Volume 3, <\/strong>Numero 2<\/strong> (Ottobre)<\/h3><\/span><\/div><\/div><\/div><\/div><\/div><\/div><\/div>![\"Scan_20150514_095944\"](\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2015\/05\/Scan_20150514_0959441-210x300.jpg\")
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Geoffrey Hartman, Transforming the Cultural Memory: Wordsworth at Ballads<\/li>\n
- Rhian Williams, Wordsworth and Eco-poetics<\/li>\n
- Emma Mason, Wordsworth\u2019s Intuition<\/li>\n
- Rowan Boyson, Wordsworth\u2019s Anosmia<\/li>\n
- Leslie Brisman, Wordsworth\u2019s Autism<\/li>\n
- Giuliana Ferreccio, Time and Narrative in Wordsworth\u2019s prelude<\/li>\n
- Crystal Lake, Wordsworth\u2019s Sofa<\/li>\n
- Adele Pinch, Wordsworth in Bed<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Massimo Bacigalupo, Wordsworth in Italian Translation<\/li>\n
- Elena Spandri, Wordsworth and Italian Criticism<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Emma Mason, Introduction<\/li>\n
- George Ttoouli, Something hurtling across the woods, which you try to record, If I could just bring you back with love, then thought wouldn\u2019t be so painful<\/li>\n
- Jonathan Skinner, Listening, In Step, Subsonic<\/li>\n
- Peter Larkin, Hollow, Allow, Woods, 2:pit \/hollow\/trees [extract]<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Valeria Pellis, Mary Jacobus, Romantic Things: A Tree, A Rock, A Cloud<\/li>\n
- Karen Simecek, Peter Larkin, Wordsworth and Coleridge: Promising Losses<\/li>\n
- Maria Elena Capitani, Mark Lussier, Romantic Dharna: The Emergence of Buddhism into Nineteenth-Century Europe<\/li>\n
- Judyta Frodyma, Adam Potkay, Wordsworth\u2019s Ethics<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- Romantic Organization<\/li>\n
- Europe in Romantic Writing, 1775-1830<\/li>\n
- Coleridge Summer Conference 2014<\/li>\n
- Keats-Shelley House, RomeEdward Rushton and Romantic Liverpool<\/li>\n
- New Essay on Felicia Hemans<\/li>\n
- BARS<\/li>\n
- BARS Blog<\/li>\n
- NASSR<\/li>\n
- NASSR Graduate Caucus<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div><\/div>
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<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>
<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Geoffrey Hartman, Transforming the Cultural Memory: Wordsworth at Ballads<\/li>\n
- Rhian Williams, Wordsworth and Eco-poetics<\/li>\n
- Emma Mason, Wordsworth\u2019s Intuition<\/li>\n
- Rowan Boyson, Wordsworth\u2019s Anosmia<\/li>\n
- Leslie Brisman, Wordsworth\u2019s Autism<\/li>\n
- Giuliana Ferreccio, Time and Narrative in Wordsworth\u2019s prelude<\/li>\n
- Crystal Lake, Wordsworth\u2019s Sofa<\/li>\n
- Adele Pinch, Wordsworth in Bed<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Massimo Bacigalupo, Wordsworth in Italian Translation<\/li>\n
- Elena Spandri, Wordsworth and Italian Criticism<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Emma Mason, Introduction<\/li>\n
- George Ttoouli, Something hurtling across the woods, which you try to record, If I could just bring you back with love, then thought wouldn\u2019t be so painful<\/li>\n
- Jonathan Skinner, Listening, In Step, Subsonic<\/li>\n
- Peter Larkin, Hollow, Allow, Woods, 2:pit \/hollow\/trees [extract]<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Valeria Pellis, Mary Jacobus, Romantic Things: A Tree, A Rock, A Cloud<\/li>\n
- Karen Simecek, Peter Larkin, Wordsworth and Coleridge: Promising Losses<\/li>\n
- Maria Elena Capitani, Mark Lussier, Romantic Dharna: The Emergence of Buddhism into Nineteenth-Century Europe<\/li>\n
- Judyta Frodyma, Adam Potkay, Wordsworth\u2019s Ethics<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- Romantic Organization<\/li>\n
- Europe in Romantic Writing, 1775-1830<\/li>\n
- Coleridge Summer Conference 2014<\/li>\n
- Keats-Shelley House, RomeEdward Rushton and Romantic Liverpool<\/li>\n
- New Essay on Felicia Hemans<\/li>\n
- BARS<\/li>\n
- BARS Blog<\/li>\n
- NASSR<\/li>\n
- NASSR Graduate Caucus<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div><\/div>
\n
- \n
- Geoffrey Hartman, Transforming the Cultural Memory: Wordsworth at Ballads<\/li>\n
- Rhian Williams, Wordsworth and Eco-poetics<\/li>\n
- Emma Mason, Wordsworth\u2019s Intuition<\/li>\n
- Rowan Boyson, Wordsworth\u2019s Anosmia<\/li>\n
- Leslie Brisman, Wordsworth\u2019s Autism<\/li>\n
- Giuliana Ferreccio, Time and Narrative in Wordsworth\u2019s prelude<\/li>\n
- Crystal Lake, Wordsworth\u2019s Sofa<\/li>\n
- Adele Pinch, Wordsworth in Bed<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>
\n- \n
- Massimo Bacigalupo, Wordsworth in Italian Translation<\/li>\n
- Elena Spandri, Wordsworth and Italian Criticism<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>
\n- \n
- Emma Mason, Introduction<\/li>\n
- George Ttoouli, Something hurtling across the woods, which you try to record, If I could just bring you back with love, then thought wouldn\u2019t be so painful<\/li>\n
- Jonathan Skinner, Listening, In Step, Subsonic<\/li>\n
- Peter Larkin, Hollow, Allow, Woods, 2:pit \/hollow\/trees [extract]<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>
\n- \n
- Valeria Pellis, Mary Jacobus, Romantic Things: A Tree, A Rock, A Cloud<\/li>\n
- Karen Simecek, Peter Larkin, Wordsworth and Coleridge: Promising Losses<\/li>\n
- Maria Elena Capitani, Mark Lussier, Romantic Dharna: The Emergence of Buddhism into Nineteenth-Century Europe<\/li>\n
- Judyta Frodyma, Adam Potkay, Wordsworth\u2019s Ethics<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>
\n- \n
- Romantic Organization<\/li>\n
- Europe in Romantic Writing, 1775-1830<\/li>\n
- Coleridge Summer Conference 2014<\/li>\n
- Keats-Shelley House, RomeEdward Rushton and Romantic Liverpool<\/li>\n
- New Essay on Felicia Hemans<\/li>\n
- BARS<\/li>\n
- BARS Blog<\/li>\n
- NASSR<\/li>\n
- NASSR Graduate Caucus<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
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