{"id":6071,"date":"2017-03-15T13:38:53","date_gmt":"2017-03-15T12:38:53","guid":{"rendered":"http:\/\/www.lilec.it\/romanticismo\/?p=6071"},"modified":"2021-11-12T12:16:36","modified_gmt":"2021-11-12T11:16:36","slug":"la-questione-romantica-trascendentalismo-e-oltre-2","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-trascendentalismo-e-oltre-2\/","title":{"rendered":"La Questione Romantica: Trascendentalismo e oltre (2014)"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-border-sizes-left:0px;--awb-border-sizes-right:0px;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-title title fusion-title-1 fusion-title-text fusion-title-size-three\"><h3 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><p><strong>Volume 6, Numero 1-2<br \/>\n<\/strong><\/p><\/h3><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-three-fourth fusion-column-first\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><\/div><div class=\"fusion-builder-row fusion-builder-row-inner fusion-row\"><div class=\"fusion-layout-column fusion_builder_column_inner fusion-builder-nested-column-0 fusion_builder_column_inner_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-image-element in-legacy-container\" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"214\" height=\"300\" title=\"la quest romantica\" src=\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2017\/03\/la-quest-romantica-e1489659802731.jpg\" alt class=\"img-responsive wp-image-6052\"\/><\/span><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:18px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#e0dede;--awb-divider-hover-color:#e0dede;--awb-icon-color:#ffffff;--awb-title-color:#333333;--awb-content-color:#747474;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#9b1717;--awb-title-font-family:&quot;Bayon&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Bayon&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-6071-1\"><div class=\"fusion-panel panel-default panel-116d044acec7f6345 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_116d044acec7f6345\"><a aria-expanded=\"false\" aria-controls=\"116d044acec7f6345\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6071-1\" data-target=\"#116d044acec7f6345\" href=\"#116d044acec7f6345\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">SAGGI<\/span><\/a><\/h4><\/div><div id=\"116d044acec7f6345\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_116d044acec7f6345\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><em> Mario Corona<\/em>, Che cosa resta del Rinascimento americano: F.O. Matthiessen e dintorni<\/li>\n<li><em>Elio Cappuccio<\/em>, Trascendentalismo, Concezioni olistiche, democrazia<\/li>\n<li><em>Cinzia Schiavini<\/em>, The last frontier or a return to Walden Pond? A revaluation of Barry Lopez&#8217;s Artic Dreams<\/li>\n<li><em>Stefano Rosso<\/em>, On deromanticized Journeys in american late westerns<\/li>\n<li><em>Nicola Ferrari<\/em>, Quando la musica ride. Storia di un triangolo trascendentale (Thoreau, Ives, Cage)<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-87473388cded414df fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_87473388cded414df\"><a aria-expanded=\"false\" aria-controls=\"87473388cded414df\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6071-1\" data-target=\"#87473388cded414df\" href=\"#87473388cded414df\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">MARGINALIA<\/span><\/a><\/h4><\/div><div id=\"87473388cded414df\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_87473388cded414df\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><em>Salvo Torre<\/em>, Progresso e Natura: \u00e9lis\u00e9e R\u00e9clus e il trascendentalismo<\/li>\n<li><em> Elisa Bordin,<\/em> Into the wild: ritorno (d)alla wilderness<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-c0db052571dce2f94 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_c0db052571dce2f94\"><a aria-expanded=\"false\" aria-controls=\"c0db052571dce2f94\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6071-1\" data-target=\"#c0db052571dce2f94\" href=\"#c0db052571dce2f94\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">POET\u2019S CORNER<\/span><\/a><\/h4><\/div><div id=\"c0db052571dce2f94\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_c0db052571dce2f94\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><em> Annalisa Goldon<\/em>i: Encantadas, Memo, Mer, Opere in Libert\u00e0<\/li>\n<li><em> Lola Tostevin<\/em>, The Poem<\/li>\n<li><em>Giovanna Silvani<\/em>, La piscina, L&#8217;isola, Il vizio assurdo, Oltraggio<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-2e82e110b70434d22 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_2e82e110b70434d22\"><a aria-expanded=\"false\" aria-controls=\"2e82e110b70434d22\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6071-1\" data-target=\"#2e82e110b70434d22\" href=\"#2e82e110b70434d22\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">RECENSIONI<\/span><\/a><\/h4><\/div><div id=\"2e82e110b70434d22\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_2e82e110b70434d22\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li style=\"text-align: left;\">Fernando Cioni, Stefano Villani, George Frederick Nott (1769-1841). Un ecclesiastico anglicano tratteologia, letteratura, arte, archeologia, bibliofilia e collezionismo.<\/li>\n<li style=\"text-align: left;\">Raffaella Malandrino, Edgar Allan Poe, Racconti sensazionali, a cura di Carlo Martinez<\/li>\n<li style=\"text-align: left;\">MariaCarmela Mancarella, Stephen Prickett, European Romanticism: a reader<\/li>\n<li style=\"text-align: left;\">Giorgio Mariani, Sanford E. Marovitz, Melville as poet. The art of &#8220;Pulsed life&#8221;. Juana Celia Dejalal, Melville&#8217;s Antithetical Muse: Reading the Shorter Poems<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-ed08384728308dae3 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_ed08384728308dae3\"><a aria-expanded=\"false\" aria-controls=\"ed08384728308dae3\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6071-1\" data-target=\"#ed08384728308dae3\" href=\"#ed08384728308dae3\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">NOTIZIE<\/span><\/a><\/h4><\/div><div id=\"ed08384728308dae3\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_ed08384728308dae3\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>Romantic Heirs: Receptions, Legacies, Dialogues since 1900<\/li>\n<li>Hawthorneurope: Transatlantic conversations<\/li>\n<li>L&#8217;eccentrico e il fantastico. Una giornata in memoria di Romolo Runcini<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-one-fourth fusion-column-first\" style=\"--awb-bg-color:#e8e8e8;--awb-bg-color-hover:#e8e8e8;--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-column-content-centered\"><div class=\"fusion-column-content\"><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-3 fusion-content-boxes-1 content-boxes-icon-boxed content-left\" style=\"--awb-iconcolor:#ffffff;--awb-margin-top:0px;--awb-hover-accent-color:#e9a825;--awb-circle-hover-accent-color:#e9a825;--awb-item-margin-bottom:40px;\" data-animationOffset=\"top-into-view\"><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Link in evidenza<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\">\n<p>&#8211; <a href=\"http:\/\/www.lilec.it\/romanticismo\/editoriale-trascendentalismo-e-oltre\/\">Editoriale<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-2 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-external-link circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:15px;line-height:20px;\">Acquisto online<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"directormd\" style=\"text-align: justify;\"><a href=\"https:\/\/www.google.it\/search?q=la+questione+romantica+liguori+trascendentalismo+ed+oltre&amp;ie=utf-8&amp;oe=utf-8&amp;client=firefox-b&amp;gfe_rd=cr&amp;ei=cz_JWJa8AurBXsSepdAO\">Il volume \u00e8 disponibile sulle principali piattaforme di vendita libri online<\/a><\/div>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:rgba(255,255,255,0);--awb-iconcolor:#ffffff;\" class=\"fusion-column content-box-column content-box-column content-box-column-3 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa fa-users circle-yes\"><\/i><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<div class=\"director\" style=\"text-align: center;\">\n<p><strong>DIRETTORE <\/strong><\/p>\n<p align=\"center\"><span style=\"font-size: small;\">\u00a0Lilla Maria Crisafulli.<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: small;\"><span style=\"color: #000080;\"><strong><span style=\"color: #333333;\">CONDIRETTORI<\/span> <\/strong><\/span>Annalisa Goldoni,<br \/>\n<\/span><\/p>\n<p align=\"center\"><span style=\"font-size: small;\"><span style=\"color: #333333;\"><strong>DIRETTORE RESPONSABILE <\/strong><\/span>Gigliola Nocera.<\/span><\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>RESPONSABILE SEGRETERIA DI REDAZIONE <\/strong>Gabriella Imposti<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>SEGRETERIA DI REDAZIONE <\/strong>Gioia Angeletti, Serena Baiesi, Luigi Contadini, Carlotta Farese, Gilberta Golinelli, Maria Chiara Gnocchi, Fabio Liberto, Lara Michelacci, Laura Russo.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>COMITATO DI REDAZIONE <\/strong>Gian Mario Anselmi, Laura Bandiera, Beatrice Battaglia, Micheal Dallapiazza, Franca Dellarosa, Paola Maria Filippi, Angelo Mangini, Cecilia Pietropoli, Maggie Rose, Elena Spandri, Annamaria Sportelli<\/p>\n<p style=\"text-align: center;\" align=\"center\"><strong>COMITATO SCIENTIFICO <\/strong>Roberto Barotni Marchi\u00f2, Andrea Battistini, Drummond Bone, Stuart Curran, B\u00e9atrice Didier, Keir Elam, Micheal Gamer, Stuart Gillespie, Stuart Gillespie, Sergio Givone, Ekaterini Douka Kabitoglou, William Keach, Paul Gerhard Klussmann, Norbert Lennartz, Franco Marenco, Anne K. Mellor, St\u00e9phane Michaud, David Punter, Jeffrey C. Robinson, Micheal Rossington, Viola Sachs, Diego Saglia, Jean Starobinski, Peter Vassallo, Timothy Webb<\/p>\n<\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":101015,"featured_media":6092,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[29,30,31],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La Questione Romantica: Trascendentalismo e oltre (2014) - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-trascendentalismo-e-oltre-2\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Questione Romantica: Trascendentalismo e oltre (2014) - 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