\u00a0Volume 9, Numero 1-2<\/strong><\/h3>\n![\"\"](\"http:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2018\/06\/6763.jpg\")
<\/a><\/p>\n<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div><\/p>\n\n- Raffaella Tonin\u00a0\u2013 <\/em>Juan Rivera: un traduttore militante nella Spagna del Triennio Liberale<\/li>\n
- Serena Vantin \u2013 <\/em>Mary Wollstonecraft traduttrice. Educazione, morale e pensiero radicale dalle pagine dell’Analytical Review<\/em> alla Francia rivoluzionaria<\/a><\/li>\n
- \nSylvie Kleinman<\/em> – ‘From Logistics to Liberation’: Theobald Wolfe Tone, Irish Revolutionary and Translator in Exile (1796-1798)<\/a><\/div>\n<\/li>\n
- Patrick Leech<\/em> – The \u00abForeign Affections\u00bb of the United Irishmen: France and the French Revolution in Arthur O’Connor’s The Press<\/em> (1797-1798)<\/a><\/li>\n
- Cesare Giacobazzi<\/em> – Walter Benjamin e la rivoluzione romantica nella teoria della traduzione<\/a><\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div><\/p>\n\n- \nFernando Cioni<\/em> – From page to stage<\/em>: traduzioni e interpretazioni italiane di Amleto<\/em> nel Settecento e nell’Ottocento<\/a><\/div>\n<\/li>\n
- Serena Baiesi<\/em> – The Power of the Lute and the Genius of the Language: Ann Radcliffe’s Poetic Tune<\/a><\/li>\n
- \nRita Monticelli<\/em> – Utopian Visions and Gender Imaginaries in Nineteenth-Century Travel Literature on the ‘Orient’<\/a><\/div>\n<\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>POET'S CORNER<\/span><\/a><\/h4><\/div><\/p>\n\n- Guy Lydster<\/li>\n
- Marco Vitale<\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div><\/p>\n\n- Serena Vantin<\/em> – Sarah M. Grimk\u00e9, Lettres sur l’\u00e9galit\u00e9 des sexes<\/em><\/li>\n
- Saverio Tomaiuolo<\/em> – Nicoletta Vallorani, Nessun Kurtz<\/em>. Cuore di tenebra e le parole dell’occidente<\/li>\n
- Elisabetta Marino<\/em> – Elisabetta Strickland, The Ascent of Mary Somerville in 19th Century Society<\/em><\/li>\n
- Valentina Pramaggiore<\/em> – Michael Gamer, Romanticism, Self-Canonization, and the Business of Poetry<\/em><\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div><\/p>\n\n- La modernit\u00e0<\/em> di Don Juan<\/li>\n
- Byron and Wordsworth: Art and Nature<\/em><\/li>\n
- The Bicentenary Conference on Mary Shelley’s <\/em>Frankenstein<\/li>\n
- Technologies of <\/em>Frankenstein 1818-2018<\/em><\/li>\n
- Passionate Politicians<\/em><\/li>\n
- Balzac and England<\/em><\/li>\n
- Frankenstein Then and Now, 1818-2018<\/em><\/li>\n
- Fifth Bicentennial John Keats Conference<\/em><\/li>\n
- Fraud and Forgery in Literature<\/em><\/li>\n
- NASSR 2018 Conference<\/em><\/li>\n
- Panel on Maria Edgeworth<\/em><\/li>\n
- Keats’s Reading\/Reading Keats<\/em><\/li>\n
- The Biennial Coleridge Conference<\/em><\/li>\n
- The 47th Wordsworth Summer Conference<\/em><\/li>\n
- 14th ESSE Conference<\/em><\/li>\n
- Frankenstein: Two Hundred Years of Monsters<\/em><\/li>\n<\/ul>\n
<\/div><\/div><\/div><\/div><\/div>\n
<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/i><\/div>LA QUESTIONE ROMANTICA: TRANSLATION AND REVOLUTION (2017)<\/h2><\/div>
<\/a><\/p>\n<\/i><\/i><\/span>SAGGI<\/span><\/a><\/h4><\/div><\/p>\n\n- Raffaella Tonin\u00a0\u2013 <\/em>Juan Rivera: un traduttore militante nella Spagna del Triennio Liberale<\/li>\n
- Serena Vantin \u2013 <\/em>Mary Wollstonecraft traduttrice. Educazione, morale e pensiero radicale dalle pagine dell’Analytical Review<\/em> alla Francia rivoluzionaria<\/a><\/li>\n
- \nSylvie Kleinman<\/em> – ‘From Logistics to Liberation’: Theobald Wolfe Tone, Irish Revolutionary and Translator in Exile (1796-1798)<\/a><\/div>\n<\/li>\n
- Patrick Leech<\/em> – The \u00abForeign Affections\u00bb of the United Irishmen: France and the French Revolution in Arthur O’Connor’s The Press<\/em> (1797-1798)<\/a><\/li>\n
- Cesare Giacobazzi<\/em> – Walter Benjamin e la rivoluzione romantica nella teoria della traduzione<\/a><\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div><\/p>\n\n- \nFernando Cioni<\/em> – From page to stage<\/em>: traduzioni e interpretazioni italiane di Amleto<\/em> nel Settecento e nell’Ottocento<\/a><\/div>\n<\/li>\n
- Serena Baiesi<\/em> – The Power of the Lute and the Genius of the Language: Ann Radcliffe’s Poetic Tune<\/a><\/li>\n
- \nRita Monticelli<\/em> – Utopian Visions and Gender Imaginaries in Nineteenth-Century Travel Literature on the ‘Orient’<\/a><\/div>\n<\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>POET'S CORNER<\/span><\/a><\/h4><\/div><\/p>\n\n- Guy Lydster<\/li>\n
- Marco Vitale<\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div><\/p>\n\n- Serena Vantin<\/em> – Sarah M. Grimk\u00e9, Lettres sur l’\u00e9galit\u00e9 des sexes<\/em><\/li>\n
- Saverio Tomaiuolo<\/em> – Nicoletta Vallorani, Nessun Kurtz<\/em>. Cuore di tenebra e le parole dell’occidente<\/li>\n
- Elisabetta Marino<\/em> – Elisabetta Strickland, The Ascent of Mary Somerville in 19th Century Society<\/em><\/li>\n
- Valentina Pramaggiore<\/em> – Michael Gamer, Romanticism, Self-Canonization, and the Business of Poetry<\/em><\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div><\/p>\n\n- La modernit\u00e0<\/em> di Don Juan<\/li>\n
- Byron and Wordsworth: Art and Nature<\/em><\/li>\n
- The Bicentenary Conference on Mary Shelley’s <\/em>Frankenstein<\/li>\n
- Technologies of <\/em>Frankenstein 1818-2018<\/em><\/li>\n
- Passionate Politicians<\/em><\/li>\n
- Balzac and England<\/em><\/li>\n
- Frankenstein Then and Now, 1818-2018<\/em><\/li>\n
- Fifth Bicentennial John Keats Conference<\/em><\/li>\n
- Fraud and Forgery in Literature<\/em><\/li>\n
- NASSR 2018 Conference<\/em><\/li>\n
- Panel on Maria Edgeworth<\/em><\/li>\n
- Keats’s Reading\/Reading Keats<\/em><\/li>\n
- The Biennial Coleridge Conference<\/em><\/li>\n
- The 47th Wordsworth Summer Conference<\/em><\/li>\n
- 14th ESSE Conference<\/em><\/li>\n
- Frankenstein: Two Hundred Years of Monsters<\/em><\/li>\n<\/ul>\n
<\/div><\/div><\/div><\/div><\/div>\n
<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/i><\/div>LA QUESTIONE ROMANTICA: TRANSLATION AND REVOLUTION (2017)<\/h2><\/div>
- \n
- Raffaella Tonin\u00a0\u2013 <\/em>Juan Rivera: un traduttore militante nella Spagna del Triennio Liberale<\/li>\n
- Serena Vantin \u2013 <\/em>Mary Wollstonecraft traduttrice. Educazione, morale e pensiero radicale dalle pagine dell’Analytical Review<\/em> alla Francia rivoluzionaria<\/a><\/li>\n
- \n
Sylvie Kleinman<\/em> – ‘From Logistics to Liberation’: Theobald Wolfe Tone, Irish Revolutionary and Translator in Exile (1796-1798)<\/a><\/div>\n<\/li>\n- Patrick Leech<\/em> – The \u00abForeign Affections\u00bb of the United Irishmen: France and the French Revolution in Arthur O’Connor’s The Press<\/em> (1797-1798)<\/a><\/li>\n
- Cesare Giacobazzi<\/em> – Walter Benjamin e la rivoluzione romantica nella teoria della traduzione<\/a><\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>MARGINALIA<\/span><\/a><\/h4><\/div>
<\/p>\n- \n
- \nFernando Cioni<\/em> – From page to stage<\/em>: traduzioni e interpretazioni italiane di Amleto<\/em> nel Settecento e nell’Ottocento<\/a><\/div>\n<\/li>\n
- Serena Baiesi<\/em> – The Power of the Lute and the Genius of the Language: Ann Radcliffe’s Poetic Tune<\/a><\/li>\n
- \n
Rita Monticelli<\/em> – Utopian Visions and Gender Imaginaries in Nineteenth-Century Travel Literature on the ‘Orient’<\/a><\/div>\n<\/li>\n<\/ul>\n<\/div><\/div><\/div>
<\/i><\/i><\/span>POET'S CORNER<\/span><\/a><\/h4><\/div>
<\/p>\n- \n
- Guy Lydster<\/li>\n
- Marco Vitale<\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>RECENSIONI<\/span><\/a><\/h4><\/div>
<\/p>\n- \n
- Serena Vantin<\/em> – Sarah M. Grimk\u00e9, Lettres sur l’\u00e9galit\u00e9 des sexes<\/em><\/li>\n
- Saverio Tomaiuolo<\/em> – Nicoletta Vallorani, Nessun Kurtz<\/em>. Cuore di tenebra e le parole dell’occidente<\/li>\n
- Elisabetta Marino<\/em> – Elisabetta Strickland, The Ascent of Mary Somerville in 19th Century Society<\/em><\/li>\n
- Valentina Pramaggiore<\/em> – Michael Gamer, Romanticism, Self-Canonization, and the Business of Poetry<\/em><\/li>\n<\/ul>\n
<\/div><\/div><\/div>
<\/i><\/i><\/span>NOTIZIE<\/span><\/a><\/h4><\/div>
<\/p>\n- \n
- La modernit\u00e0<\/em> di Don Juan<\/li>\n
- Byron and Wordsworth: Art and Nature<\/em><\/li>\n
- The Bicentenary Conference on Mary Shelley’s <\/em>Frankenstein<\/li>\n
- Technologies of <\/em>Frankenstein 1818-2018<\/em><\/li>\n
- Passionate Politicians<\/em><\/li>\n
- Balzac and England<\/em><\/li>\n
- Frankenstein Then and Now, 1818-2018<\/em><\/li>\n
- Fifth Bicentennial John Keats Conference<\/em><\/li>\n
- Fraud and Forgery in Literature<\/em><\/li>\n
- NASSR 2018 Conference<\/em><\/li>\n
- Panel on Maria Edgeworth<\/em><\/li>\n
- Keats’s Reading\/Reading Keats<\/em><\/li>\n
- The Biennial Coleridge Conference<\/em><\/li>\n
- The 47th Wordsworth Summer Conference<\/em><\/li>\n
- 14th ESSE Conference<\/em><\/li>\n
- Frankenstein: Two Hundred Years of Monsters<\/em><\/li>\n<\/ul>\n
<\/div><\/div><\/div><\/div><\/div>\n
<\/p>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/i><\/div>LA QUESTIONE ROMANTICA: TRANSLATION AND REVOLUTION (2017)<\/h2><\/div>
- Byron and Wordsworth: Art and Nature<\/em><\/li>\n
- Saverio Tomaiuolo<\/em> – Nicoletta Vallorani, Nessun Kurtz<\/em>. Cuore di tenebra e le parole dell’occidente<\/li>\n
- Serena Vantin<\/em> – Sarah M. Grimk\u00e9, Lettres sur l’\u00e9galit\u00e9 des sexes<\/em><\/li>\n
- Serena Baiesi<\/em> – The Power of the Lute and the Genius of the Language: Ann Radcliffe’s Poetic Tune<\/a><\/li>\n
- Serena Vantin \u2013 <\/em>Mary Wollstonecraft traduttrice. Educazione, morale e pensiero radicale dalle pagine dell’Analytical Review<\/em> alla Francia rivoluzionaria<\/a><\/li>\n