Numero 15-16<\/strong> (Primavera)<\/h3><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>![\"4006\"](\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/06\/40062-214x300.jpg\")
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Maurizio Ascari, Landscape and Imagination: the Italian Mountains in Romantic Travel Writing.<\/li>\n<\/ul>\n
\n- Francesca Lui, Transiti. Note sul pittoresco in Francia tra Sette e Ottocento.<\/li>\n
- <\/li>\n<\/ul>\n
\n- Beatrice Battaglia, The Politics of Narrative Picturesque: Gilpin\u00b4s Rules of Composition in Ann Radcliffe\u00b4s and Jane Austen\u00b4s Fiction.<\/li>\n<\/ul>\n
\n- \u0018\u0018Anna Rosa Scrittori, The Language of Landscape in Ann Radcliffe\u00b4s Novels.<\/li>\n<\/ul>\n
\n- Silvia Bordoni, Experiencing the Alps: Women and the Language of the Sublime.<\/li>\n<\/ul>\n
\n- Maria Schoina: Sites, Signs, and Citations: Italy\u00b4s Topographies in P.B. Shelley\u00b4s Poetry.<\/li>\n<\/ul>\n
\n- Lorella Bosco, Heinrich von Kleist e Wilhelmine von Zenge: viaggio, scrittura e topografie del femminile.<\/li>\n<\/ul>\n
\n- Lia Guerra, Wandering Women: Female Travel Writing as Dynamic Space: the Evolution of a Genre.<\/li>\n<\/ul>\n
\n- Donatella Abbate Badin, The Language of Travel Writing in Lady Morgan\u00b4s Italy.<\/li>\n<\/ul>\n
\n- \u2022Emma Sdegno, \u00abAccostumed to Nature\u00bb: Ruskin\u00b4s Rhetoric of Landscape Painting in \u201cModern Painters I\u201d.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Giuliana Ferreccio, Shapes of Wilful Fancy: Allegory in Wordsworth\u2019s City.<\/li>\n<\/ul>\n
\n- Giuseppe Galigani, Manfred and the Painters.<\/li>\n<\/ul>\n
\n- Beatriz Gonzales Moreno, Italy and the Aesthetics of Power in Gothic Writing.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Riccardo Duranti Rosario. Another dream.<\/li>\n<\/ul>\n
\n- John O. Thompson January 6, 1992. Woodcut, Night.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Annamaria Preti Susana Bonaldi & Patrizia Garelli, (a cura di), L\u00b4educazione della donna in et\u00e0 romantica.<\/li>\n<\/ul>\n
\n- Gilberta Golinelli Luoghi e spazi dell\u00b4altrove: l\u00b4Italia e la sensibilit\u00e0 romantica inglese. Lilla Maria Crisafulli (a cura di),Immaginando l\u00b4Italia. Itinerari letterari del Romanticismo inglese. Mauro Pala (a cura di), Marble Wilderness. Motivi e relazioni di viaggio di Inglesi in Italia.<\/li>\n<\/ul>\n
\n- Maria Schoina, Alison Chapman and Jane Stabler (eds), Unfolding the South: Nineteenth-century British Women Writers and Artists in Italy.<\/li>\n<\/ul>\n
\n- Silvia Bordoni, Nora Crook (ed.), Mary Shelley\u00b4s Literary Lives and Other Writings.<\/li>\n<\/ul>\n
\n- Serena Baiesi, Franca Zanelli Quarantini (a cura di), Lettere dall\u00b4Europa. Un secolo di corrispondenza al femminile.<\/li>\n<\/ul>\n
\n- Beatrice Battaglia, Gioia Angeletti, Teorie target-oriented della traduzione poetica.<\/li>\n<\/ul>\n
\n- Carlotta Farese, Claudia Buffagni e Renata Gambino (a cura di), Poetesse tedesche del tempo romantico.<\/li>\n<\/ul>\n
\n- Beatrice Battaglia, \u201cLa vita di Jane Austen\u201d: realizzazioni, adattamenti e repliche di un copione inesauribile (1997-2003).<\/li>\n<\/ul>\n
\n- Elena Di Giovanni, Jane Austen, Orgoglio e Pregiudizio, traduzione di Barbara Placido.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- British Women Playwrights, 1780-1830<\/li>\n<\/ul>\n
\n- The 31st Annual International Byron Conference<\/li>\n<\/ul>\n
\n- England and Italy: Literary and Cultural Relations<\/li>\n<\/ul>\n
\n- Teatro romantico europeo e identit\u00e0 nazionale<\/li>\n<\/ul>\n
\n- Marcella Malfatti, Misteri quotidiani<\/li>\n<\/ul>\n
\n- Memorie, diari, confessioni<\/li>\n<\/ul>\n
\n- Sconfinamenti. Confini, passaggi, soglie nella scrittura delle donne<\/li>\n<\/ul>\n
\n- Jane Austen in Context<\/li>\n<\/ul>\n
\n- Romantic Spectacle<\/li>\n<\/ul>\n
\n- \u00abWild Irish Girls\u00bb: A Bicentenary Conference<\/li>\n<\/ul>\n
\n- Scottish Romanticism and World Literatures<\/li>\n<\/ul>\n
\n- Emancipation, Liberation, Freedom.<\/li>\n<\/ul>\n
\n- The 2007 BARS\/NASSR Conference<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
<\/div><\/div><\/div>
<\/div><\/div><\/div>
<\/div><\/span><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>
<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Maurizio Ascari, Landscape and Imagination: the Italian Mountains in Romantic Travel Writing.<\/li>\n<\/ul>\n
\n- Francesca Lui, Transiti. Note sul pittoresco in Francia tra Sette e Ottocento.<\/li>\n
- <\/li>\n<\/ul>\n
\n- Beatrice Battaglia, The Politics of Narrative Picturesque: Gilpin\u00b4s Rules of Composition in Ann Radcliffe\u00b4s and Jane Austen\u00b4s Fiction.<\/li>\n<\/ul>\n
\n- \u0018\u0018Anna Rosa Scrittori, The Language of Landscape in Ann Radcliffe\u00b4s Novels.<\/li>\n<\/ul>\n
\n- Silvia Bordoni, Experiencing the Alps: Women and the Language of the Sublime.<\/li>\n<\/ul>\n
\n- Maria Schoina: Sites, Signs, and Citations: Italy\u00b4s Topographies in P.B. Shelley\u00b4s Poetry.<\/li>\n<\/ul>\n
\n- Lorella Bosco, Heinrich von Kleist e Wilhelmine von Zenge: viaggio, scrittura e topografie del femminile.<\/li>\n<\/ul>\n
\n- Lia Guerra, Wandering Women: Female Travel Writing as Dynamic Space: the Evolution of a Genre.<\/li>\n<\/ul>\n
\n- Donatella Abbate Badin, The Language of Travel Writing in Lady Morgan\u00b4s Italy.<\/li>\n<\/ul>\n
\n- \u2022Emma Sdegno, \u00abAccostumed to Nature\u00bb: Ruskin\u00b4s Rhetoric of Landscape Painting in \u201cModern Painters I\u201d.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Giuliana Ferreccio, Shapes of Wilful Fancy: Allegory in Wordsworth\u2019s City.<\/li>\n<\/ul>\n
\n- Giuseppe Galigani, Manfred and the Painters.<\/li>\n<\/ul>\n
\n- Beatriz Gonzales Moreno, Italy and the Aesthetics of Power in Gothic Writing.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Riccardo Duranti Rosario. Another dream.<\/li>\n<\/ul>\n
\n- John O. Thompson January 6, 1992. Woodcut, Night.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Annamaria Preti Susana Bonaldi & Patrizia Garelli, (a cura di), L\u00b4educazione della donna in et\u00e0 romantica.<\/li>\n<\/ul>\n
\n- Gilberta Golinelli Luoghi e spazi dell\u00b4altrove: l\u00b4Italia e la sensibilit\u00e0 romantica inglese. Lilla Maria Crisafulli (a cura di),Immaginando l\u00b4Italia. Itinerari letterari del Romanticismo inglese. Mauro Pala (a cura di), Marble Wilderness. Motivi e relazioni di viaggio di Inglesi in Italia.<\/li>\n<\/ul>\n
\n- Maria Schoina, Alison Chapman and Jane Stabler (eds), Unfolding the South: Nineteenth-century British Women Writers and Artists in Italy.<\/li>\n<\/ul>\n
\n- Silvia Bordoni, Nora Crook (ed.), Mary Shelley\u00b4s Literary Lives and Other Writings.<\/li>\n<\/ul>\n
\n- Serena Baiesi, Franca Zanelli Quarantini (a cura di), Lettere dall\u00b4Europa. Un secolo di corrispondenza al femminile.<\/li>\n<\/ul>\n
\n- Beatrice Battaglia, Gioia Angeletti, Teorie target-oriented della traduzione poetica.<\/li>\n<\/ul>\n
\n- Carlotta Farese, Claudia Buffagni e Renata Gambino (a cura di), Poetesse tedesche del tempo romantico.<\/li>\n<\/ul>\n
\n- Beatrice Battaglia, \u201cLa vita di Jane Austen\u201d: realizzazioni, adattamenti e repliche di un copione inesauribile (1997-2003).<\/li>\n<\/ul>\n
\n- Elena Di Giovanni, Jane Austen, Orgoglio e Pregiudizio, traduzione di Barbara Placido.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- British Women Playwrights, 1780-1830<\/li>\n<\/ul>\n
\n- The 31st Annual International Byron Conference<\/li>\n<\/ul>\n
\n- England and Italy: Literary and Cultural Relations<\/li>\n<\/ul>\n
\n- Teatro romantico europeo e identit\u00e0 nazionale<\/li>\n<\/ul>\n
\n- Marcella Malfatti, Misteri quotidiani<\/li>\n<\/ul>\n
\n- Memorie, diari, confessioni<\/li>\n<\/ul>\n
\n- Sconfinamenti. Confini, passaggi, soglie nella scrittura delle donne<\/li>\n<\/ul>\n
\n- Jane Austen in Context<\/li>\n<\/ul>\n
\n- Romantic Spectacle<\/li>\n<\/ul>\n
\n- \u00abWild Irish Girls\u00bb: A Bicentenary Conference<\/li>\n<\/ul>\n
\n- Scottish Romanticism and World Literatures<\/li>\n<\/ul>\n
\n- Emancipation, Liberation, Freedom.<\/li>\n<\/ul>\n
\n- The 2007 BARS\/NASSR Conference<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
\n
- \n
- Maurizio Ascari, Landscape and Imagination: the Italian Mountains in Romantic Travel Writing.<\/li>\n<\/ul>\n
- \n
- Francesca Lui, Transiti. Note sul pittoresco in Francia tra Sette e Ottocento.<\/li>\n
- <\/li>\n<\/ul>\n
- \n
- Beatrice Battaglia, The Politics of Narrative Picturesque: Gilpin\u00b4s Rules of Composition in Ann Radcliffe\u00b4s and Jane Austen\u00b4s Fiction.<\/li>\n<\/ul>\n
- \n
- \u0018\u0018Anna Rosa Scrittori, The Language of Landscape in Ann Radcliffe\u00b4s Novels.<\/li>\n<\/ul>\n
- \n
- Silvia Bordoni, Experiencing the Alps: Women and the Language of the Sublime.<\/li>\n<\/ul>\n
- \n
- Maria Schoina: Sites, Signs, and Citations: Italy\u00b4s Topographies in P.B. Shelley\u00b4s Poetry.<\/li>\n<\/ul>\n
- \n
- Lorella Bosco, Heinrich von Kleist e Wilhelmine von Zenge: viaggio, scrittura e topografie del femminile.<\/li>\n<\/ul>\n
- \n
- Lia Guerra, Wandering Women: Female Travel Writing as Dynamic Space: the Evolution of a Genre.<\/li>\n<\/ul>\n
- \n
- Donatella Abbate Badin, The Language of Travel Writing in Lady Morgan\u00b4s Italy.<\/li>\n<\/ul>\n
- \n
- \u2022Emma Sdegno, \u00abAccostumed to Nature\u00bb: Ruskin\u00b4s Rhetoric of Landscape Painting in \u201cModern Painters I\u201d.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>
\n- \n
- Giuliana Ferreccio, Shapes of Wilful Fancy: Allegory in Wordsworth\u2019s City.<\/li>\n<\/ul>\n
- \n
- Giuseppe Galigani, Manfred and the Painters.<\/li>\n<\/ul>\n
- \n
- Beatriz Gonzales Moreno, Italy and the Aesthetics of Power in Gothic Writing.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>
\n- \n
- Riccardo Duranti Rosario. Another dream.<\/li>\n<\/ul>\n
- \n
- John O. Thompson January 6, 1992. Woodcut, Night.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>
\n- \n
- Annamaria Preti Susana Bonaldi & Patrizia Garelli, (a cura di), L\u00b4educazione della donna in et\u00e0 romantica.<\/li>\n<\/ul>\n
- \n
- Gilberta Golinelli Luoghi e spazi dell\u00b4altrove: l\u00b4Italia e la sensibilit\u00e0 romantica inglese. Lilla Maria Crisafulli (a cura di),Immaginando l\u00b4Italia. Itinerari letterari del Romanticismo inglese. Mauro Pala (a cura di), Marble Wilderness. Motivi e relazioni di viaggio di Inglesi in Italia.<\/li>\n<\/ul>\n
- \n
- Maria Schoina, Alison Chapman and Jane Stabler (eds), Unfolding the South: Nineteenth-century British Women Writers and Artists in Italy.<\/li>\n<\/ul>\n
- \n
- Silvia Bordoni, Nora Crook (ed.), Mary Shelley\u00b4s Literary Lives and Other Writings.<\/li>\n<\/ul>\n
- \n
- Serena Baiesi, Franca Zanelli Quarantini (a cura di), Lettere dall\u00b4Europa. Un secolo di corrispondenza al femminile.<\/li>\n<\/ul>\n
- \n
- Beatrice Battaglia, Gioia Angeletti, Teorie target-oriented della traduzione poetica.<\/li>\n<\/ul>\n
- \n
- Carlotta Farese, Claudia Buffagni e Renata Gambino (a cura di), Poetesse tedesche del tempo romantico.<\/li>\n<\/ul>\n
- \n
- Beatrice Battaglia, \u201cLa vita di Jane Austen\u201d: realizzazioni, adattamenti e repliche di un copione inesauribile (1997-2003).<\/li>\n<\/ul>\n
- \n
- Elena Di Giovanni, Jane Austen, Orgoglio e Pregiudizio, traduzione di Barbara Placido.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>
\n- \n
- British Women Playwrights, 1780-1830<\/li>\n<\/ul>\n
- \n
- The 31st Annual International Byron Conference<\/li>\n<\/ul>\n
- \n
- England and Italy: Literary and Cultural Relations<\/li>\n<\/ul>\n
- \n
- Teatro romantico europeo e identit\u00e0 nazionale<\/li>\n<\/ul>\n
- \n
- Marcella Malfatti, Misteri quotidiani<\/li>\n<\/ul>\n
- \n
- Memorie, diari, confessioni<\/li>\n<\/ul>\n
- \n
- Sconfinamenti. Confini, passaggi, soglie nella scrittura delle donne<\/li>\n<\/ul>\n
- \n
- Jane Austen in Context<\/li>\n<\/ul>\n
- \n
- Romantic Spectacle<\/li>\n<\/ul>\n
- \n
- \u00abWild Irish Girls\u00bb: A Bicentenary Conference<\/li>\n<\/ul>\n
- \n
- Scottish Romanticism and World Literatures<\/li>\n<\/ul>\n
- \n
- Emancipation, Liberation, Freedom.<\/li>\n<\/ul>\n
- \n
- The 2007 BARS\/NASSR Conference<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
- The 2007 BARS\/NASSR Conference<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div>
- Emancipation, Liberation, Freedom.<\/li>\n<\/ul>\n
- Scottish Romanticism and World Literatures<\/li>\n<\/ul>\n
- \u00abWild Irish Girls\u00bb: A Bicentenary Conference<\/li>\n<\/ul>\n
- Romantic Spectacle<\/li>\n<\/ul>\n
- Jane Austen in Context<\/li>\n<\/ul>\n
- Sconfinamenti. Confini, passaggi, soglie nella scrittura delle donne<\/li>\n<\/ul>\n
- Memorie, diari, confessioni<\/li>\n<\/ul>\n
- Marcella Malfatti, Misteri quotidiani<\/li>\n<\/ul>\n
- Teatro romantico europeo e identit\u00e0 nazionale<\/li>\n<\/ul>\n
- England and Italy: Literary and Cultural Relations<\/li>\n<\/ul>\n
- The 31st Annual International Byron Conference<\/li>\n<\/ul>\n
- British Women Playwrights, 1780-1830<\/li>\n<\/ul>\n
- Elena Di Giovanni, Jane Austen, Orgoglio e Pregiudizio, traduzione di Barbara Placido.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Beatrice Battaglia, \u201cLa vita di Jane Austen\u201d: realizzazioni, adattamenti e repliche di un copione inesauribile (1997-2003).<\/li>\n<\/ul>\n
- Carlotta Farese, Claudia Buffagni e Renata Gambino (a cura di), Poetesse tedesche del tempo romantico.<\/li>\n<\/ul>\n
- Beatrice Battaglia, Gioia Angeletti, Teorie target-oriented della traduzione poetica.<\/li>\n<\/ul>\n
- Serena Baiesi, Franca Zanelli Quarantini (a cura di), Lettere dall\u00b4Europa. Un secolo di corrispondenza al femminile.<\/li>\n<\/ul>\n
- Silvia Bordoni, Nora Crook (ed.), Mary Shelley\u00b4s Literary Lives and Other Writings.<\/li>\n<\/ul>\n
- Maria Schoina, Alison Chapman and Jane Stabler (eds), Unfolding the South: Nineteenth-century British Women Writers and Artists in Italy.<\/li>\n<\/ul>\n
- Gilberta Golinelli Luoghi e spazi dell\u00b4altrove: l\u00b4Italia e la sensibilit\u00e0 romantica inglese. Lilla Maria Crisafulli (a cura di),Immaginando l\u00b4Italia. Itinerari letterari del Romanticismo inglese. Mauro Pala (a cura di), Marble Wilderness. Motivi e relazioni di viaggio di Inglesi in Italia.<\/li>\n<\/ul>\n
- Annamaria Preti Susana Bonaldi & Patrizia Garelli, (a cura di), L\u00b4educazione della donna in et\u00e0 romantica.<\/li>\n<\/ul>\n
- John O. Thompson January 6, 1992. Woodcut, Night.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Riccardo Duranti Rosario. Another dream.<\/li>\n<\/ul>\n
- Beatriz Gonzales Moreno, Italy and the Aesthetics of Power in Gothic Writing.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Giuseppe Galigani, Manfred and the Painters.<\/li>\n<\/ul>\n
- Giuliana Ferreccio, Shapes of Wilful Fancy: Allegory in Wordsworth\u2019s City.<\/li>\n<\/ul>\n
- \u2022Emma Sdegno, \u00abAccostumed to Nature\u00bb: Ruskin\u00b4s Rhetoric of Landscape Painting in \u201cModern Painters I\u201d.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Donatella Abbate Badin, The Language of Travel Writing in Lady Morgan\u00b4s Italy.<\/li>\n<\/ul>\n
- Lia Guerra, Wandering Women: Female Travel Writing as Dynamic Space: the Evolution of a Genre.<\/li>\n<\/ul>\n
- Lorella Bosco, Heinrich von Kleist e Wilhelmine von Zenge: viaggio, scrittura e topografie del femminile.<\/li>\n<\/ul>\n
- Maria Schoina: Sites, Signs, and Citations: Italy\u00b4s Topographies in P.B. Shelley\u00b4s Poetry.<\/li>\n<\/ul>\n
- Silvia Bordoni, Experiencing the Alps: Women and the Language of the Sublime.<\/li>\n<\/ul>\n
- \u0018\u0018Anna Rosa Scrittori, The Language of Landscape in Ann Radcliffe\u00b4s Novels.<\/li>\n<\/ul>\n
- Beatrice Battaglia, The Politics of Narrative Picturesque: Gilpin\u00b4s Rules of Composition in Ann Radcliffe\u00b4s and Jane Austen\u00b4s Fiction.<\/li>\n<\/ul>\n