﻿{"id":4550,"date":"2002-04-26T11:32:30","date_gmt":"2002-04-26T09:32:30","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/?p=4550"},"modified":"2017-03-16T12:38:30","modified_gmt":"2017-03-16T11:38:30","slug":"esotismoorientalismo","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/romanticismo\/esotismoorientalismo\/","title":{"rendered":"Esotismo \/ Orientalismo (2002)"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-title title fusion-title-1 fusion-title-text fusion-title-size-three\"><h3 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><strong>Numero 12\/13 <\/strong>(Primavera\/Autunno)<\/h3><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-three-fourth fusion-column-first\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><p><div class=\"fusion-text fusion-text-1\"><\/div>Esotismo\/Orientalismo<\/p>\n<\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element fusion-image-align-left in-legacy-container\" style=\"text-align:left;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-zoomin\" style=\"margin-right:25px;float:left;\"><img decoding=\"async\" src=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2011\/12\/3774-215x300.jpg\" alt class=\"img-responsive\"\/><\/span><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:18px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#e0dede;--awb-divider-hover-color:#e0dede;--awb-icon-color:#ffffff;--awb-title-color:#333333;--awb-content-color:#747474;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#9b1717;--awb-title-font-family:&quot;Bayon&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Bayon&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-4550-1\"><div class=\"fusion-panel panel-default panel-67a57f90bf8fd080f fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_67a57f90bf8fd080f\"><a aria-expanded=\"false\" aria-controls=\"67a57f90bf8fd080f\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4550-1\" data-target=\"#67a57f90bf8fd080f\" href=\"#67a57f90bf8fd080f\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">SAGGI<\/span><\/a><\/h4><\/div><div id=\"67a57f90bf8fd080f\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_67a57f90bf8fd080f\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?p=248\">Mirella Billi, <em>Oriental Fantasies in Beckford and Byron: The Language(s) of Romance.<\/em><\/a><\/li>\n<li>Gioia Angeletti, <em>Generic Hybridism and Narrative, Ventriloquism in Elizabeth Hamilton\u2019s, Translation of the Letters of a Hindoo Rajah (1796).<\/em><\/li>\n<li>Michael Bradshaw, <em>Imagining Egypt: Walter Savage Landor\u2019s Gebir.<\/em><\/li>\n<li>Jeffrey Cass, <em>Milton\u2019s Satan and Dacre\u2019s Zofloya: Orientalist Camp.<\/em><\/li>\n<li>Diego Saglia, <em>Harem Power: Narrative Structure and Sexual Politics in Thomas Moore\u2019s Lalla Rookh.<\/em><\/li>\n<li>Gabriella Imposti, <em>V.A. \u017dukovskij e la ricezione russa di Lalla Rookh.<\/em><\/li>\n<li>M\u00e1ire n\u00ed Fhlath\u00fain, \u2039\u2039 <em>Eastern splendour beamimg bright<\/em>\u00bb : <em>Representations of India in Women\u2019s Poetry of the 1830s.<\/em><\/li>\n<li>Elena Spandri \u2039\u2039 As between two wedded wives \u00bb: <em>Wordsworth\u2019s Oriental(ised) Spots of Tradition.<\/em><\/li>\n<li>Adriano Marchetti, <em>La tentazione esotica nel romanzo filosofico di Alphonse Daud<\/em>e.<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-640ded7edc29cd8d1 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_640ded7edc29cd8d1\"><a aria-expanded=\"false\" aria-controls=\"640ded7edc29cd8d1\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4550-1\" data-target=\"#640ded7edc29cd8d1\" href=\"#640ded7edc29cd8d1\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">MARGINALIA<\/span><\/a><\/h4><\/div><div id=\"640ded7edc29cd8d1\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_640ded7edc29cd8d1\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Andrew Hook, <em>Scott\u2019s Oriental Tale: <\/em>The Sourgeon\u2019s Daughter<em>.<\/em><\/li>\n<li>Mauro Pala, <em>Oltre l\u2019 Orientalismo.<\/em><\/li>\n<li>Maurizio Pistoso, \u2039\u2039<em>Extremely disagreable in apperance<\/em>\u00bb: <em>le turcomanne in alcuni testi dell\u2019 Ottocento.<\/em><\/li>\n<li>Laura Colombo, <em>Viaggi nell\u2019aria : Gautier e l\u2019orientalismo nel balletto romantico.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-0472fc846c05b3f29 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_0472fc846c05b3f29\"><a aria-expanded=\"false\" aria-controls=\"0472fc846c05b3f29\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4550-1\" data-target=\"#0472fc846c05b3f29\" href=\"#0472fc846c05b3f29\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">POET\u2019S CORNER<\/span><\/a><\/h4><\/div><div id=\"0472fc846c05b3f29\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_0472fc846c05b3f29\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Douglas Dunn <em>An Alternative Map of Scotland (for Andrew Clegg),<\/em> <em>The Monocle of Professor<\/em>, <em>J. Norton-Smith.<\/em><\/li>\n<li>Chris Mann <em>blesbuck, <\/em><em>eland, <\/em><em>zebra.<\/em><\/li>\n<li>Kenneth White <em>Late Autumn on the Findhorn River, A Morning in Assynt In the Atlantic Zone, The Island Road, Winter Letter from Lake Orta.<\/em><\/li>\n<li>Marco Fazzini <em>Una e un\u2019 altra forma (a Maria Rita), Ogni cosa (a Eug\u00e9nio col suo gatto), Andr\u00f2 domani (a Douglas).<\/em><\/li>\n<li>Anna Cascella Luciani <em>Canto a Proserpina.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-a3c29730076d594d9 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_a3c29730076d594d9\"><a aria-expanded=\"false\" aria-controls=\"a3c29730076d594d9\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4550-1\" data-target=\"#a3c29730076d594d9\" href=\"#a3c29730076d594d9\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">RECENSIONI<\/span><\/a><\/h4><\/div><div id=\"a3c29730076d594d9\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_a3c29730076d594d9\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Elena Musiani, Alberto Mario Banti, <em>Il Risorgimento italiano.<\/em><\/li>\n<li>Ute Berns, <em>Michael Bradshaw<\/em> (ed.) <em>Thomas Lovell Beddoes. Death\u2019s Jest Book. The 1829 text<\/em>. Michael Bradshaw, <em>Resurrection Songs: The Poetry of Thomas Lovell Beddoes.<\/em><\/li>\n<li>Andrew Hook, <em>James Buchan<\/em>, Crowded With Genius<em>. <\/em>The Scottish Enlightenment: Edimburgh\u2019s Moment of the Mind.<\/li>\n<li>Silvia Bordoni, <em>Stephen Cheeke<\/em>, Byron and Place. History, Translation, Nostalgia<em>.<\/em><\/li>\n<li>Serena Cenni, <em>Giuseppe Galigani<\/em> ( a cura di), Il<em> Manfredi <\/em>di Lord Byron<em>.<\/em><\/li>\n<li>Luca Manini, <em>Jaqueline Labbe<\/em>, Charlotte Smith: Romanticism, poetry and the cultureof gender.<\/li>\n<li>Valentina Poggi, <em>Karl Miller<\/em>, The Electric Shepherd<em>.<\/em><\/li>\n<li>Tunc Ozben, <em>Jale Parla<\/em>, Efendilik, \u015earkiyat\u00e7ilik, K\u00f6lelik (Padroni, Schiavi, Orientalismo).<\/li>\n<li>Federica Zullo, Upamanju Pablo Murkherjee, <em>Crime and Empire. The Colony in Nineteenth Century Fictions of Crime.<\/em><\/li>\n<li>Laura Colombo, <em>Adriana Sfragaro<\/em>, Poetesse romantiche francesi. Antilogia con testo a fronte.<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-cfe039c5acca912a3 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_cfe039c5acca912a3\"><a aria-expanded=\"false\" aria-controls=\"cfe039c5acca912a3\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-4550-1\" data-target=\"#cfe039c5acca912a3\" href=\"#cfe039c5acca912a3\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">NOTIZIE<\/span><\/a><\/h4><\/div><div id=\"cfe039c5acca912a3\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_cfe039c5acca912a3\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><em>Labirinti del Fantastico. Rivista di critica e sociologia dell\u2019arte e della letteratura.<\/em><\/li>\n<li><em>Il teatro romantico inglese (1760-1830): testi, teorie e pratiche sceniche Roma, 20-21 febbraio 2004.<\/em><\/li>\n<li><em>Il teatro della paura: 1750-1850.<\/em><\/li>\n<li><em>Identit\u00e0 culturale europea e generi letterari e drammatici dal Cinquecento all\u2019Ottocento.<\/em><\/li>\n<li><em>Romantic Cosmopolitanism: The 12th Annual NASSR Conference. University of Colorado, Boulder, Colorado, USA, 9-12 September 2004.<\/em><\/li>\n<li><em>Seventh Conference of the European Society for the Study of English (ESSE). Zaragoza, Spain, 8-12 September 2004.<\/em><\/li>\n<li><em>Imagining Ruin(s) in 18th Century Britain and the World \/ L\u2019Imaginaire de la ruine en Grande-Bretagne (et ailleurs) au XVIII\u00e8me si\u00e8cle. Paris, 17-18 September 2004 Il teatro romantico inglese (1760-1830) : testi,teorie e pratiche sceniche. Bertinoro, Forl\u00ec, 5-7 Novembre 2004.<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-one-fourth fusion-column-first\" style=\"--awb-bg-size:cover;width:25%;width:calc(25% - ( ( 4% ) * 0.25 ) );margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-3 fusion-content-boxes-1 content-boxes-icon-boxed content-left\" style=\"--awb-iconcolor:#ffffff;--awb-margin-top:0px;--awb-hover-accent-color:#e9a825;--awb-circle-hover-accent-color:#e9a825;--awb-item-margin-bottom:40px;\" data-animationOffset=\"top-into-view\"><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Link in evidenza<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\">\n<p>&#8211;\u00a0 <a href=\"http:\/\/www.lilec.it\/romanticismo\/esotismoorientalismo-editoriale\/\">Editoriale<\/a><br \/>\n&#8211; <a href=\"http:\/\/www.lilec.it\/romanticismo\/wp\/?p=248\">Mirella Billi, <em>Oriental Fantasies in Beckford and Byron: The Language(s) of Romance.<\/em><\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-2 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-external-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Acquisto online<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\"><a href=\"https:\/\/www.google.it\/search?q=asus+transformer&amp;ie=utf-8&amp;oe=utf-8&amp;gws_rd=cr&amp;ei=gyoOV6WwJcK6swHq9ZGYDA#q=Esotismo%2Forientalismo+la+questione+romantica\">Il volume \u00e8 disponibile sulle principali piattaforme di vendita libri online<\/a><\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-3 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-users circle-yes\"><\/i><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"director\" style=\"text-align: center;\"><strong>DIRETTORE <\/strong><br \/>\nLilla Maria Crisafulli<br \/>\n<strong>CONDIRETTORI <\/strong><br \/>\nAnnalisa Goldoni, Romolo Runcini<br \/>\n<strong>DIRETTORE RESPONSABILE <\/strong><br \/>\nGigliola Nocera<br \/>\n<strong>RESPONSABILE SEGRETERIA DI REDAZIONE <\/strong><br \/>\nGabriella Imposti<br \/>\n<strong>SEGRETERIA DI REDAZIONE <\/strong><br \/>\nGioia Angeletti, Serena Baiesi, Andrea Birk, Luigi Contadini, Carlotta Farese, Fabio Liberto, Anna Mandich, Lara Michelacci, Laura Russo, Adriana Sfragaro<br \/>\n<strong>COMITATO DI REDAZIONE <\/strong><br \/>\nGian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Cristina Fiallega, Paola Maria Filippi, Angelo Mangini, Piero Menarini, Cecilia Pietropoli, Maggie Rose, Elena Spandri, Annamaria Sportelli, Virginia Verrienti, Margherita Versari, Maria Luisa Wandruszka<br \/>\n<strong>COMITATO SCIENTIFICO <\/strong><br \/>\nAndrea Battistini, Drummond Bone, Marilyn Butler, Stuart Curran, Alfredo De Paz, B\u00e9atrice Didier, Keir Elam, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Franco Marenco, St\u00e9phane Michaud, Annarosa Poli, David Punter, Jeffrey C. Robinson, Viola Sachs, Jean Starobinski, Raymond Trousson, Peter Vassallo, Timothy Webb<\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":101011,"featured_media":4646,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[30],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Esotismo \/ Orientalismo (2002) - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/esotismoorientalismo\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Esotismo \/ Orientalismo (2002) - 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