Volume 1, Numero 1<\/strong> (Giugno)<\/h3><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>![\"4829\"](\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2012\/07\/4829-214x300.jpg\")
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Stuart Curran, The Presence of Godwin and Wollstonecraft in the Shelleys\u2019 \u201cHistory of a Six Weeks\u2019 Tour\u201d.<\/li>\n<\/ul>\n
\n- Charles E. Robinson, Collaboration and Ventriloquism in Mary Shelley\u2019s \u201cFrankenstein\u201d.<\/li>\n<\/ul>\n
\n- Joel Faflak, Mary Shelley\u2019s \u201cMatilda\u201d: Beyond Sympathy.<\/li>\n<\/ul>\n
\n- Reiko Suzuki, \u00abA Romantic Truth of History\u00bb: Gender in Mary Shelley\u2019s “Valperga” and Robert Browning’s “Sordello”<\/li>\n<\/ul>\n
\n- Graham Allen, Mary Shelley\u2019s letter to Maria Gisborne<\/li>\n<\/ul>\n
\n- Lisa Vargo, (Re)placing a Site of Friendship: Frances Wright and Mary Wollstonecraft Shelley.<\/li>\n<\/ul>\n
\n- Pamela Clemit:, \u00abA Society of Their Own\u00bb: Four Letters from Laura Tighe Galloni D\u2019Istria to Mary Wollstonecraft Shelley.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Michael Rossington, Mary Shelley\u2019s Short Stories Notebook in the Bodleian Library.<\/li>\n<\/ul>\n
\n- Nora Crook, \u00abMy own Alexy\u00bb: A Recently Discovered Review of Thomas Jefferson Hogg\u2019s Prince Alexy Haimatoff in The New Review.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Michael O\u2019Neill Precious Little. Infinite (after Leopardi). Hope.<\/li>\n<\/ul>\n
\n- Graham Allen, The Choice.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Beatrice Battaglia, Austeniana: d\u00e9costruire e ricostruire Jane Austen. Kathryn Sutherland, Jane Austen\u2019s Textual Lives: From Aeschylus to Bollywood; Anthony Mandal, Jane Austen and the Popular Novel: The Determined Author.<\/li>\n<\/ul>\n
\n- Lorella Bosco, Carlotta Farese, Creature dell\u2019illusione. Figure di lettrici nella letteratura europea dell\u2019Ottocento.<\/li>\n<\/ul>\n
\n- Elena Spandri, Michael J. Franklin, ed., Romantic Representations of British India.<\/li>\n<\/ul>\n
\n- Nora Crook , Felicia Gordon and Gina Luria Walker, eds.,Rational Passions: Women and Scholarship in Britain, 1702-1870.<\/li>\n<\/ul>\n
\n- John Gilroy, Richard Holmes, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science.<\/li>\n<\/ul>\n
\n- Alan Weinberg, Towards a Dark Ecology: Timothy Morton, Ecology Without Nature: Rethinking Environmental Aesthetics.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- Un italiano a Londra: Attori, autori e personaggi italiani sulla scena inglese dal primo Rinascimento al tardo Romanticismo.<\/li>\n<\/ul>\n
\n- Unmasking Jane Austen \/ Jane Austen senza maschere<\/li>\n<\/ul>\n
\n- Challenges for the 21st Century: Dilemmas, Ambiguities, Direction. 24\u00b0 Convegno nazionale dell\u2019Associazione Italiana di Anglistica<\/li>\n<\/ul>\n
\n- Thomas de Quincey, Manchester and Medicine, 1785-1859<\/li>\n<\/ul>\n
\n- The Romantics in Italy: Dante, Italian Culture, and Romantic Literature<\/li>\n<\/ul>\n
\n- The Godwin Diary: Reconstructing London\u2019s Culture 1788-1836<\/li>\n<\/ul>\n
\n- The Journal of Browning Studies<\/li>\n<\/ul>\n
\n- The Keats-Shelley Review<\/li>\n<\/ul>\n
\n- Ravenna<\/li>\n<\/ul>\n
\n- Friends of Coleridge Website<\/li>\n<\/ul>\n
\n- Robert Southey\u2019s Collected Letters<\/li>\n<\/ul>\n
\n- The Poems of William Wordsworth<\/li>\n<\/ul>\n
\n- Joseph Severn, a Life<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div><\/div>
<\/div><\/div><\/div>
<\/div><\/div><\/div>
<\/div><\/span><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>
<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Stuart Curran, The Presence of Godwin and Wollstonecraft in the Shelleys\u2019 \u201cHistory of a Six Weeks\u2019 Tour\u201d.<\/li>\n<\/ul>\n
\n- Charles E. Robinson, Collaboration and Ventriloquism in Mary Shelley\u2019s \u201cFrankenstein\u201d.<\/li>\n<\/ul>\n
\n- Joel Faflak, Mary Shelley\u2019s \u201cMatilda\u201d: Beyond Sympathy.<\/li>\n<\/ul>\n
\n- Reiko Suzuki, \u00abA Romantic Truth of History\u00bb: Gender in Mary Shelley\u2019s “Valperga” and Robert Browning’s “Sordello”<\/li>\n<\/ul>\n
\n- Graham Allen, Mary Shelley\u2019s letter to Maria Gisborne<\/li>\n<\/ul>\n
\n- Lisa Vargo, (Re)placing a Site of Friendship: Frances Wright and Mary Wollstonecraft Shelley.<\/li>\n<\/ul>\n
\n- Pamela Clemit:, \u00abA Society of Their Own\u00bb: Four Letters from Laura Tighe Galloni D\u2019Istria to Mary Wollstonecraft Shelley.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Michael Rossington, Mary Shelley\u2019s Short Stories Notebook in the Bodleian Library.<\/li>\n<\/ul>\n
\n- Nora Crook, \u00abMy own Alexy\u00bb: A Recently Discovered Review of Thomas Jefferson Hogg\u2019s Prince Alexy Haimatoff in The New Review.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Michael O\u2019Neill Precious Little. Infinite (after Leopardi). Hope.<\/li>\n<\/ul>\n
\n- Graham Allen, The Choice.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Beatrice Battaglia, Austeniana: d\u00e9costruire e ricostruire Jane Austen. Kathryn Sutherland, Jane Austen\u2019s Textual Lives: From Aeschylus to Bollywood; Anthony Mandal, Jane Austen and the Popular Novel: The Determined Author.<\/li>\n<\/ul>\n
\n- Lorella Bosco, Carlotta Farese, Creature dell\u2019illusione. Figure di lettrici nella letteratura europea dell\u2019Ottocento.<\/li>\n<\/ul>\n
\n- Elena Spandri, Michael J. Franklin, ed., Romantic Representations of British India.<\/li>\n<\/ul>\n
\n- Nora Crook , Felicia Gordon and Gina Luria Walker, eds.,Rational Passions: Women and Scholarship in Britain, 1702-1870.<\/li>\n<\/ul>\n
\n- John Gilroy, Richard Holmes, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science.<\/li>\n<\/ul>\n
\n- Alan Weinberg, Towards a Dark Ecology: Timothy Morton, Ecology Without Nature: Rethinking Environmental Aesthetics.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- Un italiano a Londra: Attori, autori e personaggi italiani sulla scena inglese dal primo Rinascimento al tardo Romanticismo.<\/li>\n<\/ul>\n
\n- Unmasking Jane Austen \/ Jane Austen senza maschere<\/li>\n<\/ul>\n
\n- Challenges for the 21st Century: Dilemmas, Ambiguities, Direction. 24\u00b0 Convegno nazionale dell\u2019Associazione Italiana di Anglistica<\/li>\n<\/ul>\n
\n- Thomas de Quincey, Manchester and Medicine, 1785-1859<\/li>\n<\/ul>\n
\n- The Romantics in Italy: Dante, Italian Culture, and Romantic Literature<\/li>\n<\/ul>\n
\n- The Godwin Diary: Reconstructing London\u2019s Culture 1788-1836<\/li>\n<\/ul>\n
\n- The Journal of Browning Studies<\/li>\n<\/ul>\n
\n- The Keats-Shelley Review<\/li>\n<\/ul>\n
\n- Ravenna<\/li>\n<\/ul>\n
\n- Friends of Coleridge Website<\/li>\n<\/ul>\n
\n- Robert Southey\u2019s Collected Letters<\/li>\n<\/ul>\n
\n- The Poems of William Wordsworth<\/li>\n<\/ul>\n
\n- Joseph Severn, a Life<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div><\/div>
\n
- \n
- Stuart Curran, The Presence of Godwin and Wollstonecraft in the Shelleys\u2019 \u201cHistory of a Six Weeks\u2019 Tour\u201d.<\/li>\n<\/ul>\n
- \n
- Charles E. Robinson, Collaboration and Ventriloquism in Mary Shelley\u2019s \u201cFrankenstein\u201d.<\/li>\n<\/ul>\n
- \n
- Joel Faflak, Mary Shelley\u2019s \u201cMatilda\u201d: Beyond Sympathy.<\/li>\n<\/ul>\n
- \n
- Reiko Suzuki, \u00abA Romantic Truth of History\u00bb: Gender in Mary Shelley\u2019s “Valperga” and Robert Browning’s “Sordello”<\/li>\n<\/ul>\n
- \n
- Graham Allen, Mary Shelley\u2019s letter to Maria Gisborne<\/li>\n<\/ul>\n
- \n
- Lisa Vargo, (Re)placing a Site of Friendship: Frances Wright and Mary Wollstonecraft Shelley.<\/li>\n<\/ul>\n
- \n
- Pamela Clemit:, \u00abA Society of Their Own\u00bb: Four Letters from Laura Tighe Galloni D\u2019Istria to Mary Wollstonecraft Shelley.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>
\n- \n
- Michael Rossington, Mary Shelley\u2019s Short Stories Notebook in the Bodleian Library.<\/li>\n<\/ul>\n
- \n
- Nora Crook, \u00abMy own Alexy\u00bb: A Recently Discovered Review of Thomas Jefferson Hogg\u2019s Prince Alexy Haimatoff in The New Review.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>
\n- \n
- Michael O\u2019Neill Precious Little. Infinite (after Leopardi). Hope.<\/li>\n<\/ul>\n
- \n
- Graham Allen, The Choice.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>
\n- \n
- Beatrice Battaglia, Austeniana: d\u00e9costruire e ricostruire Jane Austen. Kathryn Sutherland, Jane Austen\u2019s Textual Lives: From Aeschylus to Bollywood; Anthony Mandal, Jane Austen and the Popular Novel: The Determined Author.<\/li>\n<\/ul>\n
- \n
- Lorella Bosco, Carlotta Farese, Creature dell\u2019illusione. Figure di lettrici nella letteratura europea dell\u2019Ottocento.<\/li>\n<\/ul>\n
- \n
- Elena Spandri, Michael J. Franklin, ed., Romantic Representations of British India.<\/li>\n<\/ul>\n
- \n
- Nora Crook , Felicia Gordon and Gina Luria Walker, eds.,Rational Passions: Women and Scholarship in Britain, 1702-1870.<\/li>\n<\/ul>\n
- \n
- John Gilroy, Richard Holmes, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science.<\/li>\n<\/ul>\n
- \n
- Alan Weinberg, Towards a Dark Ecology: Timothy Morton, Ecology Without Nature: Rethinking Environmental Aesthetics.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>
\n- \n
- Un italiano a Londra: Attori, autori e personaggi italiani sulla scena inglese dal primo Rinascimento al tardo Romanticismo.<\/li>\n<\/ul>\n
- \n
- Unmasking Jane Austen \/ Jane Austen senza maschere<\/li>\n<\/ul>\n
- \n
- Challenges for the 21st Century: Dilemmas, Ambiguities, Direction. 24\u00b0 Convegno nazionale dell\u2019Associazione Italiana di Anglistica<\/li>\n<\/ul>\n
- \n
- Thomas de Quincey, Manchester and Medicine, 1785-1859<\/li>\n<\/ul>\n
- \n
- The Romantics in Italy: Dante, Italian Culture, and Romantic Literature<\/li>\n<\/ul>\n
- \n
- The Godwin Diary: Reconstructing London\u2019s Culture 1788-1836<\/li>\n<\/ul>\n
- \n
- The Journal of Browning Studies<\/li>\n<\/ul>\n
- \n
- The Keats-Shelley Review<\/li>\n<\/ul>\n
- \n
- Ravenna<\/li>\n<\/ul>\n
- \n
- Friends of Coleridge Website<\/li>\n<\/ul>\n
- \n
- Robert Southey\u2019s Collected Letters<\/li>\n<\/ul>\n
- \n
- The Poems of William Wordsworth<\/li>\n<\/ul>\n
- \n
- Joseph Severn, a Life<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
<\/div>
- Joseph Severn, a Life<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div>
- The Poems of William Wordsworth<\/li>\n<\/ul>\n
- Robert Southey\u2019s Collected Letters<\/li>\n<\/ul>\n
- Friends of Coleridge Website<\/li>\n<\/ul>\n
- Ravenna<\/li>\n<\/ul>\n
- The Keats-Shelley Review<\/li>\n<\/ul>\n
- The Journal of Browning Studies<\/li>\n<\/ul>\n
- The Godwin Diary: Reconstructing London\u2019s Culture 1788-1836<\/li>\n<\/ul>\n
- The Romantics in Italy: Dante, Italian Culture, and Romantic Literature<\/li>\n<\/ul>\n
- Thomas de Quincey, Manchester and Medicine, 1785-1859<\/li>\n<\/ul>\n
- Challenges for the 21st Century: Dilemmas, Ambiguities, Direction. 24\u00b0 Convegno nazionale dell\u2019Associazione Italiana di Anglistica<\/li>\n<\/ul>\n
- Unmasking Jane Austen \/ Jane Austen senza maschere<\/li>\n<\/ul>\n
- Un italiano a Londra: Attori, autori e personaggi italiani sulla scena inglese dal primo Rinascimento al tardo Romanticismo.<\/li>\n<\/ul>\n
- Alan Weinberg, Towards a Dark Ecology: Timothy Morton, Ecology Without Nature: Rethinking Environmental Aesthetics.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- John Gilroy, Richard Holmes, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science.<\/li>\n<\/ul>\n
- Nora Crook , Felicia Gordon and Gina Luria Walker, eds.,Rational Passions: Women and Scholarship in Britain, 1702-1870.<\/li>\n<\/ul>\n
- Elena Spandri, Michael J. Franklin, ed., Romantic Representations of British India.<\/li>\n<\/ul>\n
- Lorella Bosco, Carlotta Farese, Creature dell\u2019illusione. Figure di lettrici nella letteratura europea dell\u2019Ottocento.<\/li>\n<\/ul>\n
- Beatrice Battaglia, Austeniana: d\u00e9costruire e ricostruire Jane Austen. Kathryn Sutherland, Jane Austen\u2019s Textual Lives: From Aeschylus to Bollywood; Anthony Mandal, Jane Austen and the Popular Novel: The Determined Author.<\/li>\n<\/ul>\n
- Graham Allen, The Choice.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Michael O\u2019Neill Precious Little. Infinite (after Leopardi). Hope.<\/li>\n<\/ul>\n
- Nora Crook, \u00abMy own Alexy\u00bb: A Recently Discovered Review of Thomas Jefferson Hogg\u2019s Prince Alexy Haimatoff in The New Review.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Michael Rossington, Mary Shelley\u2019s Short Stories Notebook in the Bodleian Library.<\/li>\n<\/ul>\n
- Pamela Clemit:, \u00abA Society of Their Own\u00bb: Four Letters from Laura Tighe Galloni D\u2019Istria to Mary Wollstonecraft Shelley.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Lisa Vargo, (Re)placing a Site of Friendship: Frances Wright and Mary Wollstonecraft Shelley.<\/li>\n<\/ul>\n
- Graham Allen, Mary Shelley\u2019s letter to Maria Gisborne<\/li>\n<\/ul>\n
- Reiko Suzuki, \u00abA Romantic Truth of History\u00bb: Gender in Mary Shelley\u2019s “Valperga” and Robert Browning’s “Sordello”<\/li>\n<\/ul>\n
- Joel Faflak, Mary Shelley\u2019s \u201cMatilda\u201d: Beyond Sympathy.<\/li>\n<\/ul>\n
- Charles E. Robinson, Collaboration and Ventriloquism in Mary Shelley\u2019s \u201cFrankenstein\u201d.<\/li>\n<\/ul>\n