Volume 2, Numero 2<\/strong> (Ottobre)<\/h3><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>![\"crime\"](\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2016\/04\/crime.jpg\")
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Maurice Hindle, Theatres of Calamity: Godwin, Burke and the Language of Gothic<\/li>\n
- Maurizio Ascari, In Pursuit of the Sublime: De Quincey and the Romantics’ Metaphysical Conception of Crime<\/li>\n
- Struan Sinclair, \u00ab<\/span>An Apartment So Bedizzened\u00bb<\/span>: Edgar Allan Poe’s Superperceivers<\/li>\n
- Giacomo Mannironi, Criminal Ambitions: the Young Balzac and the Influence of British Romanticism<\/li>\n
- Yvonne Leffler, Early Crime Fiction in Scandinavian Literature<\/li>\n
- Heather Worthington, Repression and Transgression in Samuel Warren’s \u00ab<\/span>The Bracelets\u00bb<\/span> and Passages from the Diary of a Late Physician<\/li>\n
- Stephen Knight, The Mysteries of the Cities and the Myth of Urban Gothic<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Gabriella Imposti, A bad person not without certain principles<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Michael Gregorio, Wohin?<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Stephen Knight, A Companion to Crime Fiction,<\/li>\n<\/ul>\n
edited by Charles J. Rzepka and Lee Horsley<\/i><\/p>\n\n- Beatrice Battaglia, Hester Lynch Piozzi. A Taste for Eccentricity,<\/li>\n<\/ul>\n
edited by Marianna D’Ezio<\/i><\/p>\n\n- Beatrice Battiglia, Letitia Elizabeth Landon and Metrical Romance: the Adventuresof a “Literary Genius”,<\/li>\n<\/ul>\n
edited by Serena Baiesi<\/i><\/p>\n<\/div><\/div><\/div>
<\/div><\/div><\/div>
<\/div><\/div><\/div>
<\/div><\/span><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>
<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Maurice Hindle, Theatres of Calamity: Godwin, Burke and the Language of Gothic<\/li>\n
- Maurizio Ascari, In Pursuit of the Sublime: De Quincey and the Romantics’ Metaphysical Conception of Crime<\/li>\n
- Struan Sinclair, \u00ab<\/span>An Apartment So Bedizzened\u00bb<\/span>: Edgar Allan Poe’s Superperceivers<\/li>\n
- Giacomo Mannironi, Criminal Ambitions: the Young Balzac and the Influence of British Romanticism<\/li>\n
- Yvonne Leffler, Early Crime Fiction in Scandinavian Literature<\/li>\n
- Heather Worthington, Repression and Transgression in Samuel Warren’s \u00ab<\/span>The Bracelets\u00bb<\/span> and Passages from the Diary of a Late Physician<\/li>\n
- Stephen Knight, The Mysteries of the Cities and the Myth of Urban Gothic<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Gabriella Imposti, A bad person not without certain principles<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Michael Gregorio, Wohin?<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Stephen Knight, A Companion to Crime Fiction,<\/li>\n<\/ul>\n
edited by Charles J. Rzepka and Lee Horsley<\/i><\/p>\n\n- Beatrice Battaglia, Hester Lynch Piozzi. A Taste for Eccentricity,<\/li>\n<\/ul>\n
edited by Marianna D’Ezio<\/i><\/p>\n\n- Beatrice Battiglia, Letitia Elizabeth Landon and Metrical Romance: the Adventuresof a “Literary Genius”,<\/li>\n<\/ul>\n
edited by Serena Baiesi<\/i><\/p>\n<\/div><\/div><\/div>
\n
- \n
- Maurice Hindle, Theatres of Calamity: Godwin, Burke and the Language of Gothic<\/li>\n
- Maurizio Ascari, In Pursuit of the Sublime: De Quincey and the Romantics’ Metaphysical Conception of Crime<\/li>\n
- Struan Sinclair, \u00ab<\/span>An Apartment So Bedizzened\u00bb<\/span>: Edgar Allan Poe’s Superperceivers<\/li>\n
- Giacomo Mannironi, Criminal Ambitions: the Young Balzac and the Influence of British Romanticism<\/li>\n
- Yvonne Leffler, Early Crime Fiction in Scandinavian Literature<\/li>\n
- Heather Worthington, Repression and Transgression in Samuel Warren’s \u00ab<\/span>The Bracelets\u00bb<\/span> and Passages from the Diary of a Late Physician<\/li>\n
- Stephen Knight, The Mysteries of the Cities and the Myth of Urban Gothic<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>
\n- \n
- Gabriella Imposti, A bad person not without certain principles<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>
\n- \n
- Michael Gregorio, Wohin?<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>
\n- \n
- Stephen Knight, A Companion to Crime Fiction,<\/li>\n<\/ul>\n
edited by Charles J. Rzepka and Lee Horsley<\/i><\/p>\n
- \n
- Beatrice Battaglia, Hester Lynch Piozzi. A Taste for Eccentricity,<\/li>\n<\/ul>\n
edited by Marianna D’Ezio<\/i><\/p>\n
- \n
- Beatrice Battiglia, Letitia Elizabeth Landon and Metrical Romance: the Adventuresof a “Literary Genius”,<\/li>\n<\/ul>\n
edited by Serena Baiesi<\/i><\/p>\n<\/div><\/div><\/div>
- Beatrice Battiglia, Letitia Elizabeth Landon and Metrical Romance: the Adventuresof a “Literary Genius”,<\/li>\n<\/ul>\n
- Beatrice Battaglia, Hester Lynch Piozzi. A Taste for Eccentricity,<\/li>\n<\/ul>\n
- Stephen Knight, A Companion to Crime Fiction,<\/li>\n<\/ul>\n
- Michael Gregorio, Wohin?<\/li>\n<\/ul>\n<\/div><\/div><\/div>