﻿{"id":4057,"date":"2011-04-12T15:12:46","date_gmt":"2011-04-12T13:12:46","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/?p=4057"},"modified":"2017-03-16T12:24:10","modified_gmt":"2017-03-16T11:24:10","slug":"bodyanatomy","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/romanticismo\/bodyanatomy\/","title":{"rendered":"Body \/ Anatomy (2011)"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-title title fusion-title-1 fusion-title-text fusion-title-size-three\"><h3 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><strong>Volume 3, Numero 1 <\/strong>(Aprile)<\/h3><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-three-fourth fusion-column-first\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element fusion-image-align-left in-legacy-container\" style=\"text-align:left;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-zoomin\" style=\"margin-right:25px;float:left;\"><img decoding=\"async\" src=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2011\/04\/qr-img-body.jpg\" alt class=\"img-responsive\"\/><\/span><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:18px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#e0dede;--awb-divider-hover-color:#e0dede;--awb-icon-color:#ffffff;--awb-title-color:#333333;--awb-content-color:#747474;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#9b1717;--awb-title-font-family:&quot;Bayon&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Bayon&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-4057-1\"><div class=\"fusion-panel panel-default panel-ef88beb2a330f64c4 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_ef88beb2a330f64c4\"><a aria-expanded=\"false\" aria-controls=\"ef88beb2a330f64c4\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4057-1\" data-target=\"#ef88beb2a330f64c4\" href=\"#ef88beb2a330f64c4\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">SAGGI<\/span><\/a><\/h4><\/div><div id=\"ef88beb2a330f64c4\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_ef88beb2a330f64c4\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Lisa Ann Robertson, Soulful Sensorium: The Body in British Romantic Brain Science<\/li>\n<\/ul>\n<ul>\n<li><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=3325\">Rocco Coronato, A Sentimental Journey through the Body and Other Eighteenth-Century Automata<\/a><\/li>\n<\/ul>\n<ul>\n<li>Eliza O\u2019Brien, Eighteenth-Century Legal Reform and the Romantic Body: Visibility, Betrayal and Evidence in Caleb Williams<\/li>\n<\/ul>\n<ul>\n<li>\u0018\u0018Norbert Lennartz, Porous Bodies in British Romantic Literature<\/li>\n<\/ul>\n<ul>\n<li>Linda Claridge Middup, Body Versus Soul: The Dichotomy of Femininity in the Didactic Narratives of Women Writers<\/li>\n<\/ul>\n<ul>\n<li>Sharon Ruston, \u00abWhat was I?\u00bb: Frankenstein, Natural History, and the Question of What it Means to be Human<\/li>\n<\/ul>\n<ul>\n<li>Caroline Kimberly, Endymion and the Critics: Policing the Body, Policing the Word<\/li>\n<\/ul>\n<ul>\n<li>Evy Varsamopoulou, Adventures in Addiction: De Quincey\u2019s explorations of the body in extremis<\/li>\n<\/ul>\n<ul>\n<li>Michael Bradshaw, Thomas Hood and the Art of the Leg-Pull<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-cbb10a79bbea628a1 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_cbb10a79bbea628a1\"><a aria-expanded=\"false\" aria-controls=\"cbb10a79bbea628a1\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4057-1\" data-target=\"#cbb10a79bbea628a1\" href=\"#cbb10a79bbea628a1\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">MARGINALIA<\/span><\/a><\/h4><\/div><div id=\"cbb10a79bbea628a1\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_cbb10a79bbea628a1\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Barnaba Maj, Corpo e teologia rivoluzionaria: Der Hessische Landbote di Georg B\u00fcchner<\/li>\n<\/ul>\n<ul>\n<li>Stephanie Saint, Wonderful Arms and Invisible Hands: Physical Disability and Economic Gain in Herman Melville\u2019s Redburn (1849)<\/li>\n<\/ul>\n<ul>\n<li>Tiziana Morosetti, A War between Races: Northern and Southern Bodies between Romanticism and the Risorgimento<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-907c4b722debecd16 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_907c4b722debecd16\"><a aria-expanded=\"false\" aria-controls=\"907c4b722debecd16\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4057-1\" data-target=\"#907c4b722debecd16\" href=\"#907c4b722debecd16\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">POET\u2019S CORNER<\/span><\/a><\/h4><\/div><div id=\"907c4b722debecd16\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_907c4b722debecd16\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>David Hartley, Observations on Man, His Frame, His Duty, and His Expectations<\/li>\n<\/ul>\n<ul>\n<li>James Cowles, Prichard Researches into the Physical History of Man<\/li>\n<\/ul>\n<ul>\n<li>William Lawrence, Lectures on Physiology, Zoology and the Natural History of Man<\/li>\n<\/ul>\n<ul>\n<li>Robert Knox, The Races of Men: A Fragment<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-6d37372c004698546 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_6d37372c004698546\"><a aria-expanded=\"false\" aria-controls=\"6d37372c004698546\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4057-1\" data-target=\"#6d37372c004698546\" href=\"#6d37372c004698546\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">RECENSIONI<\/span><\/a><\/h4><\/div><div id=\"6d37372c004698546\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_6d37372c004698546\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Catherine Redford, Writing Romanticism: Charlotte Smith and William Wordsworth, 1784-1807, Jacqueline M. Labbe 7<\/li>\n<\/ul>\n<ul>\n<li>Mariolina Bertini, Anthologie du m\u00e9lodrame classique, Peter Brooks, Myriam Faten Sfar<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-d56b648bba86aefbd fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_d56b648bba86aefbd\"><a aria-expanded=\"false\" aria-controls=\"d56b648bba86aefbd\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4057-1\" data-target=\"#d56b648bba86aefbd\" href=\"#d56b648bba86aefbd\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">NOTIZIE<\/span><\/a><\/h4><\/div><div id=\"d56b648bba86aefbd\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_d56b648bba86aefbd\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>\u00abRomanticism and the Tyrannies of Distance\u00bb: Romantic Studies Association of Australasia Inaugural Conference<\/li>\n<\/ul>\n<ul>\n<li>\u00abLOCATING REVOLUTION: Place, Voice, Community, 1780-1820\u00bb<\/li>\n<\/ul>\n<ul>\n<li>\u00abEnlightenment, Romanticism, Nation\u00bb: British Association for Romantic Studies 2011<\/li>\n<\/ul>\n<ul>\n<li>Biennial Conference Forthcoming Conferences<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-one-fourth fusion-column-first\" style=\"--awb-bg-color:#e8e8e8;--awb-bg-color-hover:#e8e8e8;--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-column-content-centered\"><div class=\"fusion-column-content\"><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-3 fusion-content-boxes-1 content-boxes-icon-boxed content-left\" style=\"--awb-iconcolor:#ffffff;--awb-margin-top:0px;--awb-hover-accent-color:#e9a825;--awb-circle-hover-accent-color:#e9a825;--awb-item-margin-bottom:40px;\" data-animationOffset=\"top-into-view\"><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Link in evidenza<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\">&#8211;\u00a0 <a href=\"http:\/\/www.lilec.it\/romanticismo\/bodyanatomy-editoriale\/\">Editoriale<\/a><br \/>\n&#8211;\u00a0 <a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?page_id=3325\">Rocco Coronato, A Sentimental Journey through the Body and Other Eighteenth-Century Automata<\/a><\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-2 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-external-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Acquisto online<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\"><a href=\"https:\/\/www.google.it\/search?q=asus+transformer&amp;ie=utf-8&amp;oe=utf-8&amp;gws_rd=cr&amp;ei=gyoOV6WwJcK6swHq9ZGYDA#q=+Body%2FAnatomy+la+questione+romantica\">Il volume \u00e8 disponibile sulle principali piattaforme di vendita libri online<\/a><\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-3 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-users circle-yes\"><\/i><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"director\" style=\"text-align: center;\"><strong>DIRETTORE <\/strong><br \/>\nLilla Maria Crisafulli<br \/>\n<strong>CONDIRETTORI <\/strong><br \/>\nAnnalisa Goldoni, Romolo Runcini<br \/>\n<strong>DIRETTORE RESPONSABILE <\/strong><br \/>\nGigliola Nocera<br \/>\n<strong>RESPONSABILE SEGRETERIA DI REDAZIONE <\/strong><br \/>\nGabriella Imposti<br \/>\n<strong>SEGRETERIA DI REDAZIONE <\/strong><br \/>\nGioia Angeletti, Serena Baiesi, Andrea Birk, Luigi Contadini, Carlotta Farese, Fabio Liberto, Anna Mandich, Lara Michelacci, Laura Russo, Adriana Sfragaro<br \/>\n<strong>COMITATO DI REDAZIONE <\/strong><br \/>\nGian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Cristina Fiallega, Paola Maria Filippi, Angelo Mangini, Piero Menarini, Cecilia Pietropoli, Maggie Rose, Elena Spandri, Annamaria Sportelli, Virginia Verrienti, Margherita Versari, Maria Luisa Wandruszka<br \/>\n<strong>COMITATO SCIENTIFICO <\/strong><br \/>\nAndrea Battistini, Drummond Bone, Marilyn Butler, Stuart Curran, Alfredo De Paz, B\u00e9atrice Didier, Keir Elam, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Franco Marenco, St\u00e9phane Michaud, Annarosa Poli, David Punter, Jeffrey C. Robinson, Viola Sachs, Jean Starobinski, Raymond Trousson, Peter Vassallo, Timothy Webb<\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":4878,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[31],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Body \/ Anatomy (2011) - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/bodyanatomy\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Body \/ Anatomy (2011) - 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