{"id":4515,"date":"1995-10-01T11:43:53","date_gmt":"1995-10-01T10:43:53","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/?p=4515"},"modified":"2016-11-09T18:26:38","modified_gmt":"2016-11-09T17:26:38","slug":"organicismomeccanicismo","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/romanticismo\/organicismomeccanicismo\/","title":{"rendered":"Organicismo \/ Meccanicismo"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-title title fusion-title-1 fusion-title-text fusion-title-size-three\"><h3 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><strong>Volume I &#8211; Numero 1<\/strong> (Autunno 1995)<\/h3><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-three-fourth fusion-column-first\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\">\n<div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-1 fusion_builder_column_inner_1_3 1_3 fusion-one-third fusion-column-first\" style=\"--awb-bg-size:cover;width:30.6666%; margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-image-element fusion-image-align-left in-legacy-container\" style=\"text-align:left;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-zoomin\" style=\"margin-right:25px;float:left;\"><img decoding=\"async\" alt=\"2525\" src=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2011\/11\/2525-211x300.jpg\" class=\"img-responsive\"\/><\/span><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_2_3 2_3 fusion-two-third fusion-column-last\" style=\"--awb-bg-size:cover;width:65.3333%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\">\n<div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:18px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#e0dede;--awb-divider-hover-color:#e0dede;--awb-icon-color:#ffffff;--awb-title-color:#333333;--awb-content-color:#747474;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#9b1717;--awb-title-font-family:&quot;Bayon&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Bayon&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-4515-1\"><div class=\"fusion-panel panel-default panel-4feaedbfc57406ee8 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_4feaedbfc57406ee8\"><a aria-expanded=\"false\" aria-controls=\"4feaedbfc57406ee8\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4515-1\" data-target=\"#4feaedbfc57406ee8\" href=\"#4feaedbfc57406ee8\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">SAGGI<\/span><\/a><\/h4><\/div><div id=\"4feaedbfc57406ee8\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_4feaedbfc57406ee8\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Luciano Bottoni, <em>Il paradigma organico e la teoria (romantica) della letteratura.<\/em><\/li>\n<li><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?p=59\" target=\"_blank\">Paola Colaiacomo, <em>S.T. Coleridge: il critico come traduttore<\/em><\/a>.<\/li>\n<li>Alfredo De Paz, <em>Su alcune espressioni pittoriche della &#8220;religiosit\u00e0&#8221; romantica.<\/em><\/li>\n<li>Franco D&#8217;Intino, <em>Coleridge-Leopardi: per una poesia potenziale.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-0204033afc7568792 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_0204033afc7568792\"><a aria-expanded=\"false\" aria-controls=\"0204033afc7568792\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4515-1\" data-target=\"#0204033afc7568792\" href=\"#0204033afc7568792\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">MARGINALIA<\/span><\/a><\/h4><\/div><div id=\"0204033afc7568792\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_0204033afc7568792\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Valentina Poggi, <em>Melancholy Scorpion: The Romantic Element in Lockhart.<\/em><\/li>\n<li>Federica Troisi, <em>Il teatro del primo Ottocento: James Robinson Planch\u00e9.<\/em><\/li>\n<li>Paola Galli Mastrodonato, <em>I Revolutionary Studies, 1989-1994.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-714ea15e5941d155f fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_714ea15e5941d155f\"><a aria-expanded=\"false\" aria-controls=\"714ea15e5941d155f\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4515-1\" data-target=\"#714ea15e5941d155f\" href=\"#714ea15e5941d155f\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">POET\u2019S CORNER<\/span><\/a><\/h4><\/div><div id=\"714ea15e5941d155f\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_714ea15e5941d155f\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Morag Harris <em> Why a &#8220;Poet&#8217;s Corner&#8221;?<\/em><\/li>\n<li>Christopher Hampto<em>n Poetry as Vision.<\/em><\/li>\n<li>Riccardo Duranti <em>Appunti sull&#8217;universo: 10 haiku inediti.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-ec5006d2f1ea318ee fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_ec5006d2f1ea318ee\"><a aria-expanded=\"false\" aria-controls=\"ec5006d2f1ea318ee\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4515-1\" data-target=\"#ec5006d2f1ea318ee\" href=\"#ec5006d2f1ea318ee\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">RECENSIONI<\/span><\/a><\/h4><\/div><div id=\"ec5006d2f1ea318ee\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_ec5006d2f1ea318ee\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Cecilia Pietropoli Franco Buffoni<em>, Perch\u00e8 era nato Lord. Studi sul Romanticismo.<\/em><\/li>\n<li>Maria Grazia Bellorini Luisa Conti Camaiora<em>, The autumn of Keats and Shelley.<\/em><\/li>\n<li>Diego Saglia Mary A. Favret &amp; Nicola J. Watson<em> At the limits of Romanticism: essays on cultural, feminist and materialist criticism.<\/em><\/li>\n<li>Laura Bandiera Gary Kelly,<em> Women writing and Revolution 1790-1827.<\/em><\/li>\n<li>Olga Obuchova Vladimir Odoevskij<em>, Fiabe variopinte.<\/em><\/li>\n<li>Michele Matta Franco Rella<em>, Romanticismo.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-3a59b08625844c062 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_3a59b08625844c062\"><a aria-expanded=\"false\" aria-controls=\"3a59b08625844c062\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4515-1\" data-target=\"#3a59b08625844c062\" href=\"#3a59b08625844c062\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">NOTIZIE<\/span><\/a><\/h4><\/div><div id=\"3a59b08625844c062\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_3a59b08625844c062\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Russica romana.<\/li>\n<li>L&#8217;eredit\u00e0 di Ju. M. Lotman: presente e futuro.<\/li>\n<li>The American Conference on Romanticism.<\/li>\n<li>Placing and displacing Romanticism.<\/li>\n<li>William Blake 1794\/1994.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div>\n<div class=\"fusion-clearfix\"><\/div><\/div><\/div>\n[\/fusion_builder_column]\n<p>EDITORIALE<br \/>\nIl passaggio dalla \u00abpoesia della favola\u00bb (Platone) \u2013 ossia dalla concezione dell\u2019arte come dono degli dei, espressione immediata e diretta del racconto mitologico quale verit\u00e0 superiore alla condizione del vissuto quotidiano \u2013 alla \u00abpoesia della riflessione\u00bb (Schiller) \u2013 ossia all\u2019autocoscienza del mondo abbandonato dagli dei dove la ricerca della verit\u00e0 \u00e8 tutta riposta sulla personale responsabilit\u00e0 degli uomini \u2013 determina storicamente la consapevolezza dell\u2019autonomia dell\u2019arte, il cui valore \u00e8 demandato non pi\u00f9 alla trascendenza dell\u2019uomo verso la serenit\u00e0 dell\u2019eterno ma alla sua stessa autotrascendenza verso l\u2019inquietudine del quotidiano. <a href=\"http:\/\/www.lilec.it\/romanticismo\/organicismomeccanicismo-editoriale\/\">Continua a leggere<\/a>[\/fusion_text][\/fusion_builder_column]<div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_4 1_4 fusion-one-fourth fusion-column-first\" style=\"--awb-bg-color:#e8e8e8;--awb-bg-color-hover:#e8e8e8;--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-column-content-centered\"><div class=\"fusion-column-content\"><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-3 fusion-content-boxes-1 content-boxes-icon-boxed content-left\" style=\"--awb-iconcolor:#ffffff;--awb-margin-top:0px;--awb-hover-accent-color:#e9a825;--awb-circle-hover-accent-color:#e9a825;--awb-item-margin-bottom:40px;\" data-animationOffset=\"top-into-view\"><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Link in evidenza<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\">&#8211;\u00a0 <a href=\"http:\/\/www.lilec.it\/romanticismo\/organicismomeccanicismo-editoriale\/\">Editoriale<\/a><br \/>\n&#8211;\u00a0 <a href=\"http:\/\/www.lilec.it\/romanticismo\/s-t-coleridge-il-critico-come-traduttore\/\" target=\"_blank\">Paola Colaiacomo, <em>S.T. Coleridge: il critico come traduttore<\/em><\/a><\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-2 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-external-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Acquisto online<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\"><a href=\"https:\/\/www.google.it\/search?q=asus+transformer&amp;ie=utf-8&amp;oe=utf-8&amp;gws_rd=cr&amp;ei=gyoOV6WwJcK6swHq9ZGYDA#q=organicismo+meccanicismo+la+questione+romantica\">Il volume \u00e8 disponibile sulle principali piattaforme di vendita libri online<\/a><\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-3 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-users circle-yes\"><\/i><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"director\" style=\"text-align: center;\"><strong>DIRETTORE <\/strong><br \/>\nLilla Maria Crisafulli<br \/>\n<strong>CONDIRETTORI <\/strong><br \/>\nAnnalisa Goldoni, Romolo Runcini<br \/>\n<strong>DIRETTORE RESPONSABILE <\/strong><br \/>\nGigliola Nocera<br \/>\n<strong>RESPONSABILE SEGRETERIA DI REDAZIONE <\/strong><br \/>\nGabriella Imposti<br \/>\n<strong>SEGRETERIA DI REDAZIONE <\/strong><br \/>\nGioia Angeletti, Serena Baiesi, Andrea Birk, Luigi Contadini, Carlotta Farese, Fabio Liberto, Anna Mandich, Lara Michelacci, Laura Russo, Adriana Sfragaro<br \/>\n<strong>COMITATO DI REDAZIONE <\/strong><br \/>\nGian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Cristina Fiallega, Paola Maria Filippi, Angelo Mangini, Piero Menarini, Cecilia Pietropoli, Maggie Rose, Elena Spandri, Annamaria Sportelli, Virginia Verrienti, Margherita Versari, Maria Luisa Wandruszka<br \/>\n<strong>COMITATO SCIENTIFICO <\/strong><br \/>\nAndrea Battistini, Drummond Bone, Marilyn Butler, Stuart Curran, Alfredo De Paz, B\u00e9atrice Didier, Keir Elam, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Franco Marenco, St\u00e9phane Michaud, Annarosa Poli, David Punter, Jeffrey C. Robinson, Viola Sachs, Jean Starobinski, Raymond Trousson, Peter Vassallo, Timothy Webb<\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":101013,"featured_media":4869,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[30],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Organicismo \/ Meccanicismo - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/organicismomeccanicismo\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Organicismo \/ Meccanicismo - 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