6001
  • Serena Baiesi, Masking and Unmasking the Gendered Self in English Annuals of the 1820s
  • Luisa Calè, Leigh Hunt’s Romantic Paper Gallery: Reading Spenser through the Old Masters in 1833 and 1844
  • Francesca Orestano, Thackeray Ritchie’s Five Old Friends: Latecomers, Forerunners, Evergreens?
  • Carlotta Farese, «Dear Aunt Jane»: Austen, the Victorians, and Us
  • Catherine Maxwell, She and Shelley: Rider Haggard’s Romanticism
  • Gioia Angeletti, From «the Heightening of the Beau Ideal» to «Palpable Things»: Byron, Clough and the Poetry of Experience
  • Stefano Evangelista, «The Last of the Romantics»: Ouida and Popular Romanticism in the Victorian Fin de Siècle
  • Patricia Pulham, Eyes that Trace like Fingers: Keats, Wilde, and Victorian Statue-Love
  • Nicholas Halmi, The Poundian Image and the Romantic Symbol
  • Elisabetta Marino, Falkner di Mary Shelley: fra istanze romantiche e cultura vittoriana
  • Mary Therese Royal de Martine,
    Crossing the Mississippi
    Mississippi
    View before Rising
    Winter Chores
    Setting In
  • Leila Falà,
    Fuori margine
    A te rannicchiata
    Di riflesso
    Freezer
    Meteo
  • Beatrice Battaglia
    Paula Byrne, The Real Jane Austen. A Life in Small Things
  • Sarah HookHilary Fraser
    Women Writing Art History in the Nineteenth Century: Looking Like a Woman
  • Edoardo Ripari
    Pietro Gibellini, Belli senza maschere. Saggi e studi sui sonetti romaneschi
  • Laura Russo
    Andrea Peghinelli, Shakespeare in burlesque. Il culto del Bardo e le parodie dei teatri illegittimi di Londra 1769-1843
  • Annalisa Bottacin
    Annarosa Poli, Alla riscoperta di George Sand viaggiatrice in Italia
  • Giornata in onore di Romolo Runcini
  • Subversive Jane Austen: from the Critic to the Reader
  • Byron and the Regency
  • Marylin Butler and the War of Ideas
  • BSECS Annual Conference
  • BAVS Conference
  • 13th ESSE Conference
  • Exhibition at the Keats-Shelley House, Rome