Volume 1, Numero 2<\/strong> (Dicembre)<\/h3><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>![\"5063\"](\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/07\/5063-212x300.jpg\")
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Alain Muzelle, La Ballade allemande \u00e0 l\u00b4\u00e9poque romantique.<\/li>\n<\/ul>\n
\n- Sandrine Maufroy, \u00abHistorien et litt\u00e9rateur\u00bb. Les Chants populaires de la Gr\u00e8ce moderne dans l\u00b4oeuvre de Claude Fauriel.<\/li>\n<\/ul>\n
\n- Paolo Giovannetti, Appunti sulla ballata romantica italiana.<\/li>\n<\/ul>\n
\n- James Wyndham Thomas, The Narrative Element in Victor Gelu\u00b4s Chansons proven\u00e7ales.<\/li>\n<\/ul>\n
\n- Diego Saglia, Translating Romances, Writing Spain: John Gibson Lockhart\u00b4s Ancient Spanish Ballads.<\/li>\n<\/ul>\n
\n- Gabriella Imposti, Translating and Transforming Literary Genres: From the German Ballad to \u017dukovskij\u00b4s Russian \u00abBallada\u00bb.<\/li>\n<\/ul>\n
\n- Joanna Kulakowska, Lis Motifs of Folk Tales and Legends in Adam Mickiewicz\u00b4s Ballads.<\/li>\n<\/ul>\n
\n- Monica Coghen, Cosmopolitan Readings and National Identity: Niemcewicz\u00b4s Adaptations of English Literature.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Cristina Paoletti, A Passionate Defence of Reason: Necessity and Sensibility in Mary Wollstonecraft\u00b4s Moral Philosophy.<\/li>\n<\/ul>\n
\n- Giovanna Silvani, Shelley\u00b4s Zastrozzi, or the Language of the Unconscious.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Alessandro Niero Ritratti. Lei, lui, Alisea, Volantina, 11.40, Ad Antonella, Finis Mundi.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Chiara Rolli, Beatrice Battaglia, Paesaggi e misteri. Riscoprire Ann Radcliffe.<\/li>\n<\/ul>\n
\n- Edoardo Zuccato, Romantic Women Poets. Genre and Gender, eds. Lilla Maria Crisafulli and Cecilia Pietropoli.<\/li>\n<\/ul>\n
\n- Valeria Pellis, Paola Degli Esposti, La scena tentatrice (Coleridge, Byron, Baillie).<\/li>\n<\/ul>\n
\n- Beatrice Battaglia, Paola Partenza, Sguardo e narrazione. Quattro esempi di scrittura femminile: Wollstonecraft, Hays, Austen, Gaskell.<\/li>\n<\/ul>\n
\n- Elena Giovannini, Monika Schmitz-Emans, Introduzione alla letteratura del Romanticismo tedesco, trad. it. e cura di Margherita Versari.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- From Goslar to Grasmere. William Wordsworth: Electronic Manuscripts.<\/li>\n<\/ul>\n
\n- British Annuals and Giftbooks: An Index of British Annuals.<\/li>\n<\/ul>\n
\n- The Bijou; or, Annual of Literature and the Arts (1828)<\/li>\n<\/ul>\n
\n- Nineteenth-Century British Literary Annuals: An Online Exhibition of Materials from the University of Toronto.<\/li>\n<\/ul>\n
\n- The Bluestocking Archive.<\/li>\n<\/ul>\n
\n- The Romantic Chronology.<\/li>\n<\/ul>\n
\n- The Quarterly Review Archive.<\/li>\n<\/ul>\n
\n- Centro Internacional de Estudios sobre Romanticismo Hisp\u00e1nico \u00abErmanno Caldera\u00bb.<\/li>\n<\/ul>\n
\n- Byron Conferences in 2009.<\/li>\n<\/ul>\n
\n- \u00abThe Author-Translator in the European Literary Tradition\u00bb.<\/li>\n<\/ul>\n
\n- \u00abThe Scandalous Adventures of Lord Byron\u00bb.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div><\/div>
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<\/div><\/span><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>
<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Alain Muzelle, La Ballade allemande \u00e0 l\u00b4\u00e9poque romantique.<\/li>\n<\/ul>\n
\n- Sandrine Maufroy, \u00abHistorien et litt\u00e9rateur\u00bb. Les Chants populaires de la Gr\u00e8ce moderne dans l\u00b4oeuvre de Claude Fauriel.<\/li>\n<\/ul>\n
\n- Paolo Giovannetti, Appunti sulla ballata romantica italiana.<\/li>\n<\/ul>\n
\n- James Wyndham Thomas, The Narrative Element in Victor Gelu\u00b4s Chansons proven\u00e7ales.<\/li>\n<\/ul>\n
\n- Diego Saglia, Translating Romances, Writing Spain: John Gibson Lockhart\u00b4s Ancient Spanish Ballads.<\/li>\n<\/ul>\n
\n- Gabriella Imposti, Translating and Transforming Literary Genres: From the German Ballad to \u017dukovskij\u00b4s Russian \u00abBallada\u00bb.<\/li>\n<\/ul>\n
\n- Joanna Kulakowska, Lis Motifs of Folk Tales and Legends in Adam Mickiewicz\u00b4s Ballads.<\/li>\n<\/ul>\n
\n- Monica Coghen, Cosmopolitan Readings and National Identity: Niemcewicz\u00b4s Adaptations of English Literature.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Cristina Paoletti, A Passionate Defence of Reason: Necessity and Sensibility in Mary Wollstonecraft\u00b4s Moral Philosophy.<\/li>\n<\/ul>\n
\n- Giovanna Silvani, Shelley\u00b4s Zastrozzi, or the Language of the Unconscious.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Alessandro Niero Ritratti. Lei, lui, Alisea, Volantina, 11.40, Ad Antonella, Finis Mundi.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Chiara Rolli, Beatrice Battaglia, Paesaggi e misteri. Riscoprire Ann Radcliffe.<\/li>\n<\/ul>\n
\n- Edoardo Zuccato, Romantic Women Poets. Genre and Gender, eds. Lilla Maria Crisafulli and Cecilia Pietropoli.<\/li>\n<\/ul>\n
\n- Valeria Pellis, Paola Degli Esposti, La scena tentatrice (Coleridge, Byron, Baillie).<\/li>\n<\/ul>\n
\n- Beatrice Battaglia, Paola Partenza, Sguardo e narrazione. Quattro esempi di scrittura femminile: Wollstonecraft, Hays, Austen, Gaskell.<\/li>\n<\/ul>\n
\n- Elena Giovannini, Monika Schmitz-Emans, Introduzione alla letteratura del Romanticismo tedesco, trad. it. e cura di Margherita Versari.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- From Goslar to Grasmere. William Wordsworth: Electronic Manuscripts.<\/li>\n<\/ul>\n
\n- British Annuals and Giftbooks: An Index of British Annuals.<\/li>\n<\/ul>\n
\n- The Bijou; or, Annual of Literature and the Arts (1828)<\/li>\n<\/ul>\n
\n- Nineteenth-Century British Literary Annuals: An Online Exhibition of Materials from the University of Toronto.<\/li>\n<\/ul>\n
\n- The Bluestocking Archive.<\/li>\n<\/ul>\n
\n- The Romantic Chronology.<\/li>\n<\/ul>\n
\n- The Quarterly Review Archive.<\/li>\n<\/ul>\n
\n- Centro Internacional de Estudios sobre Romanticismo Hisp\u00e1nico \u00abErmanno Caldera\u00bb.<\/li>\n<\/ul>\n
\n- Byron Conferences in 2009.<\/li>\n<\/ul>\n
\n- \u00abThe Author-Translator in the European Literary Tradition\u00bb.<\/li>\n<\/ul>\n
\n- \u00abThe Scandalous Adventures of Lord Byron\u00bb.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div><\/div>
\n
- \n
- Alain Muzelle, La Ballade allemande \u00e0 l\u00b4\u00e9poque romantique.<\/li>\n<\/ul>\n
- \n
- Sandrine Maufroy, \u00abHistorien et litt\u00e9rateur\u00bb. Les Chants populaires de la Gr\u00e8ce moderne dans l\u00b4oeuvre de Claude Fauriel.<\/li>\n<\/ul>\n
- \n
- Paolo Giovannetti, Appunti sulla ballata romantica italiana.<\/li>\n<\/ul>\n
- \n
- James Wyndham Thomas, The Narrative Element in Victor Gelu\u00b4s Chansons proven\u00e7ales.<\/li>\n<\/ul>\n
- \n
- Diego Saglia, Translating Romances, Writing Spain: John Gibson Lockhart\u00b4s Ancient Spanish Ballads.<\/li>\n<\/ul>\n
- \n
- Gabriella Imposti, Translating and Transforming Literary Genres: From the German Ballad to \u017dukovskij\u00b4s Russian \u00abBallada\u00bb.<\/li>\n<\/ul>\n
- \n
- Joanna Kulakowska, Lis Motifs of Folk Tales and Legends in Adam Mickiewicz\u00b4s Ballads.<\/li>\n<\/ul>\n
- \n
- Monica Coghen, Cosmopolitan Readings and National Identity: Niemcewicz\u00b4s Adaptations of English Literature.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>
\n- \n
- Cristina Paoletti, A Passionate Defence of Reason: Necessity and Sensibility in Mary Wollstonecraft\u00b4s Moral Philosophy.<\/li>\n<\/ul>\n
- \n
- Giovanna Silvani, Shelley\u00b4s Zastrozzi, or the Language of the Unconscious.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>
\n- \n
- Alessandro Niero Ritratti. Lei, lui, Alisea, Volantina, 11.40, Ad Antonella, Finis Mundi.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>
\n- \n
- Chiara Rolli, Beatrice Battaglia, Paesaggi e misteri. Riscoprire Ann Radcliffe.<\/li>\n<\/ul>\n
- \n
- Edoardo Zuccato, Romantic Women Poets. Genre and Gender, eds. Lilla Maria Crisafulli and Cecilia Pietropoli.<\/li>\n<\/ul>\n
- \n
- Valeria Pellis, Paola Degli Esposti, La scena tentatrice (Coleridge, Byron, Baillie).<\/li>\n<\/ul>\n
- \n
- Beatrice Battaglia, Paola Partenza, Sguardo e narrazione. Quattro esempi di scrittura femminile: Wollstonecraft, Hays, Austen, Gaskell.<\/li>\n<\/ul>\n
- \n
- Elena Giovannini, Monika Schmitz-Emans, Introduzione alla letteratura del Romanticismo tedesco, trad. it. e cura di Margherita Versari.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>
\n- \n
- From Goslar to Grasmere. William Wordsworth: Electronic Manuscripts.<\/li>\n<\/ul>\n
- \n
- British Annuals and Giftbooks: An Index of British Annuals.<\/li>\n<\/ul>\n
- \n
- The Bijou; or, Annual of Literature and the Arts (1828)<\/li>\n<\/ul>\n
- \n
- Nineteenth-Century British Literary Annuals: An Online Exhibition of Materials from the University of Toronto.<\/li>\n<\/ul>\n
- \n
- The Bluestocking Archive.<\/li>\n<\/ul>\n
- \n
- The Romantic Chronology.<\/li>\n<\/ul>\n
- \n
- The Quarterly Review Archive.<\/li>\n<\/ul>\n
- \n
- Centro Internacional de Estudios sobre Romanticismo Hisp\u00e1nico \u00abErmanno Caldera\u00bb.<\/li>\n<\/ul>\n
- \n
- Byron Conferences in 2009.<\/li>\n<\/ul>\n
- \n
- \u00abThe Author-Translator in the European Literary Tradition\u00bb.<\/li>\n<\/ul>\n
- \n
- \u00abThe Scandalous Adventures of Lord Byron\u00bb.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
<\/div>
- \u00abThe Scandalous Adventures of Lord Byron\u00bb.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div>
- \u00abThe Author-Translator in the European Literary Tradition\u00bb.<\/li>\n<\/ul>\n
- Byron Conferences in 2009.<\/li>\n<\/ul>\n
- Centro Internacional de Estudios sobre Romanticismo Hisp\u00e1nico \u00abErmanno Caldera\u00bb.<\/li>\n<\/ul>\n
- The Quarterly Review Archive.<\/li>\n<\/ul>\n
- The Romantic Chronology.<\/li>\n<\/ul>\n
- The Bluestocking Archive.<\/li>\n<\/ul>\n
- Nineteenth-Century British Literary Annuals: An Online Exhibition of Materials from the University of Toronto.<\/li>\n<\/ul>\n
- The Bijou; or, Annual of Literature and the Arts (1828)<\/li>\n<\/ul>\n
- British Annuals and Giftbooks: An Index of British Annuals.<\/li>\n<\/ul>\n
- From Goslar to Grasmere. William Wordsworth: Electronic Manuscripts.<\/li>\n<\/ul>\n
- Elena Giovannini, Monika Schmitz-Emans, Introduzione alla letteratura del Romanticismo tedesco, trad. it. e cura di Margherita Versari.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Beatrice Battaglia, Paola Partenza, Sguardo e narrazione. Quattro esempi di scrittura femminile: Wollstonecraft, Hays, Austen, Gaskell.<\/li>\n<\/ul>\n
- Valeria Pellis, Paola Degli Esposti, La scena tentatrice (Coleridge, Byron, Baillie).<\/li>\n<\/ul>\n
- Edoardo Zuccato, Romantic Women Poets. Genre and Gender, eds. Lilla Maria Crisafulli and Cecilia Pietropoli.<\/li>\n<\/ul>\n
- Chiara Rolli, Beatrice Battaglia, Paesaggi e misteri. Riscoprire Ann Radcliffe.<\/li>\n<\/ul>\n
- Alessandro Niero Ritratti. Lei, lui, Alisea, Volantina, 11.40, Ad Antonella, Finis Mundi.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Giovanna Silvani, Shelley\u00b4s Zastrozzi, or the Language of the Unconscious.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Cristina Paoletti, A Passionate Defence of Reason: Necessity and Sensibility in Mary Wollstonecraft\u00b4s Moral Philosophy.<\/li>\n<\/ul>\n
- Monica Coghen, Cosmopolitan Readings and National Identity: Niemcewicz\u00b4s Adaptations of English Literature.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Joanna Kulakowska, Lis Motifs of Folk Tales and Legends in Adam Mickiewicz\u00b4s Ballads.<\/li>\n<\/ul>\n
- Gabriella Imposti, Translating and Transforming Literary Genres: From the German Ballad to \u017dukovskij\u00b4s Russian \u00abBallada\u00bb.<\/li>\n<\/ul>\n
- Diego Saglia, Translating Romances, Writing Spain: John Gibson Lockhart\u00b4s Ancient Spanish Ballads.<\/li>\n<\/ul>\n
- James Wyndham Thomas, The Narrative Element in Victor Gelu\u00b4s Chansons proven\u00e7ales.<\/li>\n<\/ul>\n
- Paolo Giovannetti, Appunti sulla ballata romantica italiana.<\/li>\n<\/ul>\n
- Sandrine Maufroy, \u00abHistorien et litt\u00e9rateur\u00bb. Les Chants populaires de la Gr\u00e8ce moderne dans l\u00b4oeuvre de Claude Fauriel.<\/li>\n<\/ul>\n