bad person not without certain principles\u00bb<\/span>: Russian Detective Fiction and B. Akunin<\/li>\n<\/ul>\n
                    \n
                  • Matthias Stephan, The Critique of Critique of Criminal Reason: <\/em>Postmodern (Re)visitations of Romantic Crime Fiction<\/li>\n<\/ul>\n

                    POET\u2019S CORNER<\/strong><\/p>\n

                      \n
                    • Michael Gregorio, Wohin?<\/li>\n<\/ul>\n

                      RECENSIONI<\/strong><\/div>\n

                      \n
                        \n
                      • Stephen Knight, A Companion to Crime Fiction, edited by Charles J. Rzepka and Lee Horsley<\/em><\/li>\n<\/ul>\n
                          \n
                        • Beatrice Battaglia, Hester Lynch Piozzi. A Taste for Eccentricity, Marianna D’Ezio<\/em><\/li>\n<\/ul>\n
                            \n
                          • Beatrice Battaglia, Letitia Elizabeth Landon and Metrical Romance: the Adventures of a “Literary Genius”, Serena Baiesi<\/em><\/li>\n<\/ul>\n

                            NOTIZIE<\/strong><\/div>\n

                            <\/div>\n
                            \n
                              \n
                            • Ottava Conferenza Internazionale della \u00ab<\/span>Melville Society\u00bb<\/span>: \u00ab<\/span>Melville and Rome. Empire-Democracy-Belief-Art\u00bb<\/span><\/li>\n<\/ul>\n
                                \n
                              • \u00ab<\/span>Novel Approaches: the Language of Women’s Fiction, 1750-1830\u00bb<\/span><\/li>\n<\/ul>\n
                                  \n
                                • \u00ab<\/span>Desiring Statues: Statuary, Sexuality and History Conference\u00bb<\/span><\/li>\n<\/ul>\n
                                    \n
                                  • \u00ab<\/span>Anna Letitia Barbauld in Twenty Hundred and Twelve: New Perspectives\u00bb<\/span><\/li>\n<\/ul>\n
                                      \n
                                    • The Early Careers and Postgraduate Conference for the British Association for Romantic Studies: \u00ab<\/span>Romantic Connections-Networks of Influence, c.1760-1835\u00bb<\/span><\/li>\n<\/ul>\n
                                        \n
                                      • 20th Annual NASSR Conference: \u00ab<\/span>Romantic Prospects\u00bb<\/span><\/li>\n<\/ul>\n
                                          \n
                                        • \u00ab<\/span>Romanticism and Philosophy\u00bb<\/span><\/li>\n<\/ul>\n

                                          DIRETTORE \u00a0<\/strong>Lilla Maria Crisafulli<\/div>\n

                                          <\/div>\n
                                          CONDIRETTORI\u00a0 <\/strong>Annalisa Goldoni, Romolo Runcini<\/div>\n

                                           <\/p>\n

                                          DIRETTORE RESPONSABILE\u00a0 <\/strong>Gigliola Nocera<\/div>\n

                                           <\/p>\n

                                          RESPONSABILE SEGRETERIA DI REDAZIONE\u00a0 <\/strong>Gabriella Imposti<\/div>\n

                                           <\/p>\n

                                          SEGRETERIA DI REDAZIONE\u00a0 <\/strong>Gioia Angeletti, Serena Baiesi, Andrea Birk, Luigi Contadini, Carlotta Farese, Fabio Liberto, Anna Mandich, Lara Michelacci, Laura Russo, Adriana Sfragaro<\/div>\n

                                           <\/p>\n

                                          COMITATO DI REDAZIONE\u00a0 <\/strong>Gian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Cristina Fiallega, Paola Maria Filippi, Angelo Mangini, Piero Menarini, Cecilia Pietropoli, Maggie Rose, Elena Spandri, Annamaria Sportelli, Virginia Verrienti, Margherita Versari, Maria Luisa Wandruszka<\/div>\n

                                           <\/p>\n

                                          COMITATO SCIENTIFICO <\/strong>Andrea Battistini, Drummond Bone, Marilyn Butler, Stuart Curran, Alfredo De Paz, B\u00e9atrice Didier, Keir Elam, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Franco Marenco, St\u00e9phane Michaud, Annarosa Poli, David Punter, Jeffrey C. Robinson, Viola Sachs, Jean Starobinski, Raymond Trousson, Peter Vassallo, Timothy Webb<\/div>\n

                                           <\/p>\n","protected":false},"excerpt":{"rendered":"

                                          Numero 2 (Ottobre 2010)\u00a0 EDITORIALE SAGGI Maurice Hindle, Theatres of Calamity: Godwin, Burke and the Language of Gothic \u00a0Maurizio Ascari, In Pursuit of the Sublime: De Quincey and the Romantics’ Metaphysical Conception of Crime \u00a0Struan Sinclair, \u00abAn Apartment So Bedizzened\u00bb: Edgar Allan Poe’s Superperceivers Giacomo Mannironi, Criminal Ambitions: the Young Balzac and the Influence of […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":[],"yoast_head":"\nLa Questione Romantica: Crime and the Sublime - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-crime-and-the-sublime\/\" \/>\n<meta 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