{"id":7521,"date":"2022-09-20T17:20:35","date_gmt":"2022-09-20T15:20:35","guid":{"rendered":"https:\/\/www.lilec.it\/romanticismo\/?p=7521"},"modified":"2022-09-20T17:21:14","modified_gmt":"2022-09-20T15:21:14","slug":"ruins-past-and-future-four-ways-of-looking-at-history","status":"publish","type":"post","link":"https:\/\/www.lilec.it\/romanticismo\/ruins-past-and-future-four-ways-of-looking-at-history\/","title":{"rendered":"Ruins Past and Future: Four Ways of Looking at History"},"content":{"rendered":"<div class=\"text-wrap\">\n<p>06 SETTEMBRE\u00a0<span class=\"year\">2022<\/span>\u00a0\u00a0dalle 17:30 alle 19:00<\/p>\n<\/div>\n<div class=\"text-wrap\">\n<p>Sala Rossa, Palazzo Marchesini, Via Marsala, 26 &#8211; Bologna &#8211; Evento in presenza e online<\/p>\n<\/div>\n<p><span data-ccp-parastyle=\"heading 3\">This<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">illustrated<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">lecture<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">will<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">examine<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">representations<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0of\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">real<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0and\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">imaginary<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">ruins<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0in\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">European<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">literature<\/span><span data-ccp-parastyle=\"heading 3\">,\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">visual<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">arts<\/span><span data-ccp-parastyle=\"heading 3\">, and\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">architectural<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">theory<\/span><span data-ccp-parastyle=\"heading 3\">.\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">Ranging<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0from the\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">antiquarian<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0Poggio Bracciolini in the\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">early<\/span><span data-ccp-parastyle=\"heading 3\">\u00a015th\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">century<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">through<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0the\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">artists<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">Piranesi<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0and\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">Hubert<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0Robert in the 18th\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">century<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0and the\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">poet<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0Anna\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">Barbauld<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0in the 19th\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">century<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0to the film Planet of the\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">Apes<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0in the late 20th\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">century<\/span><span data-ccp-parastyle=\"heading 3\">, the\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">lecture<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">will<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0focus on\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">four<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">distinct<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">views<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0of\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">ruins<\/span><span data-ccp-parastyle=\"heading 3\">\u2014<\/span><span data-ccp-parastyle=\"heading 3\">as<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0moral\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">lessons<\/span><span data-ccp-parastyle=\"heading 3\">,\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">as<\/span><span data-ccp-parastyle=\"heading 3\">aesthetic<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">exempla<\/span><span data-ccp-parastyle=\"heading 3\">,\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">as<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">elements<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0of\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">landscape<\/span><span data-ccp-parastyle=\"heading 3\">, and\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">as<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">anticipations<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0of the future\u2014and the\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">conception<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0of\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">historical\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">time\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">underlying<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">each<\/span><span data-ccp-parastyle=\"heading 3\">.\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">Among<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0the\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">questions<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">that<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">will<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0be\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">addressed<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0are\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">why<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">ruins<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0are \u00a0\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">fascinating<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0in\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">such<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">varied\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">contexts<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0and for\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">such<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">varied<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">artistic<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">purposes<\/span><span data-ccp-parastyle=\"heading 3\">, and\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">how<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">they<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">seem<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0to be\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">emblematic<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0of diverse\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">historical<\/span><span data-ccp-parastyle=\"heading 3\">\u00a0<\/span><span data-ccp-parastyle=\"heading 3\">conditions<\/span><span data-ccp-parastyle=\"heading 3\">.<\/span><\/p>\n<p><span data-ccp-parastyle=\"heading 3\">If you prefer to attend this lecture in presence, you should write to\u00a0<a href=\"mailto:segreteria.isa@unibo.it\">segreteria.isa@unibo.it<\/a>\u00a0within September 6th, 12 p.m. and book your place. The places will be assigned on \u201cfirst come first served\u201d basis.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>06 SETTEMBRE\u00a02022\u00a0\u00a0dalle 17:30 alle 19:00 Sala Rossa, Palazzo Marchesini, Via Marsala, 26 &#8211; Bologna &#8211; Evento in presenza e online This\u00a0illustrated\u00a0lecture\u00a0will\u00a0examine\u00a0representations\u00a0of\u00a0real\u00a0and\u00a0imaginary\u00a0ruins\u00a0in\u00a0European\u00a0literature,\u00a0visual\u00a0arts, and\u00a0architectural\u00a0theory.\u00a0Ranging\u00a0from the\u00a0antiquarian\u00a0Poggio Bracciolini in the\u00a0early\u00a015th\u00a0century\u00a0through\u00a0the\u00a0artists\u00a0Piranesi\u00a0and\u00a0Hubert\u00a0Robert in the 18th\u00a0century\u00a0and the\u00a0poet\u00a0Anna\u00a0Barbauld\u00a0in the 19th\u00a0century\u00a0to the film Planet of the\u00a0Apes\u00a0in the late 20th\u00a0century, the\u00a0lecture\u00a0will\u00a0focus on\u00a0four\u00a0distinct\u00a0views\u00a0of\u00a0ruins\u2014as\u00a0moral\u00a0lessons,\u00a0asaesthetic\u00a0exempla,\u00a0as\u00a0elements\u00a0of\u00a0landscape, and\u00a0as\u00a0anticipations\u00a0of the future\u2014and the\u00a0conception\u00a0of\u00a0historical\u00a0time\u00a0underlying\u00a0each.\u00a0Among\u00a0the\u00a0questions\u00a0that\u00a0will\u00a0be\u00a0addressed\u00a0are\u00a0why\u00a0ruins\u00a0are \u00a0\u00a0fascinating\u00a0in\u00a0such\u00a0varied\u00a0contexts\u00a0and for\u00a0such\u00a0varied\u00a0artistic\u00a0purposes, and\u00a0how\u00a0they\u00a0seem\u00a0to be\u00a0emblematic\u00a0of diverse\u00a0historical\u00a0conditions. If you prefer to [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[25,6],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ruins Past and Future: Four Ways of Looking at History - Centro Interuniversitario per lo Studio del Romanticismo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lilec.it\/romanticismo\/ruins-past-and-future-four-ways-of-looking-at-history\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ruins Past and Future: Four Ways of Looking at History - Centro Interuniversitario per lo Studio del Romanticismo\" \/>\n<meta property=\"og:description\" content=\"06 SETTEMBRE\u00a02022\u00a0\u00a0dalle 17:30 alle 19:00 Sala Rossa, Palazzo Marchesini, Via Marsala, 26 &#8211; Bologna &#8211; Evento in presenza e online This\u00a0illustrated\u00a0lecture\u00a0will\u00a0examine\u00a0representations\u00a0of\u00a0real\u00a0and\u00a0imaginary\u00a0ruins\u00a0in\u00a0European\u00a0literature,\u00a0visual\u00a0arts, and\u00a0architectural\u00a0theory.\u00a0Ranging\u00a0from the\u00a0antiquarian\u00a0Poggio Bracciolini in the\u00a0early\u00a015th\u00a0century\u00a0through\u00a0the\u00a0artists\u00a0Piranesi\u00a0and\u00a0Hubert\u00a0Robert in the 18th\u00a0century\u00a0and the\u00a0poet\u00a0Anna\u00a0Barbauld\u00a0in the 19th\u00a0century\u00a0to the film Planet of the\u00a0Apes\u00a0in the late 20th\u00a0century, the\u00a0lecture\u00a0will\u00a0focus on\u00a0four\u00a0distinct\u00a0views\u00a0of\u00a0ruins\u2014as\u00a0moral\u00a0lessons,\u00a0asaesthetic\u00a0exempla,\u00a0as\u00a0elements\u00a0of\u00a0landscape, and\u00a0as\u00a0anticipations\u00a0of the future\u2014and the\u00a0conception\u00a0of\u00a0historical\u00a0time\u00a0underlying\u00a0each.\u00a0Among\u00a0the\u00a0questions\u00a0that\u00a0will\u00a0be\u00a0addressed\u00a0are\u00a0why\u00a0ruins\u00a0are \u00a0\u00a0fascinating\u00a0in\u00a0such\u00a0varied\u00a0contexts\u00a0and for\u00a0such\u00a0varied\u00a0artistic\u00a0purposes, and\u00a0how\u00a0they\u00a0seem\u00a0to be\u00a0emblematic\u00a0of diverse\u00a0historical\u00a0conditions. 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