﻿{"id":6300,"date":"2017-06-21T15:57:19","date_gmt":"2017-06-21T13:57:19","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/?page_id=6300"},"modified":"2022-05-15T10:51:51","modified_gmt":"2022-05-15T08:51:51","slug":"romantic-studies-theories-practices","status":"publish","type":"page","link":"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/romantic-studies-theories-practices\/","title":{"rendered":"Romantic Studies: Theories and Practices"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><p><span style=\"color: #993300;\"><strong data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\" style=\"font-family: 'Source Serif Pro'; font-weight: 600;\">ROMANTIC STUDIES<\/strong><\/span><span data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\" style=\"font-family: 'Source Serif Pro'; font-weight: 600;\"><br \/>\n<\/span><span style=\"color: #993300;\"><span data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\" style=\"font-family: 'Source Serif Pro'; font-weight: 600;\"> <\/span><strong data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\" style=\"font-family: 'Source Serif Pro'; font-weight: 600;\">THEORIES AND PRACTICES<\/strong><\/span><span data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\" style=\"font-family: 'Source Serif Pro'; font-weight: 600;\"><br \/>\nEDITED BY SERENA BAIESI AND LILLA MARIA CRISAFULLI<\/span><br \/><span data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\" style=\"font-family: 'Source Serif Pro'; font-weight: 600;\"><br \/>\nISSN: 2504-1924<\/span><\/p>\n<p><a href=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/P-jIGVeP.jpeg\"><img decoding=\"async\" class=\"wp-image-5997 alignleft\" src=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/P-jIGVeP-300x300.jpeg\" alt=\"\" width=\"132\" height=\"132\" srcset=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/P-jIGVeP-66x66.jpeg 66w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/P-jIGVeP-150x150.jpeg 150w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/P-jIGVeP-200x200.jpeg 200w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/P-jIGVeP-300x300.jpeg 300w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/P-jIGVeP-400x400.jpeg 400w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/P-jIGVeP.jpeg 466w\" sizes=\"(max-width: 132px) 100vw, 132px\" \/><\/a><\/p>\n<p data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\" style=\"font-family: 'Source Serif Pro'; font-weight: 600;\">THIS SERIES IS MAINLY FOCUSED ON ENGLISH LITERATURE PRODUCED IN EUROPE BETWEEN THE 1750S AND THE 1830S. IT AIMS TO EXPLORE THE KEY CONCEPTS REGARDING ROMANTIC TEXTS AND AESTHETICS, SUCH AS THE RELATIONSHIP BETWEEN THE WRITER WITH THE NATURAL WORLD; CONTEXT AND HISTORY; SENSIBILITY AND SUBLIME; GENDER ROLES; LANGUAGE AND THE POWER OF THE IMAGINATION; STUDIES OF GENRE; SLAVERY AND ABOLITION; MIGRATION LITERATURE, CONSUMER LITERATURE; SOCIAL TRANSFORMATION; CRITICAL RECEPTION; AND TRANSNATIONAL RELATIONS.<\/p>\n<p><span data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\" style=\"font-family: 'Source Serif Pro'; font-weight: 600;\"><span style=\"color: var(--body_typography-color); font-family: 'Source Serif Pro'; font-size: var(--body_typography-font-size); font-weight: 600; letter-spacing: var(--body_typography-letter-spacing);\" data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\">THE SERIES WELCOMES STUDIES ON MAJOR AS WELL AS LESS WELL-KNOWN AUTHORS AND LITERARY GENRES OF THE PERIOD. WITHIN THIS FRAMEWORK, VOLUMES INCLUDED IN THIS SERIES WILL NOT ONLY EXPAND THE CANON BEYOND TRADITIONAL AUTHORS AND GENRES, BUT ALSO PROVIDE OPPORTUNITIES FOR EXPLORING TRADITIONAL WORKS FROM NEW PERSPECTIVES, INCLUDING GENDER, CULTURAL AND TRANSLATION STUDIES. THE SERIES INCLUDES MONOGRAPHS, COLLECTION OF ESSAYS, CONFERENCE PROCEEDINGS, EDITED EDITIONS AND TRANSLATIONS, AND AIMS TO ADDRESS AN INTERNATIONAL COMMUNITY.<\/span><\/span><\/p>\n<p><span style=\"color: #993300;\"><strong><font face=\"Source Serif Pro\"><a href=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/Call-for-Manuscripts-RSTP.pdf\">CALL FOR MANUSCRIPTS<\/a> &#8211;<\/font><a style=\"color: rgb(153, 51, 0); font-family: 'Source Serif Pro';\" href=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/Call-for-Manuscripts-RSTP.pdf\" data-fusion-font=\"true\" data-fusion-google-font=\"Source Serif Pro\" data-fusion-google-variant=\"600\">  <\/a><font face=\"Source Serif Pro\"><a href=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/12\/Call-for-Manuscripts-RSTP.pdf\">PUBLISHING PROPOSAL FORM<\/a><\/font><\/strong><\/span><\/p>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div>\n<p class=\"title-heading-left\">\n<\/div>\n<div>\n<p class=\"title-heading-left\">\n<\/div>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-first\" style=\"--awb-bg-size:cover;width:48%; margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element fusion-image-align-left in-legacy-container\" style=\"text-align:left;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\" style=\"margin-right:25px;float:left;\"><img decoding=\"async\" width=\"192\" height=\"300\" title=\"Scan_20191023_123422\" src=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123422-192x300.jpg\" alt class=\"img-responsive wp-image-6926\" srcset=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123422-200x312.jpg 200w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123422-400x624.jpg 400w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123422-600x936.jpg 600w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123422-800x1248.jpg 800w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123422-1200x1872.jpg 1200w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123422.jpg 1708w\" sizes=\"(max-width: 800px) 100vw, 600px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-2\"><h3><a href=\"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/romantic-studies-theories-practices\/romantic-studies-theories-and-practices-01\/\">Romantic Studies. Theories and Practices 01<\/a><\/h3>\n<h4>Romantic Dialectics: Culture, Gender, Theater<\/h4>\n<h5>Essays in Honor of Lilla Maria Crisafulli<\/h5>\n<p>Serena Baiesi &amp; Stuart Curran<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-last\" style=\"--awb-bg-size:cover;width:48%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element fusion-image-align-left in-legacy-container\" style=\"text-align:left;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-2 hover-type-none\" style=\"margin-right:25px;float:left;\"><img decoding=\"async\" width=\"198\" height=\"300\" title=\"Scan_20191023_123747\" src=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123747-198x300.jpg\" alt class=\"img-responsive wp-image-6928\" srcset=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123747-200x304.jpg 200w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123747-400x607.jpg 400w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123747-600x911.jpg 600w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123747-800x1215.jpg 800w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123747-1200x1822.jpg 1200w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/Scan_20191023_123747.jpg 1736w\" sizes=\"(max-width: 800px) 100vw, 600px\" \/><\/span><\/div><div class=\"fusion-text fusion-text-3\"><h3><a href=\"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/romantic-studies-theories-practices\/romantic-studies-theories-and-practices-02\/\">Romantic Studies. Theories and Practices 02<\/a><\/h3>\n<h4>Richard III As A Romantic Icon<\/h4>\n<h5>Textual, Cultural and Theatrical Appropriations<\/h5>\n<p>Nicoletta Caputo<\/p>\n<\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"parent":5663,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Romantic Studies: Theories and Practices - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/attivita-editoriale\/romantic-studies-theories-practices\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Romantic Studies: Theories and Practices - 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