{"id":6888,"date":"2019-10-09T16:29:36","date_gmt":"2019-10-09T14:29:36","guid":{"rendered":"https:\/\/www.lilec.it\/romanticismo\/?p=6888"},"modified":"2021-11-08T22:40:18","modified_gmt":"2021-11-08T21:40:18","slug":"la-questione-romantica-east-west-encounters-in-literature-and-culture","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-east-west-encounters-in-literature-and-culture\/","title":{"rendered":"La Questione Romantica: East\/West Encounters In Literature and Culture (2018)"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-title title fusion-title-1 fusion-title-text fusion-title-size-three\"><h3 class=\"fusion-title-heading title-heading-left\" style=\"margin:0;\"><strong>Volume 10, n. 1-2<\/strong><\/h3><span class=\"awb-title-spacer\"><\/span><div class=\"title-sep-container\"><div class=\"title-sep sep-double sep-solid\" style=\"border-color:#e0dede;\"><\/div><\/div><\/div><div class=\"fusion-text fusion-text-1\"><p><a href=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/6825.jpg\" rel=\"attachment wp-att-6361\"><img decoding=\"async\" class=\"aligncenter wp-image-6874 size-medium\" src=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/6825-216x300.jpg\" alt=\"\" width=\"216\" height=\"300\" srcset=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/6825-200x278.jpg 200w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/6825-216x300.jpg 216w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/6825-400x557.jpg 400w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/6825.jpg 503w\" sizes=\"(max-width: 216px) 100vw, 216px\" \/><\/a><\/p>\n<\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:18px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#e0dede;--awb-divider-hover-color:#e0dede;--awb-icon-color:#ffffff;--awb-title-color:#333333;--awb-content-color:#747474;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#9b1717;--awb-title-font-family:&quot;Bayon&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Bayon&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-6888-1\"><div class=\"fusion-panel panel-default panel-15631f4d91db22bb0 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_15631f4d91db22bb0\"><a aria-expanded=\"false\" aria-controls=\"15631f4d91db22bb0\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6888-1\" data-target=\"#15631f4d91db22bb0\" href=\"#15631f4d91db22bb0\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">SAGGI<\/span><\/a><\/h4><\/div><div id=\"15631f4d91db22bb0\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_15631f4d91db22bb0\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><strong>Elena Spandri:\u00a0<\/strong><em>The Politics of Sympathy in the Anglo-Indian Romantic Discourse on Religion<\/em><\/li>\n<li><strong>Gioia Angeletti:\u00a0<\/strong><em>A Scottish Migrant in India: John Leyden, Between Enlightenment and Orientalism<\/em><\/li>\n<li><strong>Lilla Maria Crisafulli:\u00a0<\/strong><em>Gender and Orientalism in Women Romantic Playwrights<\/em><\/li>\n<li><strong>Greg Kuchich:\u00a0<\/strong><em>The Rights of Woman and the Wrongs of the East: Orientalism, Romantic Era Feminism, and Mariana Starke&#8217;s\u00a0<\/em>The Widow of Malabar<\/li>\n<li><strong>Elisabetta Marino:\u00a0<\/strong>Trifling Account of the Women of Egypt, Nubia and Syria\u00a0<em>di Sarah Belzoni: uno studio sulla condizione femminile<\/em><\/li>\n<li><strong>Serena Baiesi:\u00a0<\/strong><em>Colonial Picturesque and Indian Women in Letitia Elizabeth Landon&#8217;s Oriental Poems<\/em>\n<ul>\n<li><strong>Eleonora Sasso:\u00a0<\/strong><em>Blending Orientalism and Romanticism: Keats&#8217;s Talismanic Lady in D. G. Rossetti and William Morris<\/em><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-affc58eba66f1524e fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_affc58eba66f1524e\"><a aria-expanded=\"false\" aria-controls=\"affc58eba66f1524e\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6888-1\" data-target=\"#affc58eba66f1524e\" href=\"#affc58eba66f1524e\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">MARGINALIA<\/span><\/a><\/h4><\/div><div id=\"affc58eba66f1524e\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_affc58eba66f1524e\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>\n<div><strong>Michael Bradshaw:<\/strong> <em>Loitering on the Threshold: Thomas Hood&#8217;s Comical Communities<\/em><\/div>\n<\/li>\n<li><strong>Paolo Bugliani:\u00a0<\/strong><em>Le conversazioni tradite:\u00a0<\/em>The Last Days of Immanuel Kant\u00a0<em>di Thomas De Quincey tra saggio e biografia<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-113c983e464a39b08 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_113c983e464a39b08\"><a aria-expanded=\"false\" aria-controls=\"113c983e464a39b08\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6888-1\" data-target=\"#113c983e464a39b08\" href=\"#113c983e464a39b08\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">POET'S CORNER<\/span><\/a><\/h4><\/div><div id=\"113c983e464a39b08\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_113c983e464a39b08\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>\n<div><b>Tabish Khair<\/b><\/div>\n<\/li>\n<li><strong>Ruth Stacey<\/strong><\/li>\n<li><strong>Olivia McCannon<\/strong><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-c2a96a50b662dce3f fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_c2a96a50b662dce3f\"><a aria-expanded=\"false\" aria-controls=\"c2a96a50b662dce3f\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6888-1\" data-target=\"#c2a96a50b662dce3f\" href=\"#c2a96a50b662dce3f\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">RECENSIONI<\/span><\/a><\/h4><\/div><div id=\"c2a96a50b662dce3f\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_c2a96a50b662dce3f\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><strong>Luca Baratta:\u00a0<\/strong>Arianna Antonielli and Mark Nixon, eds,\u00a0<em>Edwin John Ellis&#8217;s and William Butler Yeats&#8217;s The Works of William Blake: Poetic, Symbolic and Criticaql<\/em><\/li>\n<li><strong>Valentina Pramaggiore:\u00a0<\/strong>Janet Todd,\u00a0<em>A Man of Genius<\/em><\/li>\n<li><strong>Carlotta Farese:\u00a0<\/strong>Jane Austen,\u00a0<em>Juvenilia. La raccolta completa;\u00a0<\/em>Beatrice Battaglia,\u00a0<em>Nel cuore di Jane. Ri-leggendo Persuasion<\/em><\/li>\n<li><strong>Marco Canani:\u00a0<\/strong>Anna Anselmo,\u00a0<em>The Poetics of Uncontrollability in Keat&#8217;s\u00a0<\/em>Endymion.\u00a0<em>Language Theory and Romantic Periodicals<\/em><\/li>\n<li><strong>Maria Chiara Alessandrini:\u00a0<\/strong>Peter Cheyne, ed.,\u00a0<em>Coleridge and Contemplation<\/em><\/li>\n<li><strong>Serena Baiesi:\u00a0<\/strong>Samuel Taylor Coleridge,\u00a0<em>La ballata dei vecchio marinaio<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-d89c47d837220111d fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_d89c47d837220111d\"><a aria-expanded=\"false\" aria-controls=\"d89c47d837220111d\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-6888-1\" data-target=\"#d89c47d837220111d\" href=\"#d89c47d837220111d\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">NOTIZIE<\/span><\/a><\/h4><\/div><div id=\"d89c47d837220111d\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_d89c47d837220111d\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><em>Romanticism Association (RA) Conference 2018: Romantic Empires; Romantic Identities<\/em><\/li>\n<li><em>Why literature matters: the case of Mary Shelley<\/em><\/li>\n<li><em>It&#8217;s Alive! Frankenstein at 200<\/em><\/li>\n<li><em>Sixth Bicentennial John Keats Conference: Keats in 1819: Cloudy Trophies, Quiet Power<\/em><\/li>\n<li><em>BARS 2019: Romantic Facts and Fantasies<\/em><\/li>\n<li><em>NASSR 2019: Romantic Elements<\/em><\/li>\n<li><em>The 2019 International Conference on Romanticism (ICR): Romanticism Now and Then<\/em><\/li>\n<li><em>Joint Conference of the International Associatin of Byron Societies (IABS) and the German Society for English Romanticism (GER): Transgressive Romanticism: Boundaries, Limits and Taboos<\/em><\/li>\n<li><em>R\u00caVE: Romantic Europe: The Virtual Exhibition<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-first\" style=\"--awb-bg-size:cover;width:50%;width:calc(50% - ( ( 4% ) * 0.5 ) );margin-right: 4%;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-3 fusion-content-boxes-1 content-boxes-icon-boxed content-left\" style=\"--awb-backgroundcolor:#e8e8e8;--awb-hover-accent-color:#e9a825;--awb-circle-hover-accent-color:#e9a825;--awb-item-margin-bottom:40px;\" data-animationOffset=\"top-into-view\"><div style=\"--awb-backgroundcolor:#e8e8e8;\" class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper-background content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa-link fas circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:18px;line-height:23px;\">LA QUESTIONE ROMANTICA: EAST\/WEST ENCOUNTERS IN LITERATURE AND CULTURE (2019)<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<p><a href=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2019\/10\/LA-QUESTIONE-ROMANTICA-EDITORIALE-EAST-WEST.pdf\">Editoriale<\/a><\/p>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:#e8e8e8;\" class=\"fusion-column content-box-column content-box-column content-box-column-2 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper-background content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa-external-link-alt fas circle-yes\"><\/i><\/div><h2 class=\"content-box-heading\" style=\"--h2_typography-font-size:18px;line-height:23px;\">Aquisto online<\/h2><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<p><a href=\"https:\/\/www.google.it\/search?client=firefox-b&amp;sxsrf=ACYBGNTz7Oe1bHS01vdNDnich8Q7AiTs3Q%3A1570537764931&amp;ei=JIGcXebBOMetkwWM7YbgDQ&amp;q=la+questione+romantica+liguori+east%2Fwest+encounters+in+literature+and+culture&amp;oq=la+questione+romantica+liguori+east%2Fwest+encounters+in+literature+and+culture&amp;gs_l=psy-ab.3...3981.17793..17932...3.0..0.132.4201.46j4......0....1..gws-wiz.......35i39j33i160j33i21j33i10.DU_BLRF8yOY&amp;ved=0ahUKEwjm49aM1YzlAhXH1qQKHYy2AdwQ4dUDCAs&amp;uact=5\">Il volume \u00e8 disponibile sulle principali piattaforme di vendita libri online<\/a><\/p>\n<\/div><\/div><\/div><div style=\"--awb-backgroundcolor:#e8e8e8;\" class=\"fusion-column content-box-column content-box-column content-box-column-3 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper-background content-wrapper-boxed link-area-link-icon icon-hover-animation-fade\" data-animationOffset=\"top-into-view\"><div class=\"heading heading-with-icon icon-left\"><div class=\"icon\"><i style=\"border-color:#333333;border-width:1px;background-color:#9b1717;box-sizing:content-box;height:42px;width:42px;line-height:42px;top:-71px;margin-left:-21px;border-radius:50%;font-size:21px;\" aria-hidden=\"true\" class=\"fontawesome-icon fa-users fas circle-yes\"><\/i><\/div><\/div><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\">\n<p style=\"text-align: center;\"><strong>DIRETTORE<\/strong><\/p>\n<p style=\"text-align: center;\">Lilla Maria Crisafulli<\/p>\n<p style=\"text-align: center;\"><strong>CONDIRETTORE<\/strong><\/p>\n<p style=\"text-align: center;\">Annalisa Goldoni<\/p>\n<p style=\"text-align: center;\"><strong>DIRETTORE RESPONSABILE<\/strong><\/p>\n<p style=\"text-align: center;\">Gabriella Imposti<\/p>\n<p style=\"text-align: center;\"><strong>RESPONSABILE SEGRETERIA DI REDAZIONE<\/strong><\/p>\n<p style=\"text-align: center;\">Gabriella Imposti<\/p>\n<p style=\"text-align: center;\"><strong>SEGRETERIA DI REDAZIONE<\/strong><\/p>\n<p style=\"text-align: center;\">Gioia Angeletti, Serena Baiesi, Andrea Birk, Luigi Contadini, Carlotta Farese, Gilberta Golinelli, Maria Chiara Gnocchi, Fabio Liberto, Lara Michelacci, Annamaria Sportelli<\/p>\n<p style=\"text-align: center;\"><strong>COMITATO SCIENTIFICO<\/strong><\/p>\n<p style=\"text-align: center;\">Andrea Battistini, Rossana Bonadei, Drummond Bone, Stuart Curran, B\u00e9atrice Didier, Keir Elam, Michael Gamer, Stuart Gillespie, Sergio Givone, Ekaterini Doluka Kabitoglou, William Keach, Paul Gerhard Klussman, Franco Marenco, Anne K. Mellor, St\u00e9phane Michaud, David Punter, Jeffrey C. Robinson, Michael Rossington, Viola Sachs, Diego Saglia, Peter Vassallo, Timothy Webb<\/p>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_2 1_2 fusion-one-half fusion-column-last\" style=\"--awb-bg-size:cover;width:50%;width:calc(50% - ( ( 4% ) * 0.5 ) );\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\"><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":6917,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[29,30,31],"tags":[48],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La Questione Romantica: East\/West Encounters In Literature and Culture (2018) - 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