![\"6001\"](\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2013\/05\/6001-214x300.jpg\")
<\/span><\/div><\/div><\/div><\/div><\/div><\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>
<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div>\n\n- Serena Baiesi, Masking and Unmasking the Gendered Self in English Annuals of the 1820s<\/li>\n
- Luisa Cal\u00e8, Leigh Hunt\u2019s Romantic Paper Gallery: Reading Spenser through the Old Masters in 1833 and 1844<\/li>\n
- Francesca Orestano, Thackeray Ritchie\u2019s Five Old Friends: Latecomers, Forerunners, Evergreens?<\/li>\n
- Carlotta Farese, \u00abDear Aunt Jane\u00bb: Austen, the Victorians, and Us<\/li>\n
- Catherine Maxwell, She and Shelley: Rider Haggard\u2019s Romanticism<\/li>\n
- Gioia Angeletti, From \u00abthe Heightening of the Beau Ideal\u00bb to \u00abPalpable Things\u00bb: Byron, Clough and the Poetry of Experience<\/li>\n
- Stefano Evangelista, \u00abThe Last of the Romantics\u00bb: Ouida and Popular Romanticism in the Victorian Fin de Si\u00e8cle<\/li>\n
- Patricia Pulham, Eyes that Trace like Fingers: Keats, Wilde, and Victorian Statue-Love<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>\n\n- Nicholas Halmi, The Poundian Image and the Romantic Symbol<\/li>\n
- Elisabetta Marino, Falkner di Mary Shelley: fra istanze romantiche e cultura vittoriana<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>\n\n- Mary Therese Royal de Martine,
\nCrossing the Mississippi
\nMississippi
\nView before Rising
\nWinter Chores
\nSetting In<\/li>\n - Leila Fal\u00e0,
\nFuori margine
\nA te rannicchiata
\nDi riflesso
\nFreezer
\nMeteo<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>\n\n- Beatrice Battaglia
\nPaula Byrne, The Real Jane Austen. A Life in Small Things<\/li>\n - Sarah HookHilary Fraser
\nWomen Writing Art History in the Nineteenth Century: Looking Like a Woman<\/li>\n - Edoardo Ripari
\nPietro Gibellini, Belli senza maschere. Saggi e studi sui sonetti romaneschi<\/li>\n - Laura Russo
\nAndrea Peghinelli, Shakespeare in burlesque. Il culto del Bardo e le parodie dei teatri illegittimi di Londra 1769-1843<\/li>\n - Annalisa Bottacin
\nAnnarosa Poli, Alla riscoperta di George Sand viaggiatrice in Italia<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>\n\n- Giornata in onore di Romolo Runcini<\/li>\n
- Subversive Jane Austen: from the Critic to the Reader<\/li>\n
- Byron and the Regency<\/li>\n
- Marylin Butler and the War of Ideas<\/li>\n
- BSECS Annual Conference<\/li>\n
- BAVS Conference<\/li>\n
- 13th ESSE Conference<\/li>\n
- Exhibition at the Keats-Shelley House, Rome<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div><\/div>
\n
- \n
- Serena Baiesi, Masking and Unmasking the Gendered Self in English Annuals of the 1820s<\/li>\n
- Luisa Cal\u00e8, Leigh Hunt\u2019s Romantic Paper Gallery: Reading Spenser through the Old Masters in 1833 and 1844<\/li>\n
- Francesca Orestano, Thackeray Ritchie\u2019s Five Old Friends: Latecomers, Forerunners, Evergreens?<\/li>\n
- Carlotta Farese, \u00abDear Aunt Jane\u00bb: Austen, the Victorians, and Us<\/li>\n
- Catherine Maxwell, She and Shelley: Rider Haggard\u2019s Romanticism<\/li>\n
- Gioia Angeletti, From \u00abthe Heightening of the Beau Ideal\u00bb to \u00abPalpable Things\u00bb: Byron, Clough and the Poetry of Experience<\/li>\n
- Stefano Evangelista, \u00abThe Last of the Romantics\u00bb: Ouida and Popular Romanticism in the Victorian Fin de Si\u00e8cle<\/li>\n
- Patricia Pulham, Eyes that Trace like Fingers: Keats, Wilde, and Victorian Statue-Love<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>
\n- \n
- Nicholas Halmi, The Poundian Image and the Romantic Symbol<\/li>\n
- Elisabetta Marino, Falkner di Mary Shelley: fra istanze romantiche e cultura vittoriana<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET\u2019S CORNER<\/span><\/a><\/h4><\/div>
\n- \n
- Mary Therese Royal de Martine,
\nCrossing the Mississippi
\nMississippi
\nView before Rising
\nWinter Chores
\nSetting In<\/li>\n - Leila Fal\u00e0,
\nFuori margine
\nA te rannicchiata
\nDi riflesso
\nFreezer
\nMeteo<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>
\n- \n
- Beatrice Battaglia
\nPaula Byrne, The Real Jane Austen. A Life in Small Things<\/li>\n - Sarah HookHilary Fraser
\nWomen Writing Art History in the Nineteenth Century: Looking Like a Woman<\/li>\n - Edoardo Ripari
\nPietro Gibellini, Belli senza maschere. Saggi e studi sui sonetti romaneschi<\/li>\n - Laura Russo
\nAndrea Peghinelli, Shakespeare in burlesque. Il culto del Bardo e le parodie dei teatri illegittimi di Londra 1769-1843<\/li>\n - Annalisa Bottacin
\nAnnarosa Poli, Alla riscoperta di George Sand viaggiatrice in Italia<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>
\n- \n
- Giornata in onore di Romolo Runcini<\/li>\n
- Subversive Jane Austen: from the Critic to the Reader<\/li>\n
- Byron and the Regency<\/li>\n
- Marylin Butler and the War of Ideas<\/li>\n
- BSECS Annual Conference<\/li>\n
- BAVS Conference<\/li>\n
- 13th ESSE Conference<\/li>\n
- Exhibition at the Keats-Shelley House, Rome<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div>
Link in evidenza<\/h2><\/div>
<\/div>
- Beatrice Battaglia
- Mary Therese Royal de Martine,