Numero 10\u00a0<\/strong>(Primavera)<\/h3><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>![\"3626\"](\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2011\/12\/3626-209x300.jpg\")
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Tilottama Rajan, Philosophy in a Foreign Language: Hegel\u2019s Writing of Spirit in the Aesthetics.<\/a><\/li>\n<\/ul>\n
\n- David Miller, The Prosaic Sublime: Wordsworth\u2019s Essays upon Epitaphs and Kant\u2019s Critiques.<\/li>\n<\/ul>\n
\n- Beatriz Gonz\u00e0lez Moreno, The Discourse of the Sublime and the Inadequacy of Presentation.<\/li>\n<\/ul>\n
\n- \u0018\u0018Annamaria Sportelli, Sublimity and Fragmentariness. Forms and Discourse.<\/li>\n<\/ul>\n
\n- David Duff, Wordsworth and the Language of Forms.<\/li>\n<\/ul>\n
\n- Tomaso Kemeny, A Dramatization of the Romantic Self: Fragment Inspired By an Invisible Rose.<\/li>\n<\/ul>\n
\n- Mauro Pala, Ruins of Awereness.<\/li>\n<\/ul>\n
\n- Giuseppe Martella, Vico and Coleridge: Autobiography and Ideal Eternal History.<\/li>\n<\/ul>\n
\n- Jane Hodson, Language as it is in Caleb Williams.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Sandro Jung, The \u2018Beggar\u2019in Augustan and Romantic Poetry: King, Moss and Wordsworth.<\/li>\n<\/ul>\n
\n- Claudia Buffagni, Luise Hensel: Passionate Poetry between Pietism and Romanticism.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Graziella Todisco, Poetry and Music.<\/li>\n<\/ul>\n
\n- Angela Annese, The Poet Speaks.<\/li>\n<\/ul>\n
\n- Kevin Wren, Poems.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Maria Schina, Lilla Maria Crisafulli (a cura di), Immaginando l\u2019Italia: itinerari letterari del Romanticismo Inglese, Bologna, Clueb, 2002. Roberta Mullini e Romana Zacchi (a cura di), Traduzioni, Echi, Consonanze: Dal Rinascimento al Romanticismo, Bologna, Clueb, 2002.<\/li>\n<\/ul>\n
\n- Gioia Angeletti, Bridget Orr, Emire on the English Stage, 1660-1714, Cambridge, Cambridge University Press, 2001.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- Rossella Mallardi, Conference: \u201cVictorian Studies Today: Methods and Perspectives. Gli studi vittoriani oggi: metodi e prospettive\u201d Pescara, March 2003.<\/li>\n<\/ul>\n
\n- Francesca Dellarosa \u201cSpring Seminars on Romanticism\u201d Bari, May 2003.<\/li>\n<\/ul>\n
\n- XXI Convegno A.I.A. Cross-Cultural Encounters \u2013 New Languages, New Sciences, New Literatures, Modena 25-27 settembre 2003.<\/li>\n<\/ul>\n
\n- Romanticism and Its Other Discourses, Marquette University in Milwaukee, WI, November 13-16, 2003.<\/li>\n<\/ul>\n
\n- Romantic Border Crossings, October 14-17, 2004.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
<\/div><\/div><\/div>
<\/div><\/div><\/div>
<\/div><\/span><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>
<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Tilottama Rajan, Philosophy in a Foreign Language: Hegel\u2019s Writing of Spirit in the Aesthetics.<\/a><\/li>\n<\/ul>\n
\n- David Miller, The Prosaic Sublime: Wordsworth\u2019s Essays upon Epitaphs and Kant\u2019s Critiques.<\/li>\n<\/ul>\n
\n- Beatriz Gonz\u00e0lez Moreno, The Discourse of the Sublime and the Inadequacy of Presentation.<\/li>\n<\/ul>\n
\n- \u0018\u0018Annamaria Sportelli, Sublimity and Fragmentariness. Forms and Discourse.<\/li>\n<\/ul>\n
\n- David Duff, Wordsworth and the Language of Forms.<\/li>\n<\/ul>\n
\n- Tomaso Kemeny, A Dramatization of the Romantic Self: Fragment Inspired By an Invisible Rose.<\/li>\n<\/ul>\n
\n- Mauro Pala, Ruins of Awereness.<\/li>\n<\/ul>\n
\n- Giuseppe Martella, Vico and Coleridge: Autobiography and Ideal Eternal History.<\/li>\n<\/ul>\n
\n- Jane Hodson, Language as it is in Caleb Williams.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Sandro Jung, The \u2018Beggar\u2019in Augustan and Romantic Poetry: King, Moss and Wordsworth.<\/li>\n<\/ul>\n
\n- Claudia Buffagni, Luise Hensel: Passionate Poetry between Pietism and Romanticism.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Graziella Todisco, Poetry and Music.<\/li>\n<\/ul>\n
\n- Angela Annese, The Poet Speaks.<\/li>\n<\/ul>\n
\n- Kevin Wren, Poems.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Maria Schina, Lilla Maria Crisafulli (a cura di), Immaginando l\u2019Italia: itinerari letterari del Romanticismo Inglese, Bologna, Clueb, 2002. Roberta Mullini e Romana Zacchi (a cura di), Traduzioni, Echi, Consonanze: Dal Rinascimento al Romanticismo, Bologna, Clueb, 2002.<\/li>\n<\/ul>\n
\n- Gioia Angeletti, Bridget Orr, Emire on the English Stage, 1660-1714, Cambridge, Cambridge University Press, 2001.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- Rossella Mallardi, Conference: \u201cVictorian Studies Today: Methods and Perspectives. Gli studi vittoriani oggi: metodi e prospettive\u201d Pescara, March 2003.<\/li>\n<\/ul>\n
\n- Francesca Dellarosa \u201cSpring Seminars on Romanticism\u201d Bari, May 2003.<\/li>\n<\/ul>\n
\n- XXI Convegno A.I.A. Cross-Cultural Encounters \u2013 New Languages, New Sciences, New Literatures, Modena 25-27 settembre 2003.<\/li>\n<\/ul>\n
\n- Romanticism and Its Other Discourses, Marquette University in Milwaukee, WI, November 13-16, 2003.<\/li>\n<\/ul>\n
\n- Romantic Border Crossings, October 14-17, 2004.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
\n
- \n
- Tilottama Rajan, Philosophy in a Foreign Language: Hegel\u2019s Writing of Spirit in the Aesthetics.<\/a><\/li>\n<\/ul>\n
- \n
- David Miller, The Prosaic Sublime: Wordsworth\u2019s Essays upon Epitaphs and Kant\u2019s Critiques.<\/li>\n<\/ul>\n
- \n
- Beatriz Gonz\u00e0lez Moreno, The Discourse of the Sublime and the Inadequacy of Presentation.<\/li>\n<\/ul>\n
- \n
- \u0018\u0018Annamaria Sportelli, Sublimity and Fragmentariness. Forms and Discourse.<\/li>\n<\/ul>\n
- \n
- David Duff, Wordsworth and the Language of Forms.<\/li>\n<\/ul>\n
- \n
- Tomaso Kemeny, A Dramatization of the Romantic Self: Fragment Inspired By an Invisible Rose.<\/li>\n<\/ul>\n
- \n
- Mauro Pala, Ruins of Awereness.<\/li>\n<\/ul>\n
- \n
- Giuseppe Martella, Vico and Coleridge: Autobiography and Ideal Eternal History.<\/li>\n<\/ul>\n
- \n
- Jane Hodson, Language as it is in Caleb Williams.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>
\n- \n
- Sandro Jung, The \u2018Beggar\u2019in Augustan and Romantic Poetry: King, Moss and Wordsworth.<\/li>\n<\/ul>\n
- \n
- Claudia Buffagni, Luise Hensel: Passionate Poetry between Pietism and Romanticism.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>
\n- \n
- Graziella Todisco, Poetry and Music.<\/li>\n<\/ul>\n
- \n
- Angela Annese, The Poet Speaks.<\/li>\n<\/ul>\n
- \n
- Kevin Wren, Poems.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>
\n- \n
- Maria Schina, Lilla Maria Crisafulli (a cura di), Immaginando l\u2019Italia: itinerari letterari del Romanticismo Inglese, Bologna, Clueb, 2002. Roberta Mullini e Romana Zacchi (a cura di), Traduzioni, Echi, Consonanze: Dal Rinascimento al Romanticismo, Bologna, Clueb, 2002.<\/li>\n<\/ul>\n
- \n
- Gioia Angeletti, Bridget Orr, Emire on the English Stage, 1660-1714, Cambridge, Cambridge University Press, 2001.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>
\n- \n
- Rossella Mallardi, Conference: \u201cVictorian Studies Today: Methods and Perspectives. Gli studi vittoriani oggi: metodi e prospettive\u201d Pescara, March 2003.<\/li>\n<\/ul>\n
- \n
- Francesca Dellarosa \u201cSpring Seminars on Romanticism\u201d Bari, May 2003.<\/li>\n<\/ul>\n
- \n
- XXI Convegno A.I.A. Cross-Cultural Encounters \u2013 New Languages, New Sciences, New Literatures, Modena 25-27 settembre 2003.<\/li>\n<\/ul>\n
- \n
- Romanticism and Its Other Discourses, Marquette University in Milwaukee, WI, November 13-16, 2003.<\/li>\n<\/ul>\n
- \n
- Romantic Border Crossings, October 14-17, 2004.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
- Romantic Border Crossings, October 14-17, 2004.<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div>
- Romanticism and Its Other Discourses, Marquette University in Milwaukee, WI, November 13-16, 2003.<\/li>\n<\/ul>\n
- XXI Convegno A.I.A. Cross-Cultural Encounters \u2013 New Languages, New Sciences, New Literatures, Modena 25-27 settembre 2003.<\/li>\n<\/ul>\n
- Francesca Dellarosa \u201cSpring Seminars on Romanticism\u201d Bari, May 2003.<\/li>\n<\/ul>\n
- Rossella Mallardi, Conference: \u201cVictorian Studies Today: Methods and Perspectives. Gli studi vittoriani oggi: metodi e prospettive\u201d Pescara, March 2003.<\/li>\n<\/ul>\n
- Gioia Angeletti, Bridget Orr, Emire on the English Stage, 1660-1714, Cambridge, Cambridge University Press, 2001.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Maria Schina, Lilla Maria Crisafulli (a cura di), Immaginando l\u2019Italia: itinerari letterari del Romanticismo Inglese, Bologna, Clueb, 2002. Roberta Mullini e Romana Zacchi (a cura di), Traduzioni, Echi, Consonanze: Dal Rinascimento al Romanticismo, Bologna, Clueb, 2002.<\/li>\n<\/ul>\n
- Kevin Wren, Poems.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Angela Annese, The Poet Speaks.<\/li>\n<\/ul>\n
- Graziella Todisco, Poetry and Music.<\/li>\n<\/ul>\n
- Claudia Buffagni, Luise Hensel: Passionate Poetry between Pietism and Romanticism.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Sandro Jung, The \u2018Beggar\u2019in Augustan and Romantic Poetry: King, Moss and Wordsworth.<\/li>\n<\/ul>\n
- Jane Hodson, Language as it is in Caleb Williams.<\/li>\n<\/ul>\n<\/div><\/div><\/div>
- Giuseppe Martella, Vico and Coleridge: Autobiography and Ideal Eternal History.<\/li>\n<\/ul>\n
- Mauro Pala, Ruins of Awereness.<\/li>\n<\/ul>\n
- Tomaso Kemeny, A Dramatization of the Romantic Self: Fragment Inspired By an Invisible Rose.<\/li>\n<\/ul>\n
- David Duff, Wordsworth and the Language of Forms.<\/li>\n<\/ul>\n
- \u0018\u0018Annamaria Sportelli, Sublimity and Fragmentariness. Forms and Discourse.<\/li>\n<\/ul>\n
- Beatriz Gonz\u00e0lez Moreno, The Discourse of the Sublime and the Inadequacy of Presentation.<\/li>\n<\/ul>\n
- David Miller, The Prosaic Sublime: Wordsworth\u2019s Essays upon Epitaphs and Kant\u2019s Critiques.<\/li>\n<\/ul>\n