{"id":4505,"date":"1996-04-22T11:31:13","date_gmt":"1996-04-22T09:31:13","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/?p=4505"},"modified":"2016-11-09T18:26:38","modified_gmt":"2016-11-09T17:26:38","slug":"nazionalismointernazionalismo","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/romanticismo\/nazionalismointernazionalismo\/","title":{"rendered":"Nazionalismo \/ Internazionalismo"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-title title fusion-title-1 fusion-title-text fusion-title-size-three\"><h3 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><strong>Volume II &#8211; Numero 1 <\/strong>(Primavera 1996)<\/h3><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-three-fourth fusion-column-first\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\">\n<div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-1 fusion_builder_column_inner_1_3 1_3 fusion-one-third fusion-column-first\" style=\"--awb-bg-size:cover;width:30.6666%; margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-image-element fusion-image-align-left in-legacy-container\" style=\"text-align:left;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-zoomin\" style=\"margin-right:25px;float:left;\"><img decoding=\"async\" alt=\"2526\" src=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2011\/11\/2526-212x300.jpg\" class=\"img-responsive\"\/><\/span><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\">\n<div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:18px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#e0dede;--awb-divider-hover-color:#e0dede;--awb-icon-color:#ffffff;--awb-title-color:#333333;--awb-content-color:#747474;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#9b1717;--awb-title-font-family:&quot;Bayon&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Bayon&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-4505-1\"><div class=\"fusion-panel panel-default panel-e45b81178fbd00e0d fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_e45b81178fbd00e0d\"><a aria-expanded=\"false\" aria-controls=\"e45b81178fbd00e0d\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4505-1\" data-target=\"#e45b81178fbd00e0d\" href=\"#e45b81178fbd00e0d\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">SAGGI<\/span><\/a><\/h4><\/div><div id=\"e45b81178fbd00e0d\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_e45b81178fbd00e0d\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?p=75\">Vita Fortunati, <em>Il concetto di Europa nel Romanticismo<\/em><\/a>.<\/li>\n<li>Raymond Trousson<em>, Jean-Jacques Rousseau p\u00e8re du nationalisme?<\/em><\/li>\n<li>Marylin Butler<em>, Romanticism and Nationalism: talking to the dead.<\/em><\/li>\n<li>William Keach, <em>Byron&#8217;s internationalism. The Exiled Aristrocat in the Post-Napoleonic Era.<\/em><\/li>\n<li>Raul Mordenti, <em>De Sanctis, Manzoni e la Rivoluzione francese.<\/em><\/li>\n<li>Roger H. Stephenson, <em>Goethe&#8217;s Faust as &#8220;World Literature&#8221;: An Intercultural Reading.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-3ec20b975126ec01b fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_3ec20b975126ec01b\"><a aria-expanded=\"false\" aria-controls=\"3ec20b975126ec01b\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4505-1\" data-target=\"#3ec20b975126ec01b\" href=\"#3ec20b975126ec01b\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">MARGINALIA<\/span><\/a><\/h4><\/div><div id=\"3ec20b975126ec01b\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_3ec20b975126ec01b\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Dani\u00e8le Chauvin, <em>Apocalypses romantiques. William Blake et Victor Hugo.<\/em><\/li>\n<li>Luana Bombardi, <em>Salvatore Vigan\u00f2, profeta della modernit\u00e0.<\/em><\/li>\n<li>Mariagrazia Bellorini, <em>Una trascrizione per il teatro inglese di &#8220;The Ring and the Book&#8221; di Robert Browning.<\/em> <em>&#8220;Pompilia&#8221; di David Graham (1928).<\/em><\/li>\n<li>Annamaria Sportelli, <em>Figure della complessit\u00e0 in &#8220;Arcadia&#8221; di Tom Stoppard.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-0ffdec58de2d4e4bc fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_0ffdec58de2d4e4bc\"><a aria-expanded=\"false\" aria-controls=\"0ffdec58de2d4e4bc\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4505-1\" data-target=\"#0ffdec58de2d4e4bc\" href=\"#0ffdec58de2d4e4bc\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">POET\u2019S CORNER<\/span><\/a><\/h4><\/div><div id=\"0ffdec58de2d4e4bc\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_0ffdec58de2d4e4bc\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Erina Siciliani <em>In ricordo di Silvano Sabbadini.<\/em><\/li>\n<li>Silvano Sabbadini<em> Tradurre la poesia romantica.<\/em><\/li>\n<li>Charles Tomlinson <em>Charles Tomlinson talks to Juan Malpartida.<\/em><\/li>\n<li><em>Like Greek Prose Fragments.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-7e0ebeeaa1c65b1d6 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_7e0ebeeaa1c65b1d6\"><a aria-expanded=\"false\" aria-controls=\"7e0ebeeaa1c65b1d6\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4505-1\" data-target=\"#7e0ebeeaa1c65b1d6\" href=\"#7e0ebeeaa1c65b1d6\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">RECENSIONI<\/span><\/a><\/h4><\/div><div id=\"7e0ebeeaa1c65b1d6\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_7e0ebeeaa1c65b1d6\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Serena Cenni George Gordon Byron<em>, Manfred.<\/em><\/li>\n<li>Gabriella Imposti Monika Greenleaf<em>, Pushkin and romantic fashion. Fragments, Elegy, Irony.<\/em><\/li>\n<li>Gioia Angeletti James Hogg<em>, The Sterling\/South Carolina edition.<\/em><\/li>\n<li>Roberto Baronti Marchi\u00f2 Anne K. Mellor<em>, Romanticism &amp; Gender.<\/em><\/li>\n<li>Margherita Versari, Helmut Schanze<em>, Romantik Handbuch.<\/em><\/li>\n<li>Diego Saglia Leonardo Romero Tobar<em>, Panorama critico del Romanticismo espa\u00f1ol.<\/em><\/li>\n<li>Gabriella Imposti Serena Vitale<em>, Il bottone di Pushkin.<\/em><\/li>\n<li>Morag Harris William Wordsworth<em>, A selection of His Finest Poems.<\/em><\/li>\n<li>Fiona Stafford Duncan Wu<em>, Romanticism: an anthology.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-58335721d6aaa25a5 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_58335721d6aaa25a5\"><a aria-expanded=\"false\" aria-controls=\"58335721d6aaa25a5\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4505-1\" data-target=\"#58335721d6aaa25a5\" href=\"#58335721d6aaa25a5\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">NOTIZIE<\/span><\/a><\/h4><\/div><div id=\"58335721d6aaa25a5\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_58335721d6aaa25a5\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><em>Convegno Internazionale Itinerante: bicentenario di John Keats (1795-1995).<\/em><\/li>\n<li><em>Prometheus unplugged? Romanticisms past and future.<\/em><\/li>\n<li><em>El Costumbrismo Rom\u00e0ntico.<\/em><\/li>\n<li><em>Coloquio sobre el teatro romantico espa\u00f1ol.<\/em><\/li>\n<li><em>Poetry and history.<\/em><\/li>\n<li><em>The Fifth Coleridge Summer Conference.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div>\n[\/fusion_builder_column]\n<p>EDITORIALE<\/p>\n<p>Lettera di G. G. Byron agli insorti napoletani<div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-margin-bottom:0px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\">[ottobre? 1820]\n<p>Un inglese, amico della Libert\u00e0, avendo sentito che i Napoletani permettono anche ai stranieri di contribuire alla buona causa, bramerebbe l\u2019onore d\u2019aver accettato l\u2019offerta di mille luigi, la quale egli azzarda di fare. Gi\u00e0 testimonio oculare non molto fa della tirannia dei Barbari nei stati dei loro usurpatori dell\u2019Italia, egli vede con tutto l\u2019entusiasmo di un uomo ben nato la gloriosa deteminazione dei N[apolitani] per confirmare loro ben\u2019 acquistata Indipendenza. <a href=\"http:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-nazionalismointernazionalismo-editoriale\/\">Continua a leggere<\/a>[\/fusion_text]<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_4 1_4 fusion-one-fourth fusion-column-first\" style=\"--awb-bg-color:#e8e8e8;--awb-bg-color-hover:#e8e8e8;--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-column-content-centered\"><div class=\"fusion-column-content\"><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-3 fusion-content-boxes-1 content-boxes-icon-boxed content-left\" style=\"--awb-iconcolor:#ffffff;--awb-margin-top:0px;--awb-hover-accent-color:#e9a825;--awb-circle-hover-accent-color:#e9a825;--awb-item-margin-bottom:40px;\" data-animationOffset=\"top-into-view\"><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Link in evidenza<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\">&#8211;\u00a0 <a href=\"http:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-nazionalismointernazionalismo-editoriale\/\">Editoriale<\/a><br \/>\n&#8211;\u00a0 <a href=\"http:\/\/www.lilec.it\/romanticismo\/ii-concetto-di-europa-nel-romanticismo\/\">Vita Fortunati, <em>Il concetto di Europa nel Romanticismo<\/em><\/a><\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-2 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-external-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Acquisto online<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\"><a href=\"https:\/\/www.google.it\/search?q=asus+transformer&amp;ie=utf-8&amp;oe=utf-8&amp;gws_rd=cr&amp;ei=gyoOV6WwJcK6swHq9ZGYDA#q=Nazionalismo%2FInternazionalismo+La+Questione+Romantica\">Il volume \u00e8 disponibile sulle principali piattaforme di vendita libri online<\/a><\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-3 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-users circle-yes\"><\/i><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"director\" style=\"text-align: center;\"><strong>DIRETTORE <\/strong><br \/>\nLilla Maria Crisafulli<br \/>\n<strong>CONDIRETTORI <\/strong><br \/>\nAnnalisa Goldoni, Romolo Runcini<br \/>\n<strong>DIRETTORE RESPONSABILE <\/strong><br \/>\nGigliola Nocera<br \/>\n<strong>RESPONSABILE SEGRETERIA DI REDAZIONE <\/strong><br \/>\nGabriella Imposti<br \/>\n<strong>SEGRETERIA DI REDAZIONE <\/strong><br \/>\nGioia Angeletti, Serena Baiesi, Andrea Birk, Luigi Contadini, Carlotta Farese, Fabio Liberto, Anna Mandich, Lara Michelacci, Laura Russo, Adriana Sfragaro<br \/>\n<strong>COMITATO DI REDAZIONE <\/strong><br \/>\nGian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Cristina Fiallega, Paola Maria Filippi, Angelo Mangini, Piero Menarini, Cecilia Pietropoli, Maggie Rose, Elena Spandri, Annamaria Sportelli, Virginia Verrienti, Margherita Versari, Maria Luisa Wandruszka<br \/>\n<strong>COMITATO SCIENTIFICO <\/strong><br \/>\nAndrea Battistini, Drummond Bone, Marilyn Butler, Stuart Curran, Alfredo De Paz, B\u00e9atrice Didier, Keir Elam, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Franco Marenco, St\u00e9phane Michaud, Annarosa Poli, David Punter, Jeffrey C. Robinson, Viola Sachs, Jean Starobinski, Raymond Trousson, Peter Vassallo, Timothy Webb<\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":101013,"featured_media":4863,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[30],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nazionalismo \/ Internazionalismo - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/nazionalismointernazionalismo\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Nazionalismo \/ Internazionalismo - 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