{"id":7132,"date":"2021-10-05T12:27:48","date_gmt":"2021-10-05T10:27:48","guid":{"rendered":"https:\/\/www.lilec.it\/romanticismo\/?p=7132"},"modified":"2021-11-08T22:33:14","modified_gmt":"2021-11-08T21:33:14","slug":"la-questione-romantica-igino-ugo-tarchetti-150-anni-dopo","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-igino-ugo-tarchetti-150-anni-dopo\/","title":{"rendered":"La questione Romantica: Igino Ugo Tarchetti 150 anni dopo (2021)"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"--awb-bg-size:cover;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-column-wrapper-legacy\"><div class=\"fusion-text fusion-text-1\"><h2>Volume 13, n. 1-2<\/h2>\n<\/div><div class=\"fusion-image-element in-legacy-container\" style=\"--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"215\" height=\"300\" title=\"6918 (1)\" src=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2021\/10\/6918-1-215x300.jpg\" alt class=\"img-responsive wp-image-7133\" srcset=\"https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2021\/10\/6918-1-200x279.jpg 200w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2021\/10\/6918-1-400x559.jpg 400w, https:\/\/www.lilec.it\/romanticismo\/wp\/wp-content\/uploads\/2021\/10\/6918-1.jpg 501w\" sizes=\"(max-width: 800px) 100vw, 215px\" \/><\/span><\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:1px;--awb-icon-size:13px;--awb-content-font-size:18px;--awb-icon-alignment:left;--awb-hover-color:#f9f9f9;--awb-border-color:#cccccc;--awb-background-color:#ffffff;--awb-divider-color:#e0dede;--awb-divider-hover-color:#e0dede;--awb-icon-color:#ffffff;--awb-title-color:#333333;--awb-content-color:#747474;--awb-icon-box-color:#333333;--awb-toggle-hover-accent-color:#9b1717;--awb-title-font-family:&quot;Bayon&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-line-height:1.5;--awb-content-font-family:&quot;Bayon&quot;;--awb-content-font-style:normal;--awb-content-font-weight:400;\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-7132-1\"><div class=\"fusion-panel panel-default panel-179a5168b5f999b9f fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_179a5168b5f999b9f\"><a aria-expanded=\"false\" aria-controls=\"179a5168b5f999b9f\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-7132-1\" data-target=\"#179a5168b5f999b9f\" href=\"#179a5168b5f999b9f\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">SAGGI<\/span><\/a><\/h4><\/div><div id=\"179a5168b5f999b9f\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_179a5168b5f999b9f\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><strong>Vittorio Roda: <\/strong>\u00a0<em>L\u00b4uno e i molti in alcuni scritti di Igino Ugo Tarchetti<\/em><\/li>\n<li><strong>Silvia T. Zangrandi:<\/strong>\u00a0<em>Una combinazione di nomi. Giochi onomastici in alcuni racconti di Igino Ugo Tarchetti<\/em><\/li>\n<li><strong>Fabio Camilletti:<\/strong>\u00a0<em>Fantastico e naturalismo nelle Leggende del castello nero<\/em><\/li>\n<li><strong>Marco A. Bazzocchi: <\/strong>Fosca fantasmagoria erotica<\/li>\n<li><strong>Giovanna Rosa: <\/strong><em>L\u00b4eros conturbante di Fosca<\/em><\/li>\n<li><strong>Achille Castaldo: <\/strong><em>Salvezza privata e crisi del cinema politico: Fosca e Passione d\u00b4amore di Ettore Scola<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-666e96e715a4c46fc fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_666e96e715a4c46fc\"><a aria-expanded=\"false\" aria-controls=\"666e96e715a4c46fc\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-7132-1\" data-target=\"#666e96e715a4c46fc\" href=\"#666e96e715a4c46fc\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">MARGINALIA<\/span><\/a><\/h4><\/div><div id=\"666e96e715a4c46fc\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_666e96e715a4c46fc\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>\n<div><a><strong>Franca Dellarosa<\/strong>: <em>Acting Bronze, Acting Black: Othello and the Performance of Race on the Romantic Stage<\/em><\/a><\/div>\n<\/li>\n<li>\n<div><a><strong>Edoardo Baccarini:<\/strong>\u00a0<em>\u00abIl principio di tutte le calamit\u00e0\u00bb: Marco Antonio Parenti, l\u00b4Inghilterra e due articoli della Voce della verit\u00e0 (luglio-settembre 1835)<\/em><\/a><\/div>\n<\/li>\n<li>\n<div><a><strong>Simone Marsi: <\/strong><em>Il Romanticismo sui banchi di scuola. Un itinerario tra storiografia letteraria e quaderni scolastici del primo Novecento<\/em><\/a><\/div>\n<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-03e8be2d6e7441feb fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_03e8be2d6e7441feb\"><a aria-expanded=\"false\" aria-controls=\"03e8be2d6e7441feb\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-7132-1\" data-target=\"#03e8be2d6e7441feb\" href=\"#03e8be2d6e7441feb\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">POET'S CORNER<\/span><\/a><\/h4><\/div><div id=\"03e8be2d6e7441feb\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_03e8be2d6e7441feb\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><strong>Alberto Bertoni:<\/strong>\u00a0<em>Quartetto per Marco<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-9fe192a8a5de16ea1 fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_9fe192a8a5de16ea1\"><a aria-expanded=\"false\" aria-controls=\"9fe192a8a5de16ea1\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-7132-1\" data-target=\"#9fe192a8a5de16ea1\" href=\"#9fe192a8a5de16ea1\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">RECENSIONI<\/span><\/a><\/h4><\/div><div id=\"9fe192a8a5de16ea1\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_9fe192a8a5de16ea1\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li>\n<div><strong>Miriam Kay: <\/strong><em>Riccardo Stracuzzi, Il \u00abWerther\u00bb di Foscolo. Una lettura<\/em><\/div>\n<\/li>\n<li>\n<div><strong>Saverio Tomaiuolo:<\/strong>\u00a0<em>Franco Buffoni, Silvia \u00e8 un anagramma<\/em><\/div>\n<\/li>\n<li>\n<div><strong>Anna Sofia Lippolis: <\/strong><em>Manzoni, a cura di Paola Italia<\/em><\/div>\n<\/li>\n<li>\n<div><strong>Mattia Petricola: <\/strong><em>Ezio Puglia, Il lato oscuro delle cose. Archeologia del fantastico e dei suoi oggetti<\/em><\/div>\n<\/li>\n<li>\n<div><strong>Valentina Vetri: <\/strong><em>Gino Scatasta, Fitzrovia, o la Boh\u00e8me a Londra<\/em><\/div>\n<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-79f74eaa0ecd4a5dd fusion-toggle-has-divider\"><div class=\"panel-heading\"><h4 class=\"panel-title toggle\" id=\"toggle_79f74eaa0ecd4a5dd\"><a aria-expanded=\"false\" aria-controls=\"79f74eaa0ecd4a5dd\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-7132-1\" data-target=\"#79f74eaa0ecd4a5dd\" href=\"#79f74eaa0ecd4a5dd\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">NOTIZIE<\/span><\/a><\/h4><\/div><div id=\"79f74eaa0ecd4a5dd\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_79f74eaa0ecd4a5dd\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><em>Bars Digital Events Series<\/em><\/li>\n<li><em>Jane Austen &amp; Co. online conferences: Spring 2021 series &#8220;Race and the Regency&#8221;<\/em><\/li>\n<li><em>Keats-Shelley Bicentenary Programme: Keats-Shelley200<\/em><\/li>\n<li><em>leopardi Studies at Oxford Conference: Contaminations. Leopardi and the Modern Self from Romanticism to Modernism<\/em><\/li>\n<li><em>International Byron Conference: Wars and Words<\/em><\/li>\n<li><em>JSNA&#8217;s Annual General Meeting: Jane Austen in the Arts<\/em><\/li>\n<li><em>Convegno della Deutsche Leopardi-Gesellschaft: \u00abO natura, o natura\u00bb pensiero e poesia della natura in Leopardi<\/em><\/li>\n<li><em>BSECS Annual Conference: Indifference and Engagement<\/em><\/li>\n<li><em>International Conference: British Romanticism and Europe\u00a0<\/em><\/li>\n<li><em>NASSR Annual Conference: New Romanticisms\u00a0<\/em><\/li>\n<li><em>Calls for papers: Serapion. Zweijahresschrift F\u00fcr Europ\u00e4ische Romantik \/ Yearbook for European Romanticism (bi-annual)<\/em><\/li>\n<\/ul>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":6,"featured_media":7130,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[29,30],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La questione Romantica: Igino Ugo Tarchetti 150 anni dopo (2021) - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/la-questione-romantica-igino-ugo-tarchetti-150-anni-dopo\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La questione Romantica: Igino Ugo Tarchetti 150 anni dopo (2021) - 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